| New Music: Country |
| New Music USA - New Music Magazine - New Music Blog - New Music Promotion |
| New Music USA |
| New Music Magazine / Blog / Promotion |
| Meet Georgia Singer/Songwriter Hali Hicks |
| Music Genres: Country |
Hali Hicks is already a well-known veteran resident and recording
artist in Nashville...And all before the age of 21.
Toting a Martin guitar, Hali is always at the ready to sing a song.
She’s been singing since she was a toddler and started playing her
guitar when she was 13. With many influences throughout her
young but seasoned life, she could tell you about some all-time
favorite performers of hers – such as LeAnn Rimes and Dolly
Parton.
Being in Nashville brings a unique exposure and because there’s so
much live music there she doesn't have much reason to listen to her
iPod. However, she does have Lady Antebellum and Miranda
Lambert in her iTunes lineup. When thinking about influences, what
comes to her lips immediately is the indelible influence that her
family has had on her life. Tender reverence is revealed as she
speaks of the support and assistance she has received from her
daddy, her mama, her grandmother (‘nanny’) and the rest of her
family.
Her musical exploration of other artists began with an interesting
mixture of styles. Her first CD was given to her as a gift - a LeAnn
Rimes album. She also recalls receiving The Essential Dolly Parton
album later on. The first concert she attended was Carmen, a
gospel concert. Her favorite band is Lynyrd Skynyrd (and thanks to
her daddy, she can play some Skynyrd!) These early introductions
are frequently evident in the tone and timbre of her vocal
expressions.
Hali’s family took a brave step when she was 15. Her mother and
sister moved with her to Nashville to help her pursue a career as a
music artist. After 2 years of investing their life focus on supporting
Hali’s career, her family needed to return to Georgia, so, at 17, her
daddy gave her $100 and a tank of gas. She got a job as a waitress
and saved every penny so she could live. After three weeks she
started working as a full-time singer and has been ever since...she
is living independently and surrounded by great artists of all levels
of development.
She goes home on holidays and still gets homesick for her family, so
it’s no surprise that she finds creative ways to incorporate them into
her music. She has recorded a song about her family, Down Home
Pickin’, featuring her daddy and her brother Bryce as
instrumentalists.
artist in Nashville...And all before the age of 21.
Toting a Martin guitar, Hali is always at the ready to sing a song.
She’s been singing since she was a toddler and started playing her
guitar when she was 13. With many influences throughout her
young but seasoned life, she could tell you about some all-time
favorite performers of hers – such as LeAnn Rimes and Dolly
Parton.
Being in Nashville brings a unique exposure and because there’s so
much live music there she doesn't have much reason to listen to her
iPod. However, she does have Lady Antebellum and Miranda
Lambert in her iTunes lineup. When thinking about influences, what
comes to her lips immediately is the indelible influence that her
family has had on her life. Tender reverence is revealed as she
speaks of the support and assistance she has received from her
daddy, her mama, her grandmother (‘nanny’) and the rest of her
family.
Her musical exploration of other artists began with an interesting
mixture of styles. Her first CD was given to her as a gift - a LeAnn
Rimes album. She also recalls receiving The Essential Dolly Parton
album later on. The first concert she attended was Carmen, a
gospel concert. Her favorite band is Lynyrd Skynyrd (and thanks to
her daddy, she can play some Skynyrd!) These early introductions
are frequently evident in the tone and timbre of her vocal
expressions.
Hali’s family took a brave step when she was 15. Her mother and
sister moved with her to Nashville to help her pursue a career as a
music artist. After 2 years of investing their life focus on supporting
Hali’s career, her family needed to return to Georgia, so, at 17, her
daddy gave her $100 and a tank of gas. She got a job as a waitress
and saved every penny so she could live. After three weeks she
started working as a full-time singer and has been ever since...she
is living independently and surrounded by great artists of all levels
of development.
She goes home on holidays and still gets homesick for her family, so
it’s no surprise that she finds creative ways to incorporate them into
her music. She has recorded a song about her family, Down Home
Pickin’, featuring her daddy and her brother Bryce as
instrumentalists.
Young and self-reliant, she already has a great fan base who
are real music lovers and enthusiastic about live, expressive
music. With every song, Hali delivers the experience a country
music lover has come to crave.
For more information, visit www.halihicksmusic.com/
are real music lovers and enthusiastic about live, expressive
music. With every song, Hali delivers the experience a country
music lover has come to crave.
For more information, visit www.halihicksmusic.com/
| RICHARD BURR RELEASES “AVENUE 256” |
| Music Genres: Country / Americana |
Los Angeles, CA-- Born and raised in the Central San Joaquin
Valley, musician Richard Burr’s music has gained attention and
praise throughout the world and has topped the radio-airplay charts!
His 2nd independent release “This Winter’s Chills” has been
compared to some of the greatest contemporary songwriters in the
music industry such as: Bob Dylan, Bruce Springsteen and Steve
Forbert.
Richard’s just released new CD promises to be a mixture of
interesting rhythms and inspired storytelling. "The CD is a bit of a
departure. Rhythmically, the record has taken on a direction that is
new for me and I am really having fun with it. I am certainly stretching
vocally and enjoying the inspirational quality I am working to infuse
into this CD lyrically. I have always been fond of stories of the
human struggle."
The title of the new CD is Avenue 256. It contains 11 new original
tracks and a cover of Bob Dylan's classic "Don't Think Twice, It's All
Right". As previously mentioned, the new music is a departure from
Richard's previous releases, but the lyrics are still as poignant and
the voice is just as distinctive. The CD is available now via all digital
platforms and through www.richardburr.com
For more information, visit www.richardburr.com
Valley, musician Richard Burr’s music has gained attention and
praise throughout the world and has topped the radio-airplay charts!
His 2nd independent release “This Winter’s Chills” has been
compared to some of the greatest contemporary songwriters in the
music industry such as: Bob Dylan, Bruce Springsteen and Steve
Forbert.
Richard’s just released new CD promises to be a mixture of
interesting rhythms and inspired storytelling. "The CD is a bit of a
departure. Rhythmically, the record has taken on a direction that is
new for me and I am really having fun with it. I am certainly stretching
vocally and enjoying the inspirational quality I am working to infuse
into this CD lyrically. I have always been fond of stories of the
human struggle."
The title of the new CD is Avenue 256. It contains 11 new original
tracks and a cover of Bob Dylan's classic "Don't Think Twice, It's All
Right". As previously mentioned, the new music is a departure from
Richard's previous releases, but the lyrics are still as poignant and
the voice is just as distinctive. The CD is available now via all digital
platforms and through www.richardburr.com
For more information, visit www.richardburr.com
City Keepers is the eagerly anticipated new release from singer-songwriter, Kim Dellavedova.
The quality of Dellavedova’s songwriting on the record is formidable, not afraid to employ a
killer riff, her stripped back songs are punchy and have choruses that want to be sung.
Kim has been captivating audiences with this collection of songs live, performing with 60’s
tone-master guitarist/producer Scott Wilson, delivering her take on classic country/soul,
swampy blues, to songs with refreshingly cheeky, upbeat pop/rock grooves.
While the strength of Dellavedova’s songwriting on this album is outstanding, the
performances and recordings are stunning. The album has already been described as one of
Australias finest collections of folk/country music.
http://www.kimdellavedova.com
The quality of Dellavedova’s songwriting on the record is formidable, not afraid to employ a
killer riff, her stripped back songs are punchy and have choruses that want to be sung.
Kim has been captivating audiences with this collection of songs live, performing with 60’s
tone-master guitarist/producer Scott Wilson, delivering her take on classic country/soul,
swampy blues, to songs with refreshingly cheeky, upbeat pop/rock grooves.
While the strength of Dellavedova’s songwriting on this album is outstanding, the
performances and recordings are stunning. The album has already been described as one of
Australias finest collections of folk/country music.
http://www.kimdellavedova.com
| Alt Country from Down Under |
| Kim Dellavedova |
| Music Genres: Indie / Alternative / Country / Folk / Pop / Top 40 |
| Country & Folk from Nicole Witt |
| Music Genres: Country / Folk |
"Music is what feelings sound like.” This quote by an unknown author encompasses Nicole Witt and her music.
Nicole is blessed with work-ethic, talent and a musical pedigree. Nicole’s father was a square dancer on the
famed Ozark Jubilee TV show in Springfield, Mo. and her uncle played the banjo. She followed in the footsteps
of her grandmom who played piano and her fiddle playing grandfather. It was a childhood that prepared her to
chase and capture a dream.
It was April of 1998 when the Missouri-native arrived in music city and she wasted no time starting a climb up
the ladder of success. It took only two years for Nicole to secure a publishing deal with EMI Music Publishing
Nicole is a co-writer on songs recorded by Diamond Rio (“The Box”), Rodney Atkins (“Angel’s Hands”), Clay
Walker (“It Ain’t Pretty, But It’s Beautiful”), Terri Clark (“She Didn’t Have Time”), Lee Brice (“Airport Song”) and
George Strait (“Brothers of the Highway”). Strait’s album “Troubadour” won both a CMA for 2008 Album of the
Year and a Grammy for 2009 Country Album of the Year. In November of 2009, Ednita Nazario recorded a song
that Nicole wrote with Nick Carter of the Backstreet boys. ("Two Forevers") is Nicole's first Latin cut. Since the
winter of 2010, Nicole has had songs recorded by Wynonna ("I Can't"), Steve Holy ("Heart of a Hero"), Ashley
Gearing ("Five More Minutes") and new pop sensation Kaile Goh on Universal/Lava ("Not That Into You").
These songs will all make their debut sometime in 2011. Nicole’s voice can also be heard on the Pete
Sternberg penned-tune, “Rusty” found in the Will Smith movie “Seven Pounds.”
Then there is Nicole Witt the performer.
There is something striking about Nicole when she stands on a stage. Maybe it is the calm and confident way
she addresses a crowd. It could be the ability to play the fiddle and piano with abandon. There’s a probability it’
s the voice that leaves Nicole’s personalized stamp on each song she sings. Or it might be the songwriting that
weaves emotion into an unforgettable sound. However, more than likely it’s all of the above...
At six-years-old she was playing the piano and by eight years of age she had grabbed the fiddle. The Mid-
Western woman puts on a musical clinic when she steps on stage. Nicole takes people on a journey as each
piano-based song is played. As the performer gets lost in the music, so follows the audience. It is an emotional
experience.
When Nicole picks up the fiddle, the crowd can be prepared for fun. Like the sound of wheels on a smooth train
track, she slides through each song without missing a beat. Toes tap and people sway along to the music.
Garth Brooks once said, “True country music is honesty, sincerity and real life to the hilt.”
It’s not just the sound of University of Missouri grad’s beautiful voice delivering the message. It’s Nicole’s
interpretation of each song. THAT is what makes a listener connect to her music and the raw emotion it evokes.
Nicole Witt music gives sound to a wide variety of feelings.
This is a woman who truly loves the art of the song. Each tune stands on it’s own. However, when Nicole is the
one at the microphone they take on an even deeper meaning.
It would be wrong to give you only facts about the woman, because the music tells her story. There is poetry in
the notes she sings. There are tears in the wail of her bow making it’s way across the fiddle. There is a hush
floating from the keys of the piano. It is rare to be unable to compare one artist to another. Nicole Witt is one of
those rarities. Her art is her own.
Nicole has spent the last year touring with her good friend and musical partner Christa Wells. Both women
along with Dale Baker ( former drummer for Six Pense None The Richer) have been all over the Southeast and
Midwest on the Love Makes Music Tour.
For more information, visit www.nicolewitt.com
Nicole is blessed with work-ethic, talent and a musical pedigree. Nicole’s father was a square dancer on the
famed Ozark Jubilee TV show in Springfield, Mo. and her uncle played the banjo. She followed in the footsteps
of her grandmom who played piano and her fiddle playing grandfather. It was a childhood that prepared her to
chase and capture a dream.
It was April of 1998 when the Missouri-native arrived in music city and she wasted no time starting a climb up
the ladder of success. It took only two years for Nicole to secure a publishing deal with EMI Music Publishing
Nicole is a co-writer on songs recorded by Diamond Rio (“The Box”), Rodney Atkins (“Angel’s Hands”), Clay
Walker (“It Ain’t Pretty, But It’s Beautiful”), Terri Clark (“She Didn’t Have Time”), Lee Brice (“Airport Song”) and
George Strait (“Brothers of the Highway”). Strait’s album “Troubadour” won both a CMA for 2008 Album of the
Year and a Grammy for 2009 Country Album of the Year. In November of 2009, Ednita Nazario recorded a song
that Nicole wrote with Nick Carter of the Backstreet boys. ("Two Forevers") is Nicole's first Latin cut. Since the
winter of 2010, Nicole has had songs recorded by Wynonna ("I Can't"), Steve Holy ("Heart of a Hero"), Ashley
Gearing ("Five More Minutes") and new pop sensation Kaile Goh on Universal/Lava ("Not That Into You").
These songs will all make their debut sometime in 2011. Nicole’s voice can also be heard on the Pete
Sternberg penned-tune, “Rusty” found in the Will Smith movie “Seven Pounds.”
Then there is Nicole Witt the performer.
There is something striking about Nicole when she stands on a stage. Maybe it is the calm and confident way
she addresses a crowd. It could be the ability to play the fiddle and piano with abandon. There’s a probability it’
s the voice that leaves Nicole’s personalized stamp on each song she sings. Or it might be the songwriting that
weaves emotion into an unforgettable sound. However, more than likely it’s all of the above...
At six-years-old she was playing the piano and by eight years of age she had grabbed the fiddle. The Mid-
Western woman puts on a musical clinic when she steps on stage. Nicole takes people on a journey as each
piano-based song is played. As the performer gets lost in the music, so follows the audience. It is an emotional
experience.
When Nicole picks up the fiddle, the crowd can be prepared for fun. Like the sound of wheels on a smooth train
track, she slides through each song without missing a beat. Toes tap and people sway along to the music.
Garth Brooks once said, “True country music is honesty, sincerity and real life to the hilt.”
It’s not just the sound of University of Missouri grad’s beautiful voice delivering the message. It’s Nicole’s
interpretation of each song. THAT is what makes a listener connect to her music and the raw emotion it evokes.
Nicole Witt music gives sound to a wide variety of feelings.
This is a woman who truly loves the art of the song. Each tune stands on it’s own. However, when Nicole is the
one at the microphone they take on an even deeper meaning.
It would be wrong to give you only facts about the woman, because the music tells her story. There is poetry in
the notes she sings. There are tears in the wail of her bow making it’s way across the fiddle. There is a hush
floating from the keys of the piano. It is rare to be unable to compare one artist to another. Nicole Witt is one of
those rarities. Her art is her own.
Nicole has spent the last year touring with her good friend and musical partner Christa Wells. Both women
along with Dale Baker ( former drummer for Six Pense None The Richer) have been all over the Southeast and
Midwest on the Love Makes Music Tour.
For more information, visit www.nicolewitt.com
| Lisa Sheppard |
| Music Genres: Americana, Blues, Country, Roots Rock If You Like: Lucinda Williams, Bonnie Raitt, Sheryl Crow, Chrissie Hynde, Shelby Lynne |
Elvis. Earthquakes. Heartache. Poker. Roof cave-ins. For a roots-rock singer-songwriter,
even Hollywood couldn’t conjure a more perfect storm of inspiration and raw material than
the one filling Lisa Sheppard’s notebooks.
“When I think about it, I guess my life has been pretty interesting,” says the Texas-raised,
Los Angeles-based artist. “I’m a person who’s easily bored, so I’m continuously looking for
something new to wrap myself around. The stories in my songs tend to be about the process
of life.”
Neon Lights, Lisa’s stunning sophomore album, burns with the grit-filled, heartfelt sounds of
that process. The moods and tales within are as frank and richly varied as the life of their
earthy-voiced creator: The disc’s 11 built-to-last songs are typified by such offerings as
“You Got Your Freedom,” a rough-edged, blues-rocking kiss-off to a departing ex-lover, and
“Once I Leave LA,” a sobering meditation on the thoughts of a desperate friend set to a
bittersweet waltz. And then there’s the title track, an image-rich, gospel-tinged narrative that
cashes in on the singer’s observations from her years as a professional poker player.
Lisa was born on Christmas Day. She grew up in Houston with music-loving parents who
began bringing her to see live bands when she was just seven years old. Her mother, an
impassioned follower of country and early rock ’n’ roll, was friends with Elvis Presley, George
Jones, and rockabilly pioneer Tommy Sands, whose fan club she ran. Through her parents
Lisa also discovered the Beatles, the Rolling Stones, Janis Joplin, and the Eagles, and at
age nine she started guitar lessons. By age 16, however, her attention had turned toward a
different type of stage, and she decided to pursue a theatrical career.
In 1988 Lisa moved to LA, where her focus eventually shifted from acting to playwriting and
directing. But in 1993 she received a not-so-subtle sign that maybe the theatrical world wasn’
t for her: During the opening run of “Metro,” a three-act play she co-wrote and directed with
her late husband, the roof of the presenting theater caved in (luckily, no one was hurt). Two
further collapses, that of her house in the 1994 Northridge earthquake and that of the
marriage, soon had her searching for another creative outlet.
Lisa dabbled in visual art while growing further immersed in LA’s rich music scene. Inspired
by the latter, in 2008 she picked up her guitar, wiped away 20 years of dust, and not only
started playing again but writing songs as well. “My ex-husband had died, and I’d been
carrying that loss and a lot of other stuff,” she recalls. “It all started coming out.” In October
2009 Lisa debuted with One-Track Mind, a collection of 10 striking originals that was quickly
snapped up by blues and alt.country radio and drew praise from Country Weekly and
Belgian online magazines Rootsville.be and Rootstime.be. The album’s success soon had
her appearing at the House of Blues and other top clubs.
Produced by Rich McCulley (Sparklejet, the Meadows), Neon Lights also features drummer
DJ Bonebrake (X, the Knitters), pianist Carl Byron (Michelle Shocked, Anne McCue),
bassists Todd Connelly (Phoebe Snow, Billy Squier), Greg Boaz (Dave Alvin) and Taras
Prodaniuk (Lucinda Williams, Dwight Yoakum). “Lisa’s music is a blend of Texas storytelling,
Stonesy rock ’n’ roll, and a splash of Lucinda Williams,” says McCulley. “It’s all in there.”
It certainly is. As any lover of well-crafted, honestly played songs will eagerly agree. With
Neon Lights, Lisa Sheppard reminds us once again her future is bright indeed.
www.LisaSheppardMusic.com
even Hollywood couldn’t conjure a more perfect storm of inspiration and raw material than
the one filling Lisa Sheppard’s notebooks.
“When I think about it, I guess my life has been pretty interesting,” says the Texas-raised,
Los Angeles-based artist. “I’m a person who’s easily bored, so I’m continuously looking for
something new to wrap myself around. The stories in my songs tend to be about the process
of life.”
Neon Lights, Lisa’s stunning sophomore album, burns with the grit-filled, heartfelt sounds of
that process. The moods and tales within are as frank and richly varied as the life of their
earthy-voiced creator: The disc’s 11 built-to-last songs are typified by such offerings as
“You Got Your Freedom,” a rough-edged, blues-rocking kiss-off to a departing ex-lover, and
“Once I Leave LA,” a sobering meditation on the thoughts of a desperate friend set to a
bittersweet waltz. And then there’s the title track, an image-rich, gospel-tinged narrative that
cashes in on the singer’s observations from her years as a professional poker player.
Lisa was born on Christmas Day. She grew up in Houston with music-loving parents who
began bringing her to see live bands when she was just seven years old. Her mother, an
impassioned follower of country and early rock ’n’ roll, was friends with Elvis Presley, George
Jones, and rockabilly pioneer Tommy Sands, whose fan club she ran. Through her parents
Lisa also discovered the Beatles, the Rolling Stones, Janis Joplin, and the Eagles, and at
age nine she started guitar lessons. By age 16, however, her attention had turned toward a
different type of stage, and she decided to pursue a theatrical career.
In 1988 Lisa moved to LA, where her focus eventually shifted from acting to playwriting and
directing. But in 1993 she received a not-so-subtle sign that maybe the theatrical world wasn’
t for her: During the opening run of “Metro,” a three-act play she co-wrote and directed with
her late husband, the roof of the presenting theater caved in (luckily, no one was hurt). Two
further collapses, that of her house in the 1994 Northridge earthquake and that of the
marriage, soon had her searching for another creative outlet.
Lisa dabbled in visual art while growing further immersed in LA’s rich music scene. Inspired
by the latter, in 2008 she picked up her guitar, wiped away 20 years of dust, and not only
started playing again but writing songs as well. “My ex-husband had died, and I’d been
carrying that loss and a lot of other stuff,” she recalls. “It all started coming out.” In October
2009 Lisa debuted with One-Track Mind, a collection of 10 striking originals that was quickly
snapped up by blues and alt.country radio and drew praise from Country Weekly and
Belgian online magazines Rootsville.be and Rootstime.be. The album’s success soon had
her appearing at the House of Blues and other top clubs.
Produced by Rich McCulley (Sparklejet, the Meadows), Neon Lights also features drummer
DJ Bonebrake (X, the Knitters), pianist Carl Byron (Michelle Shocked, Anne McCue),
bassists Todd Connelly (Phoebe Snow, Billy Squier), Greg Boaz (Dave Alvin) and Taras
Prodaniuk (Lucinda Williams, Dwight Yoakum). “Lisa’s music is a blend of Texas storytelling,
Stonesy rock ’n’ roll, and a splash of Lucinda Williams,” says McCulley. “It’s all in there.”
It certainly is. As any lover of well-crafted, honestly played songs will eagerly agree. With
Neon Lights, Lisa Sheppard reminds us once again her future is bright indeed.
www.LisaSheppardMusic.com
| Tricked Out Country |
| Genre: Country, Pop, Jazz, Blues Comparison: The Tractors, Stevie Ray Vaughan, Chris Botti, Little Feet, America |
Despite the roots all three share as rich tributaries of great American music, there have been few instances in which country, jazz, and
pop rock have successfully come together within one band. It just seems like an impossible fit: corralling Stetson-hatted cowboys, cool-
blowing jazzmen, and funky rock players into a single cohesive project, one that seamlessly blends these very distinct styles. It seems
impossible, that is, until you’ve heard Tricked Out Country.
The creation of drummer, producer, and backing vocalist Anthony Liccese and lead singer and guitarist Neil Scott Johnson—and
featuring renowned jazz trumpeter Kenny Scharf—Tricked Out Country boasts one of the most refreshingly new sounds on today’s music
scene. With its combination of Neil’s modern country sensibility and Anthony’s contemporary pop production, all flavored with Kenny’s
tasteful embellishments, Tricked Out Country has created an album sure to lasso hip downtowners and sophisticated uptowners, as well
as honky-tonk hell-raisers. And the best place to make that boot- scootin’, booty-shakin’ connection is via the group’s self-titled debut.
The release is home to nine startlingly original tracks that include the irresistible, playful two-
stepper “Chicky Chow Chow,” the brew-hoisting party anthem “It’s the Beer,” the ’80s- esque ballad “Circle of Dreams,” and even a
reggae-tinged cut, “You’re Not Invited to My Party,” which features a guest appearance by Jamaican rapper O.S.
“Growing up in the Bronx I was exposed to all kinds of music, but not really a lot of country until I met Neil,” says Anthony, aka the
HarmonyGuy, known around town for his masterful backup harmonies and, like Neil, a veteran of the New York club scene.
“I’d written some country songs for my other group, the Neil Scott Johnson Band [the New York Metropolitan Country Music Association’s
Band of the Year for six consecutive years],” says Neil, who was raised Upstate and whose classic rock background includes work with
Aztec Two-Step’s Neal Schulman and hit country songwriter David Kent. “Tricked Out Country started in 2010, when Anthony got the idea
to produce the songs using non-traditional instrumentation—country and pop rock, but with a jazz twist.”
“I loved my parents’ records by Herb Alpert and the Tijuana Brass when I was a kid, and I’ve always loved including brass, especially horn,
whenever possible in my musical efforts—Tricked Out Country is emblematic of this,” explains Anthony. “I met Kenny Scharf [a featured
soloist with Ray Charles 12 years and now an in-demand artist in his own right] on a gig a few years back, and hired him right away. As
soon as we heard him play on our tracks we knew we had something really different.”
In addition to the music itself, Tricked Out Country’s initial release includes something else that’s really different for a debut album: a
bonus DVD with a feature on the band’s concept and a promotional video, directed by Anthony, for “Julie,” the record’s high- twangin’,
down-home-shufflin’ first single. As such an astonishingly novel project, it’s no surprise the set has already won rabid praise from several
key music publications.
“[The group has] created a brand of music that is totally new and unique,” raves Today’s Country. “Tricked Out Country has achieved a
goal that so many swing and miss at.” Music that cuts across boundaries and brings people together is something we can all use more of
these days. Especially when it’s the kind of irresistibly uncommon, well- crafted—and downright fun—music that comes only from one
place: Tricked Out Country. One listen and you’ll be hooked.
>>>For more info: www.trickedoutcountry.com
pop rock have successfully come together within one band. It just seems like an impossible fit: corralling Stetson-hatted cowboys, cool-
blowing jazzmen, and funky rock players into a single cohesive project, one that seamlessly blends these very distinct styles. It seems
impossible, that is, until you’ve heard Tricked Out Country.
The creation of drummer, producer, and backing vocalist Anthony Liccese and lead singer and guitarist Neil Scott Johnson—and
featuring renowned jazz trumpeter Kenny Scharf—Tricked Out Country boasts one of the most refreshingly new sounds on today’s music
scene. With its combination of Neil’s modern country sensibility and Anthony’s contemporary pop production, all flavored with Kenny’s
tasteful embellishments, Tricked Out Country has created an album sure to lasso hip downtowners and sophisticated uptowners, as well
as honky-tonk hell-raisers. And the best place to make that boot- scootin’, booty-shakin’ connection is via the group’s self-titled debut.
The release is home to nine startlingly original tracks that include the irresistible, playful two-
stepper “Chicky Chow Chow,” the brew-hoisting party anthem “It’s the Beer,” the ’80s- esque ballad “Circle of Dreams,” and even a
reggae-tinged cut, “You’re Not Invited to My Party,” which features a guest appearance by Jamaican rapper O.S.
“Growing up in the Bronx I was exposed to all kinds of music, but not really a lot of country until I met Neil,” says Anthony, aka the
HarmonyGuy, known around town for his masterful backup harmonies and, like Neil, a veteran of the New York club scene.
“I’d written some country songs for my other group, the Neil Scott Johnson Band [the New York Metropolitan Country Music Association’s
Band of the Year for six consecutive years],” says Neil, who was raised Upstate and whose classic rock background includes work with
Aztec Two-Step’s Neal Schulman and hit country songwriter David Kent. “Tricked Out Country started in 2010, when Anthony got the idea
to produce the songs using non-traditional instrumentation—country and pop rock, but with a jazz twist.”
“I loved my parents’ records by Herb Alpert and the Tijuana Brass when I was a kid, and I’ve always loved including brass, especially horn,
whenever possible in my musical efforts—Tricked Out Country is emblematic of this,” explains Anthony. “I met Kenny Scharf [a featured
soloist with Ray Charles 12 years and now an in-demand artist in his own right] on a gig a few years back, and hired him right away. As
soon as we heard him play on our tracks we knew we had something really different.”
In addition to the music itself, Tricked Out Country’s initial release includes something else that’s really different for a debut album: a
bonus DVD with a feature on the band’s concept and a promotional video, directed by Anthony, for “Julie,” the record’s high- twangin’,
down-home-shufflin’ first single. As such an astonishingly novel project, it’s no surprise the set has already won rabid praise from several
key music publications.
“[The group has] created a brand of music that is totally new and unique,” raves Today’s Country. “Tricked Out Country has achieved a
goal that so many swing and miss at.” Music that cuts across boundaries and brings people together is something we can all use more of
these days. Especially when it’s the kind of irresistibly uncommon, well- crafted—and downright fun—music that comes only from one
place: Tricked Out Country. One listen and you’ll be hooked.
>>>For more info: www.trickedoutcountry.com
| Renee Wahl |
| Music Genres: Country, Americana, AltCountry, Rockabilly Comparison: Maria McKee, Neko Case, Loretta Lynn, Chris Isaak, Jenny Lewis |
Life is a process.
This is something Renée Wahl seems to have realized instinctively from an early age. As an alternative country/Americana/Rockabilly
artist, Wahl has followed a non-traditional path to a career in music, and yet no one who has known her over the years would ever
question her destination. Wahl enrolled in the musical theater program at Staten Island’s Wagner College only to find college life
mundane. Finding her way to Philadelphia, Wahl became a regular on the local Indie music scene. After a stint in the US Air Force, where
Wahl served first as a flight specialist and later as a physicist and educator, she returned to music. Eventually making her way to
Nashville, Wahl’s affable personal style helped her network with some of the brightest lights on Music Row. This combined with her natural
talents as a singer and a songwriter have Wahl poised on the verge of widespread name recognition.
Renée Wahl writes intelligent, literate songs from the heart. Working both on her own and with Roger Prescott (Trainwreck Ghost, The
Texacala Jones Band), Wahl displays a talent for creating and inhabiting characters and moments in the fashion of Lyle Lovett and
Townes Van Zandt. Combine this with a voice that finds the soft parts of your soul and insinuates itself there and it’s easy to understand
why Wahl has been compared to Maria McKee (Lone Justice). Wahl acknowledges being a bit of a tomboy, loving to take things apart to
see how they work. She invariably practices the same art in her songwriting, dissecting people, places and moments and recreating them
in song in ways that bring new light and understanding.
Wahl was inspired early on by such asymmetric songwriters as Neko Case and Chris Isaak. Writing from deep emotional waters, Wahl’s
songs bespeak a stark intellect. Wahl paints portraits with words, bringing to life her own experiences and those of people she’s known or
observed. Wahl’s eye and ear perceive with the refined understanding of an artist, and her musical media are many. Wahl is equally
comfortable writing in the realms of rock, country, Americana, Motown and even 1950’s pop, and her songs are infectious. It’s clear that
Renée Wahl enjoys making music, and whether on stage or in the studio, it’s impossible not to pick up on that energy and enthusiasm.
Wahl might be one of the most approachable people in show business, comporting herself with a mix of quiet confidence and humility that
speaks of character and a thoughtfulness that’s notable in a self-absorbed, pop-obsessed musical culture. Wahl aims to entertain while
speaking the truth. Listening to her debut album Cumberland Moonshine, listeners will find themselves drawn into finely detailed story
songs with a universal air. Songs of heartbreak, redemption and love lost and found dot the landscape of Cumberland Moonshine, and
Renée Wahl voices each as if nothing else matters in the world.
Cumberland Moonshine establishes Wahl as a serious player in Nashville. The album’s tangible musical moments make it easy for
listeners to connect with the artist. And while Wahl may be coy at times about the inspiration for her songs, she shares heartache and
happiness in her music as easily as an old friend sitting down over a coffee or a beer. It doesn’t hurt that Wahl is backed by one of the
best supporting casts in Nashville. Cumberland Moonshine features performances from Bryan Owings on drums (Emmylou Harris, Patty
Griffin, Buddy And Julie Miller); guitarist Kenny Vaughan (Marty Stuart); Pat Bergerson (Shelby Lynne, Wynonna Judd, Lyle Lovett, Suzy
Boggus) on guitar and harmonica; Fats Kaplin (Mark Knopfler, Garth Brooks, Waylon Jennings); Charles Treadway on organ (The
Dynamites); GRAMMY winner Charlie Chadwick and Roger Prescott.
Renée Wahl is the girl next door. An extremely intelligent, talented and beautiful girl next door with a voice that melts hearts like butter and
a personality that lights up the largest or most intimate of venues. Wahl writes with the insightful eye of a raconteur, creating moments in
music that touch your heart, with a mischievous energy that is unforgettable. If it’s true that the cream always rises to the top, then a day
will come when Renée Wahl sits atop the country music world. While many are cast by publicists, press and fans as rising stars, there’s no
doubt that Renee Wahl is the real deal.
reneewahl.com
This is something Renée Wahl seems to have realized instinctively from an early age. As an alternative country/Americana/Rockabilly
artist, Wahl has followed a non-traditional path to a career in music, and yet no one who has known her over the years would ever
question her destination. Wahl enrolled in the musical theater program at Staten Island’s Wagner College only to find college life
mundane. Finding her way to Philadelphia, Wahl became a regular on the local Indie music scene. After a stint in the US Air Force, where
Wahl served first as a flight specialist and later as a physicist and educator, she returned to music. Eventually making her way to
Nashville, Wahl’s affable personal style helped her network with some of the brightest lights on Music Row. This combined with her natural
talents as a singer and a songwriter have Wahl poised on the verge of widespread name recognition.
Renée Wahl writes intelligent, literate songs from the heart. Working both on her own and with Roger Prescott (Trainwreck Ghost, The
Texacala Jones Band), Wahl displays a talent for creating and inhabiting characters and moments in the fashion of Lyle Lovett and
Townes Van Zandt. Combine this with a voice that finds the soft parts of your soul and insinuates itself there and it’s easy to understand
why Wahl has been compared to Maria McKee (Lone Justice). Wahl acknowledges being a bit of a tomboy, loving to take things apart to
see how they work. She invariably practices the same art in her songwriting, dissecting people, places and moments and recreating them
in song in ways that bring new light and understanding.
Wahl was inspired early on by such asymmetric songwriters as Neko Case and Chris Isaak. Writing from deep emotional waters, Wahl’s
songs bespeak a stark intellect. Wahl paints portraits with words, bringing to life her own experiences and those of people she’s known or
observed. Wahl’s eye and ear perceive with the refined understanding of an artist, and her musical media are many. Wahl is equally
comfortable writing in the realms of rock, country, Americana, Motown and even 1950’s pop, and her songs are infectious. It’s clear that
Renée Wahl enjoys making music, and whether on stage or in the studio, it’s impossible not to pick up on that energy and enthusiasm.
Wahl might be one of the most approachable people in show business, comporting herself with a mix of quiet confidence and humility that
speaks of character and a thoughtfulness that’s notable in a self-absorbed, pop-obsessed musical culture. Wahl aims to entertain while
speaking the truth. Listening to her debut album Cumberland Moonshine, listeners will find themselves drawn into finely detailed story
songs with a universal air. Songs of heartbreak, redemption and love lost and found dot the landscape of Cumberland Moonshine, and
Renée Wahl voices each as if nothing else matters in the world.
Cumberland Moonshine establishes Wahl as a serious player in Nashville. The album’s tangible musical moments make it easy for
listeners to connect with the artist. And while Wahl may be coy at times about the inspiration for her songs, she shares heartache and
happiness in her music as easily as an old friend sitting down over a coffee or a beer. It doesn’t hurt that Wahl is backed by one of the
best supporting casts in Nashville. Cumberland Moonshine features performances from Bryan Owings on drums (Emmylou Harris, Patty
Griffin, Buddy And Julie Miller); guitarist Kenny Vaughan (Marty Stuart); Pat Bergerson (Shelby Lynne, Wynonna Judd, Lyle Lovett, Suzy
Boggus) on guitar and harmonica; Fats Kaplin (Mark Knopfler, Garth Brooks, Waylon Jennings); Charles Treadway on organ (The
Dynamites); GRAMMY winner Charlie Chadwick and Roger Prescott.
Renée Wahl is the girl next door. An extremely intelligent, talented and beautiful girl next door with a voice that melts hearts like butter and
a personality that lights up the largest or most intimate of venues. Wahl writes with the insightful eye of a raconteur, creating moments in
music that touch your heart, with a mischievous energy that is unforgettable. If it’s true that the cream always rises to the top, then a day
will come when Renée Wahl sits atop the country music world. While many are cast by publicists, press and fans as rising stars, there’s no
doubt that Renee Wahl is the real deal.
reneewahl.com
| Summerfield |
| Music Genres: Country, Pop, Alternative, Folk Comparison: Taylor Swift, Alanis Morissette, Colbie Caillat, Sugarland, Lady Antebellum |
Family acts are one of the deepest traditions of music from the American South. From the earliest days of the settlers, music has always
been an important Southern family and social activity. Strong and unshakeable, it’s just something that’s in the blood—and in the air—
when Southern folks get together to play. Think of the Carter Family, the Everly and Allman brothers, the Judds. And now prepare to add
another name to that list: Summerfield.
Comprised of cousins Summer Collins (15, vocals and guitar) and Isaac Ball (20, violin), Summerfield is an astonishing modern country-
pop duo that, in barely a year, has won legions of fervent fans stretching from the pair’s Fayetteville, North Carolina, home to as far away
as Russia and Europe. But, being close relatives, Summerfield’s roots naturally go back farther than the act’s official beginnings.
“Our families get together every year for the holidays and have a little private Christmas concert,” says Isaac, whose interest in the violin
started when he was six. “When Summer and I first played with some other family members at one of those gatherings, we never thought
that in just a few years we’d be working together—and having so much fun writing songs.”
Fifteen of those songs make up Sunlit Destination, Summerfield’s debut on the group’s own Rock the Boat Records label (the duo also
runs its own publishing wing). “Everything,” the album’s uplifting first single, was composed by Isaac as a tribute to his hard-working
father, a loving sentiment that Summer, a self-described “Army brat,” strongly shares. “Like Isaac, I’m very thankful to my dad for all he
does,” says the singer, who has been performing since age 10. “‘Everything’ has a message people everywhere can relate to, I think.”
Among the record’s other melodic, radio-ready cuts with equally far-reaching resonance are “Hurricane,” a poignant meditation on the
confusion of first love, laced with Summer’s soaring voice; and the title track, a carefree ode to breaking free from the workaday world that
pairs Isaac’s lilting strings with rock-tinged guitars.
As a live act, Summerfield had a true baptism of fire—playing to over 15,000 people at Fayetteville’s annual Dogwood Festival in April
2010. “We were pretty nervous at first,” recalls Isaac. “But it felt great and right away we knew we had something really special.” Still
floating on air from their debut, the duo spent the following summer rehearsing, performing, and writing songs—and then it was off to
Nashville to record Sunlit Destination.
Advance reviews of Sunlit Destination have seen Summerfield compared to hitmakers Taylor Swift, Lady Antebellum, and Vanessa
Carlton. “We admire those artists because, like them, we try to write songs that are fun but have a meaningful story,” explains Summer, an
honor student who brought her homework to the studio. Each single off the album is being accompanied by a specially produced video.
“What strikes me most about Summer and Isaac’s music is the substance it has,” says producer Ben Rice (Goesl’s Parade, Pilotdrift), who
oversaw the sessions at NashVin Studio. “Even though they’re both still really young, their songs have real depth and longevity. Working
with Summerfield feels like being on the cusp of something big.” And, judging by the music and the reaction of those who hear and see
Summerfield perform it, that something will only get bigger over time.
www.summerfieldnow.com
been an important Southern family and social activity. Strong and unshakeable, it’s just something that’s in the blood—and in the air—
when Southern folks get together to play. Think of the Carter Family, the Everly and Allman brothers, the Judds. And now prepare to add
another name to that list: Summerfield.
Comprised of cousins Summer Collins (15, vocals and guitar) and Isaac Ball (20, violin), Summerfield is an astonishing modern country-
pop duo that, in barely a year, has won legions of fervent fans stretching from the pair’s Fayetteville, North Carolina, home to as far away
as Russia and Europe. But, being close relatives, Summerfield’s roots naturally go back farther than the act’s official beginnings.
“Our families get together every year for the holidays and have a little private Christmas concert,” says Isaac, whose interest in the violin
started when he was six. “When Summer and I first played with some other family members at one of those gatherings, we never thought
that in just a few years we’d be working together—and having so much fun writing songs.”
Fifteen of those songs make up Sunlit Destination, Summerfield’s debut on the group’s own Rock the Boat Records label (the duo also
runs its own publishing wing). “Everything,” the album’s uplifting first single, was composed by Isaac as a tribute to his hard-working
father, a loving sentiment that Summer, a self-described “Army brat,” strongly shares. “Like Isaac, I’m very thankful to my dad for all he
does,” says the singer, who has been performing since age 10. “‘Everything’ has a message people everywhere can relate to, I think.”
Among the record’s other melodic, radio-ready cuts with equally far-reaching resonance are “Hurricane,” a poignant meditation on the
confusion of first love, laced with Summer’s soaring voice; and the title track, a carefree ode to breaking free from the workaday world that
pairs Isaac’s lilting strings with rock-tinged guitars.
As a live act, Summerfield had a true baptism of fire—playing to over 15,000 people at Fayetteville’s annual Dogwood Festival in April
2010. “We were pretty nervous at first,” recalls Isaac. “But it felt great and right away we knew we had something really special.” Still
floating on air from their debut, the duo spent the following summer rehearsing, performing, and writing songs—and then it was off to
Nashville to record Sunlit Destination.
Advance reviews of Sunlit Destination have seen Summerfield compared to hitmakers Taylor Swift, Lady Antebellum, and Vanessa
Carlton. “We admire those artists because, like them, we try to write songs that are fun but have a meaningful story,” explains Summer, an
honor student who brought her homework to the studio. Each single off the album is being accompanied by a specially produced video.
“What strikes me most about Summer and Isaac’s music is the substance it has,” says producer Ben Rice (Goesl’s Parade, Pilotdrift), who
oversaw the sessions at NashVin Studio. “Even though they’re both still really young, their songs have real depth and longevity. Working
with Summerfield feels like being on the cusp of something big.” And, judging by the music and the reaction of those who hear and see
Summerfield perform it, that something will only get bigger over time.
www.summerfieldnow.com
| Joe Macey |
| Music Genres: Country / Acoustic Rock / Pop Comparison: David Gates, James Taylor, John Denver |
Joe Macey has been entertaining audiences for over 35 years. As one of New England's most celebrated acts, he continues to meet an
agressive tour schedule. As a singer and guitarist Joe has opened national shows for such country legends as Waylon Jennings, Charlie
Daniels and George Jones. He has also opened up other shows for such country stars as Deanna Carter, Aaron Tippin, Mark Chesnutt,
Lori Morgan, Jodi Messina, Tracy Lawrence, Brady Seals, Blackhawk, Sammy Kershaw, and John Conlee from the Grand Ole Opry.
He moved to Nashville in 1995 to enhance his music career, performing at the world famous Tootsies Orchid Lounge, Gilleys Night Club
and the Opryland Hotel. While living in Nashville Joe recorded his own CD entitled Lonesome Rider at Studio C on Music Row. His project
sold over 4000 certified units in New England and remains one of the top selling CD's in Massachusetts of all time for a local country
artist. He has also been recognized for his songwriting by the MCMAA Association.
Joe is currently out performing as a solo acoustic artist. He has the unique ability to be able to sing any song style. He can rock the house
when needed, but can also be tender on a slow ballad.. His ability to cover such a wide range of artists truly makes him one of New
England's best entertainers. Joe has donated his time to many charities thru the years. His most recent has been for St. Judes Radiothon
for WKLB in Boston. Helping to raise thousands of dollars for children with cancer. Be sure to check out a Joe Macey show at a venue
near you soon.
agressive tour schedule. As a singer and guitarist Joe has opened national shows for such country legends as Waylon Jennings, Charlie
Daniels and George Jones. He has also opened up other shows for such country stars as Deanna Carter, Aaron Tippin, Mark Chesnutt,
Lori Morgan, Jodi Messina, Tracy Lawrence, Brady Seals, Blackhawk, Sammy Kershaw, and John Conlee from the Grand Ole Opry.
He moved to Nashville in 1995 to enhance his music career, performing at the world famous Tootsies Orchid Lounge, Gilleys Night Club
and the Opryland Hotel. While living in Nashville Joe recorded his own CD entitled Lonesome Rider at Studio C on Music Row. His project
sold over 4000 certified units in New England and remains one of the top selling CD's in Massachusetts of all time for a local country
artist. He has also been recognized for his songwriting by the MCMAA Association.
Joe is currently out performing as a solo acoustic artist. He has the unique ability to be able to sing any song style. He can rock the house
when needed, but can also be tender on a slow ballad.. His ability to cover such a wide range of artists truly makes him one of New
England's best entertainers. Joe has donated his time to many charities thru the years. His most recent has been for St. Judes Radiothon
for WKLB in Boston. Helping to raise thousands of dollars for children with cancer. Be sure to check out a Joe Macey show at a venue
near you soon.
| ©2011 NewMusicUSA.biz |