| New Music: Top 40 |
| New Music USA - New Music Magazine - New Music Blog - New Music Promotion |
| New Music USA |
| New Music Magazine / Blog / Promotion |
Universal Republic Records will release Amy Winehouse's "Lioness: Hidden Treasures", which
will be her third studio album, and first since her passing on January 23, 2011. The 12 track
collection of previously unreleased tracks, alternate versions of existing songs, and brand new
compositions will be release in the United States on December 6, 2011. The album was compiled
by Salaam Remy and Mark Ronson along with Amy's family, management, and the U.K. record
label Island Records.
Tracks on the new album: Our Day Will Come, Between The Cheats, Tears Dry, Wake Up Alone,
Will You Still Love Me Tomorrow, Valerie, Like Smoke, The Girl From Ipanema, Halftime, Best
Friends, Body & Soul, A Song For You
A portion of the proceeds from the sales of the album will go to the Amy Winehouse Foundation.
www.amywinehousefoundation.co.uk
will be her third studio album, and first since her passing on January 23, 2011. The 12 track
collection of previously unreleased tracks, alternate versions of existing songs, and brand new
compositions will be release in the United States on December 6, 2011. The album was compiled
by Salaam Remy and Mark Ronson along with Amy's family, management, and the U.K. record
label Island Records.
Tracks on the new album: Our Day Will Come, Between The Cheats, Tears Dry, Wake Up Alone,
Will You Still Love Me Tomorrow, Valerie, Like Smoke, The Girl From Ipanema, Halftime, Best
Friends, Body & Soul, A Song For You
A portion of the proceeds from the sales of the album will go to the Amy Winehouse Foundation.
www.amywinehousefoundation.co.uk
| Amy Winehouse's "Lioness: Hidden Treasures" |
| Music Genres: Pop, Teen Pop |
Ayla Stackhouse's music is teen pop at its vey best. Her Debut sinigle " Somebody Who Loves
Me" was written by her and is catchy and upbeat ala Miley Cyrus/ Demi Lovato.
Ayla Stackhouse was blessed with an apropos name because this talented teen is ‘stacked’ with
talent. The Detroit-native is a natural-born singing sensation fortified with operatic training, jazz
chops, budding capabilities on three instruments (classical piano, guitar and clarinet) and a
passion for writing her own songs. Though her schooling has been in loftier realms of music, Ayla
is determined to craft a pop album that connects to kids her age. All of this and much more is
evident in the music of her debut CD, produced by multi-faceted Motown veteran Michael B.
Sutton.
“Ever since I was little I’ve been watching Disney Channel,” Ayla (pronounced “Ay-Luh) says with
a laugh. “I love opera and my father – who’s also a singer – taught me jazz, but I don’t want to
sing just that music for the rest of my life. My musical lane will be something like Pop-Rock-R&B-
Alternative…a list of styles all mushed together!”
The centerpiece of the collection is Ayla’s” debut single “Somebody Who Loves Me,” inspired
after she read the book “The Last Song” - a novel written expressly for Miley Cyrus to bring to
the big screen. “It’s a story about a dark ‘emo’ girl whose father taught her to be this amazing
pianist, but when her parents split up, she decides she never wants to play again…until she
meets a boy who changes everything for her. Then she breaks through and blossoms.”
Ayla also wrote Falling,” a wistful and blissful delight in ¾ waltz time that sweetly reflects the
feelings of a young girl experiencing the magic of love for the first time. Ayla composed the song
on her signature pink guitar. “I wrote ‘Falling’ in 8th grade with my best friend Katelyn,” Ayla
shares. “I did the music and we worked on the lyrics together. I’d bring my guitar to school
everyday then during recess and lunch I’d sit on the bench outside, play and try to write songs. I
wrote ‘Falling’ in ¾ because I just love the way it feels…it’s the Chopin in me.”
Bravely funneling shades of her own life into her artistry, Ayla is in the mature process of
overcoming emotional challenges of coming from a broken home. Though divorced, her parents
are united in their support of and desire for their daughter’s success. “My mom taught me
everything about fashion and style,” Ayla says, smiling. “She’s the one who picked out my pink
guitar.” Ayla received much encouragement for her gifts and is blossoming into a remarkable
young lady in her own right. One would be hard pressed to find anyone who works harder or
wants success in the entertainment world more.
www.aylastackhouse.com
Me" was written by her and is catchy and upbeat ala Miley Cyrus/ Demi Lovato.
Ayla Stackhouse was blessed with an apropos name because this talented teen is ‘stacked’ with
talent. The Detroit-native is a natural-born singing sensation fortified with operatic training, jazz
chops, budding capabilities on three instruments (classical piano, guitar and clarinet) and a
passion for writing her own songs. Though her schooling has been in loftier realms of music, Ayla
is determined to craft a pop album that connects to kids her age. All of this and much more is
evident in the music of her debut CD, produced by multi-faceted Motown veteran Michael B.
Sutton.
“Ever since I was little I’ve been watching Disney Channel,” Ayla (pronounced “Ay-Luh) says with
a laugh. “I love opera and my father – who’s also a singer – taught me jazz, but I don’t want to
sing just that music for the rest of my life. My musical lane will be something like Pop-Rock-R&B-
Alternative…a list of styles all mushed together!”
The centerpiece of the collection is Ayla’s” debut single “Somebody Who Loves Me,” inspired
after she read the book “The Last Song” - a novel written expressly for Miley Cyrus to bring to
the big screen. “It’s a story about a dark ‘emo’ girl whose father taught her to be this amazing
pianist, but when her parents split up, she decides she never wants to play again…until she
meets a boy who changes everything for her. Then she breaks through and blossoms.”
Ayla also wrote Falling,” a wistful and blissful delight in ¾ waltz time that sweetly reflects the
feelings of a young girl experiencing the magic of love for the first time. Ayla composed the song
on her signature pink guitar. “I wrote ‘Falling’ in 8th grade with my best friend Katelyn,” Ayla
shares. “I did the music and we worked on the lyrics together. I’d bring my guitar to school
everyday then during recess and lunch I’d sit on the bench outside, play and try to write songs. I
wrote ‘Falling’ in ¾ because I just love the way it feels…it’s the Chopin in me.”
Bravely funneling shades of her own life into her artistry, Ayla is in the mature process of
overcoming emotional challenges of coming from a broken home. Though divorced, her parents
are united in their support of and desire for their daughter’s success. “My mom taught me
everything about fashion and style,” Ayla says, smiling. “She’s the one who picked out my pink
guitar.” Ayla received much encouragement for her gifts and is blossoming into a remarkable
young lady in her own right. One would be hard pressed to find anyone who works harder or
wants success in the entertainment world more.
www.aylastackhouse.com
| Teen Sensation Ayla Stackhouse |
After a youth of living abroad around the world and acting in shows like "The King
& I" and "Hello, Dolly," Alyse let herself be convinced a career in the arts was
irresponsible and impractical. Because it is.
But with three degrees from the University of Washington in very responsible
subjects and a short career with a Big 5 consulting firm, Black was nigh suicidally
depressed.
Against the recommendations of her family and friends, she left her job and began
busking on the streets of Pike Place Market for a living, belting and lilting swing
tunes a capella on the corner of Stewart.
One rare glittering afternoon, the pianist for a Seattle jazz group, Mike Withey with
No Jive Five, wandered by, stood captivated for a moment, and the explained: he
needed another singer for a show that night at a local club, St. Clouds in Madrona.
Alyse’s first album, Too Much & Too Lovely, won 1st place in Billboard’s 16th
Annual World Song Contest (Jazz) and the International Independent Singer-
Songwriter Awards (Jazz) among others. Her sophomore album, Hold Onto This,
was recorded and produced by Ryan Hadlock (The Strokes, Ra Ra Riot, Foo
Fighters) and released in late 2009.
For more information, visit www.AlyseBlack.com
& I" and "Hello, Dolly," Alyse let herself be convinced a career in the arts was
irresponsible and impractical. Because it is.
But with three degrees from the University of Washington in very responsible
subjects and a short career with a Big 5 consulting firm, Black was nigh suicidally
depressed.
Against the recommendations of her family and friends, she left her job and began
busking on the streets of Pike Place Market for a living, belting and lilting swing
tunes a capella on the corner of Stewart.
One rare glittering afternoon, the pianist for a Seattle jazz group, Mike Withey with
No Jive Five, wandered by, stood captivated for a moment, and the explained: he
needed another singer for a show that night at a local club, St. Clouds in Madrona.
Alyse’s first album, Too Much & Too Lovely, won 1st place in Billboard’s 16th
Annual World Song Contest (Jazz) and the International Independent Singer-
Songwriter Awards (Jazz) among others. Her sophomore album, Hold Onto This,
was recorded and produced by Ryan Hadlock (The Strokes, Ra Ra Riot, Foo
Fighters) and released in late 2009.
For more information, visit www.AlyseBlack.com
| Austin Singer-Songwriter Alyse Black |
| Music Genres: Singer-Songwriter |
| Black’s vocal-based soulful pop is frequently compared to the ridiculously playful Regina Spektor; the spacious, anything-goes Björk; and the soft and throbbing Norah Jones. |
Los Angeles, CA –May 4, 2011 – Cuban-American music sensation Pitbull invites listeners to
discover the new world of sounds he created for Planet Pit, the hit-maker’s sixth album. Available
on June 21, the new album unites Pit’s rapid-fire rhymes and billion-dollar beats with musical
influences from around the world to create a one-of-a-kind sound.
His experiences growing up in Miami combined with his recent global success influenced the
album’s rich mix of styles, says Pitbull, whose given name is Armando Christian Pérez. “It
embodies a bit of everywhere I’ve been,” he says referring to his recent globe-spanning tours. “I’
m trying to be the ambassador; the bridge builder who brings elements from all over the world
and puts it all together so it sounds like nothing you’ve ever heard before.”
Pitbull teams with Ne-Yo, Afrojack and Nayer for the new single from Planet Pit, “Give Me
Everything.” Already climbing the charts, the song is poised to pick up where Pit’s multi-platinum
smash hits “I Know You Want Me (Calle Ocho),” “Hotel Room Service” and “Hey Baby (Drop It On
The Floor)” left off. Like the star-studded single, the album is filled with pop music luminaries
such as Marc Anthony (“Rain Over Me”), Chris Brown (“International Love”), and Kelly Rowland
(“Castles Made of Sand”).
To give Planet Pit its edge, Pit surrounds himself with many of today’s hottest artists, including
appearances by T-Pain and Sean Paul. To blend the album’s diverse sounds into a seamless
flow, Pit tapped top producers like David Guetta, Afrojack (“Something 4 The DJ’s), RedOne,
Polow Da Don and DJ Frank E. In fact, Pitbull’s “Come & Go” marks the first time ever that super-
producers Dr. Luke, Benny Blanco and Max Martin worked together with Pit.
Pitbull’s just off a wave of featured smash hits with Usher’s “DJ Got Us Fallin' In Love,” Enrique
Iglesias’ “I Like It” and the Jennifer Lopez current mega single “On The Floor.” He will promote
Planet Pit this spring with several high-profile television appearances along with a number of
concerts. Known for his electrifying performances, Pit fuses his fierce rhymes, sizzling pop hooks
and swaggering stage presence with the raw energy of a live band to create a spontaneous
atmosphere. “When the congas are pounding and the bass is thumping behind me,” says Pitbull
“nothing can touch me.”
Even with the new album and upcoming concerts, Pitbull still found time to introduce Voli, his own
line of premium, low-calorie vodka and a partnership with Sheets, the dissolvable energy strip.
The entrepreneurial ventures are the latest for Pitbull, who also successfully launched his own
Polo Grounds Music/J Records imprint (Mr. 305 Records) and inked major sponsorship deals with
blue-chip brands Kodak, Dr. Pepper Bud Light and is now ready to introduce the planet to Mr.
Worldwide.
discover the new world of sounds he created for Planet Pit, the hit-maker’s sixth album. Available
on June 21, the new album unites Pit’s rapid-fire rhymes and billion-dollar beats with musical
influences from around the world to create a one-of-a-kind sound.
His experiences growing up in Miami combined with his recent global success influenced the
album’s rich mix of styles, says Pitbull, whose given name is Armando Christian Pérez. “It
embodies a bit of everywhere I’ve been,” he says referring to his recent globe-spanning tours. “I’
m trying to be the ambassador; the bridge builder who brings elements from all over the world
and puts it all together so it sounds like nothing you’ve ever heard before.”
Pitbull teams with Ne-Yo, Afrojack and Nayer for the new single from Planet Pit, “Give Me
Everything.” Already climbing the charts, the song is poised to pick up where Pit’s multi-platinum
smash hits “I Know You Want Me (Calle Ocho),” “Hotel Room Service” and “Hey Baby (Drop It On
The Floor)” left off. Like the star-studded single, the album is filled with pop music luminaries
such as Marc Anthony (“Rain Over Me”), Chris Brown (“International Love”), and Kelly Rowland
(“Castles Made of Sand”).
To give Planet Pit its edge, Pit surrounds himself with many of today’s hottest artists, including
appearances by T-Pain and Sean Paul. To blend the album’s diverse sounds into a seamless
flow, Pit tapped top producers like David Guetta, Afrojack (“Something 4 The DJ’s), RedOne,
Polow Da Don and DJ Frank E. In fact, Pitbull’s “Come & Go” marks the first time ever that super-
producers Dr. Luke, Benny Blanco and Max Martin worked together with Pit.
Pitbull’s just off a wave of featured smash hits with Usher’s “DJ Got Us Fallin' In Love,” Enrique
Iglesias’ “I Like It” and the Jennifer Lopez current mega single “On The Floor.” He will promote
Planet Pit this spring with several high-profile television appearances along with a number of
concerts. Known for his electrifying performances, Pit fuses his fierce rhymes, sizzling pop hooks
and swaggering stage presence with the raw energy of a live band to create a spontaneous
atmosphere. “When the congas are pounding and the bass is thumping behind me,” says Pitbull
“nothing can touch me.”
Even with the new album and upcoming concerts, Pitbull still found time to introduce Voli, his own
line of premium, low-calorie vodka and a partnership with Sheets, the dissolvable energy strip.
The entrepreneurial ventures are the latest for Pitbull, who also successfully launched his own
Polo Grounds Music/J Records imprint (Mr. 305 Records) and inked major sponsorship deals with
blue-chip brands Kodak, Dr. Pepper Bud Light and is now ready to introduce the planet to Mr.
Worldwide.
| Pitbull's "Planet Pit" Drops June 21 |
| Music Genres: Pop / Top 40 / Hip-Hop / Rap / Dance / Latin |
Cuban-American Music
Sensation Builds on
Global Success with
Album Featuring Guests
Marc Anthony, Chris
Brown, T-Pain, Ne-Yo,
Kelly Rowland, Sean
Paul and More
Sensation Builds on
Global Success with
Album Featuring Guests
Marc Anthony, Chris
Brown, T-Pain, Ne-Yo,
Kelly Rowland, Sean
Paul and More
Amber Ojeda is vintage with a modern flare. With a sultry and subtle vibrato is nostalgic of the 1930’
s and 40’s, it's her effortless ability to lace Jazz and New Soul with hip hop undertones twill have
even the biggest skeptics bobbing their heads.
Amber Ojeda is a singer- songwriter originally based out of the San Diego Metro area. Equal parts
talent and ambition Amber has managed to precisely dial into the new digital world of music. She is
continuously included on the Reverbnation Top 100 Artists Charts and has been awarded "Best of
the Best on the Internet" by Kick Radio's Global Top 40. Her music can be heard on the Style
Networks show "Dress My Nest" in addition to feature film placements and over 100 radio stations
and podcasts worldwide. Amber's musical approach centers around the blending of jazz and soul
with hip hop undertones.. Her voice lends itself to the likes of Jill Scott and Alicia Keys with the
poetic flow of Erykah Badu. With a growing fan base, looks and a distinctive voice, Amber is
destined to be in the R&B/Soul/Jazz annals of music.
s and 40’s, it's her effortless ability to lace Jazz and New Soul with hip hop undertones twill have
even the biggest skeptics bobbing their heads.
Amber Ojeda is a singer- songwriter originally based out of the San Diego Metro area. Equal parts
talent and ambition Amber has managed to precisely dial into the new digital world of music. She is
continuously included on the Reverbnation Top 100 Artists Charts and has been awarded "Best of
the Best on the Internet" by Kick Radio's Global Top 40. Her music can be heard on the Style
Networks show "Dress My Nest" in addition to feature film placements and over 100 radio stations
and podcasts worldwide. Amber's musical approach centers around the blending of jazz and soul
with hip hop undertones.. Her voice lends itself to the likes of Jill Scott and Alicia Keys with the
poetic flow of Erykah Badu. With a growing fan base, looks and a distinctive voice, Amber is
destined to be in the R&B/Soul/Jazz annals of music.
| San Diego's Amber Ojeda |
| Music Genres: Pop/Soul/Hip Hop/R&B |
Dave Grohl has gone on record that he never had youthful aspirations to be lead singer of
a rock n roll band. So as a cassette demo became Foo Fighters’ platinum 1995 debut,
Grohl was tasked with the career of a bonafide rock n roll frontman—one whose
sophomore release The Colour & The Shape in 1997 went double platinum and yielded the
hits Everlong, My Hero and Monkey Wrench. Borne by the hit learn To Fly, 1999’s platinum
There Is Nothing Left To Lose netted the Foos their first Best Rock Album Grammy and
2002’s One By One resulted in another Best Rock Grammy and a fourth platinum plaque.
For 2005’s In Your Honor, the band faced the self-imposed challenge of creating a double
album opus, each disc showcasing a polar opposite of the Foo Fighters’ trademark sound—
and triumphing with the biggest first week sales of the Foos’ career to date. The monster
arena tour and subsequent intimate acoustic theater tour (documented on 2006’s
Skin+Bones) inspired the enlisting of the expanded eight-piece Foo Fighters lineup on
2007’s Echoes, Silence, Patience & Grace, whose Grammy-winning run was capped by an
intimidating two-night booking at Wembley Stadium for which all 170,000+ tickets sold out.
The forthcoming Foo Fighters record, due out spring 2011, poses the band with possibly
the ultimate challenge: Taking the band from the stadiums of the world—such as the July 2
& 3 Milton Keynes Bowl shows for which all 130,000 tickets blew out within hours of on-
sale--back into Dave’s garage. For a group of world class musicians who have recorded
everywhere from Abbey Road to their own state of the art 606 complex in Southern
California, the gauntlet begs the question: Can they still rock a garage? Can they still bash
out a dozen or so barn burners (no ballads this time, thank you very much) that rock as
hard as the formative years that yielded the rough hewn melodies of “Monkey Wrench,”
“This Is A Call,” “Everlong” “Learn To Fly” and “My Hero?” With Butch Vig at the helm and
guests ranging from Grohl’s former Nirvana bandmate Krist Novoselic to Bob Mould, this is
precisely what they aim to do.
www.foofighters.com
a rock n roll band. So as a cassette demo became Foo Fighters’ platinum 1995 debut,
Grohl was tasked with the career of a bonafide rock n roll frontman—one whose
sophomore release The Colour & The Shape in 1997 went double platinum and yielded the
hits Everlong, My Hero and Monkey Wrench. Borne by the hit learn To Fly, 1999’s platinum
There Is Nothing Left To Lose netted the Foos their first Best Rock Album Grammy and
2002’s One By One resulted in another Best Rock Grammy and a fourth platinum plaque.
For 2005’s In Your Honor, the band faced the self-imposed challenge of creating a double
album opus, each disc showcasing a polar opposite of the Foo Fighters’ trademark sound—
and triumphing with the biggest first week sales of the Foos’ career to date. The monster
arena tour and subsequent intimate acoustic theater tour (documented on 2006’s
Skin+Bones) inspired the enlisting of the expanded eight-piece Foo Fighters lineup on
2007’s Echoes, Silence, Patience & Grace, whose Grammy-winning run was capped by an
intimidating two-night booking at Wembley Stadium for which all 170,000+ tickets sold out.
The forthcoming Foo Fighters record, due out spring 2011, poses the band with possibly
the ultimate challenge: Taking the band from the stadiums of the world—such as the July 2
& 3 Milton Keynes Bowl shows for which all 130,000 tickets blew out within hours of on-
sale--back into Dave’s garage. For a group of world class musicians who have recorded
everywhere from Abbey Road to their own state of the art 606 complex in Southern
California, the gauntlet begs the question: Can they still rock a garage? Can they still bash
out a dozen or so barn burners (no ballads this time, thank you very much) that rock as
hard as the formative years that yielded the rough hewn melodies of “Monkey Wrench,”
“This Is A Call,” “Everlong” “Learn To Fly” and “My Hero?” With Butch Vig at the helm and
guests ranging from Grohl’s former Nirvana bandmate Krist Novoselic to Bob Mould, this is
precisely what they aim to do.
www.foofighters.com
| Foo Fighters' "Wasting Light" |
| Music Genres: Pop / Top 40 / Rock |
The music of singer/songwriter Rosa Wallace displays a fusion of
styles, from airy lullabies to pop rock anthems. With influences
including Folk, Blues, Country, Classic Rock, and even Musical
Theatre she explores life through her frank lyrics, combining warm,
rich vocals with folk-inspired guitar.
Rosa Wallace grew up in Raleigh NC, and began songwriting at the
age of twelve. During the early years spent honing her skills in various
punk bands, she always took time to write alone, whether in
notebooks at school or on the walls of practice spaces, using an old
classical guitar that her mother had played in college. Sifting through
her parents' vinyl collection, she found a second home in the sounds
of Folk, Blues, Soul, and Classic Rock.
Wallace continued to write songs while studying musical theatre in
college, and while she worked her way across Europe and Asia for the
following three years. Her exposure to countless musicians across the
globe and her own equally diverse musical history have influenced her
compositions, while her astute and straightforward observations lead
to a directness in her lyrics that can be both humorous and painfully
honest. Her songs are tiny portraits of all life offers: love and loss;
mischief and atonement; success and failure; but most of all, the
power of a resilient spirit. She currently hails from the earthly paradise
of New York City.
In her debut release, Wallace has paid tribute to her roots in hard rock
while staying true to her core acoustic pop sound. Wallace wrote the
songs of "Space To Be Free" while traveling the globe from 2007-
2010. As a collection, the EP is a representation of Wallace's genre-
spanning songwriting, creating a fusion of alternative rock, pop, and
country: from Rock anthem “Bad Example” to Folksy lullaby “All Fall
Down,” from Country-inspired confession “This I Know” to Blues
love ballad “Something So Heavenly.”
Wallace's music has recently been featured on the Jellyfielders Podcast
in the UK, Ann's Musical Menagerie Podcast in the US, and has been
selected for broadcast on multiple radio stations across the US. She is
represented by WCL Music in the NACA college market.
www.rosawallacemusic.com
styles, from airy lullabies to pop rock anthems. With influences
including Folk, Blues, Country, Classic Rock, and even Musical
Theatre she explores life through her frank lyrics, combining warm,
rich vocals with folk-inspired guitar.
Rosa Wallace grew up in Raleigh NC, and began songwriting at the
age of twelve. During the early years spent honing her skills in various
punk bands, she always took time to write alone, whether in
notebooks at school or on the walls of practice spaces, using an old
classical guitar that her mother had played in college. Sifting through
her parents' vinyl collection, she found a second home in the sounds
of Folk, Blues, Soul, and Classic Rock.
Wallace continued to write songs while studying musical theatre in
college, and while she worked her way across Europe and Asia for the
following three years. Her exposure to countless musicians across the
globe and her own equally diverse musical history have influenced her
compositions, while her astute and straightforward observations lead
to a directness in her lyrics that can be both humorous and painfully
honest. Her songs are tiny portraits of all life offers: love and loss;
mischief and atonement; success and failure; but most of all, the
power of a resilient spirit. She currently hails from the earthly paradise
of New York City.
In her debut release, Wallace has paid tribute to her roots in hard rock
while staying true to her core acoustic pop sound. Wallace wrote the
songs of "Space To Be Free" while traveling the globe from 2007-
2010. As a collection, the EP is a representation of Wallace's genre-
spanning songwriting, creating a fusion of alternative rock, pop, and
country: from Rock anthem “Bad Example” to Folksy lullaby “All Fall
Down,” from Country-inspired confession “This I Know” to Blues
love ballad “Something So Heavenly.”
Wallace's music has recently been featured on the Jellyfielders Podcast
in the UK, Ann's Musical Menagerie Podcast in the US, and has been
selected for broadcast on multiple radio stations across the US. She is
represented by WCL Music in the NACA college market.
www.rosawallacemusic.com
| Music Genres: Singer Songwriter |
| Rosa Wallace displays a fusion of styles. |
| The Return of Bowling For Soup |
| Music Genres: Indie / Alternative / Pop / Punk / Rock |
Having been in constant creative demand for over 17 straight years, pop-punk uber-
band Bowling for Soup clearly has no problem kicking out fresh songs, ridiculous
videos, and album after album of music that sets the bar for their genre. Even after
nearly two decades together, some things are the same. They still call Denton, TX
home, they still are putting out an avalanche of new music every year, and they’re still
the guys you’d cut class with to get a beer and a Hot Pocket. For a band that has had
only one personnel change in 17 years, which is a remarkable feat by any standards, it’
s clear that the team stays tight and that ain’t gonna change. As much as things are
the same, however, recent times have brought massive changes for Bowling for Soup,
and some things are very, very different and completely awesome.
At the core, Bowling for Soup is still Jaret Reddick, Erik Chandler, Gary Wiseman, Chris
Burney, and 3 generations of loyal, ravenous fans. As of Fall 2009, though, the partner
no longer at the party is Jive Records. Jive and the guys parted ways on good terms,
but sadly just four weeks after the release of Sorry for Partyin’. Away with the label went
all promo plans for the album, and no single from the record was ever released to
radio. Though they were shell shocked, the decision not to slow down was obvious.
Rather than spend a couple years trying to get ownership of Sorry for Partyin’ from Jive
so they could release it themselves, Jaret locked himself in a room for a month and
wrote the songs that have become their latest release, Fishin’ for Woos.
Available worldwide on April 26th, 2011, Fishin’ for Woos is their response to being
label-free for the first time in years and deciding to go balls out as an independent
band with a mind-blowing fan base. “The only pressure we felt was not to make a
record just to fill the space and keep things moving,” says songwriter/frontman Jaret
Reddick. “It had to be just as real as everything else we’ve done.” It worked. Fishin’ for
Woos is the classic Bowling for Soup sound and energy, led by marquis tracks “S-S-S-
Saturday”, “Girls In America”, “I’ve Never Done Anything Like This” featuring Kay
Hanley of Letters to Cleo, and “Turbulence” featuring Gabriel Mann, who is 1/4 of The
Rescues and composes the music for mega hit TV show Modern Family. Also making
its full-production debut is “Guard My Heart,” which will make legions of fans very, very
happy. Written by bassist Erik Chandler for a film called Sardines, the rough demo was
leaked to fans online in 1997 and became a monster favorite around the world.
Being able to include “Guard My Heart” on the record simply because they want to is
the nutshell of where Bowling for Soup is at right now. “The freedom is amazing,” says
Reddick. “If we want to release a new record every 6 months, we can. If we want to
make a Christmas album, or remix album, or sing in a Disney project, we can. We don’t
need to get anyone’s permission.”
He’s not kidding about the Disney thing. In 2008, the creators of the Disney cartoon TV
series Phineas and Ferb, which is hailed as one of the most-viewed cartoons in the
world, asked Jaret to expand the Emmy-nominated 30-second theme song into a full-
length radio single. “Today is Gonna Be a Great Day” is the result, and the song and
music video have become fixtures on Radio Disney and the Disney Channel. Since the
first one went so well, Disney has since invited Jaret back to write several more songs
for Phineas and Ferb, have cast him in a recurring role on the show as the voice of
“Danny,” the lead singer of the band Love Handle, and have included both Jaret as
“Danny” and Bowling for Soup as themselves on the two Phineas and Ferb Christmas
albums, and several other releases. All in all, the Disney thing turned into a pretty
sweet deal, and in addition to making them heroes to their kids, it reconnected Bowling
for Soup to fans young and old.
While keeping their fans of all ages fat and happy on BFS music and TV goodness, the
guys have kept right on doing what they’ve done from the start: the road. Having
literally played around the world several times, including Cuba, Australia, Japan,
Belgium, Italy, China (twice), thousands of shows in the US and 26 separate tours of
the UK just since 2000, these guys know the road. “You gotta stay busy to stay
relevant,” remarks Jaret. “Plus, we love what we do. It’s our job to play music for
people, and we love our job.” In 2011, “the job” will include April in the UK on an
acoustic tour headlined by Bowling for Soup and supported by Erik Chandler’s solo
project The Mulberry St. Socialites and People On Vacation (Jaret’s other band), and
then May/June shows in the US before spending July in Asia playing for the U.S.
Military. After Asia, it’s back to the US for college shows in August/September and then
a full-force full band UK tour to drop Fishin’ for Woos on the world.
Some things, like their endless touring schedule and love for their fans, are the same.
Other things have changed. It’s not like they thought, “hey, pretty soon we’re gonna be
cartoons without a record deal playing shows for the military across Asia.” That’s just
how it went down, and in solid BFS-fashion, they’re using it as fuel and killing it. Plans
and deals and ideas get different, get weird, get gone. Some things, though, like fans
and friends and kick-ass music stay exactly the same. Some things will never change.
They’ll just grow.
www.bowlingforsoup.com
band Bowling for Soup clearly has no problem kicking out fresh songs, ridiculous
videos, and album after album of music that sets the bar for their genre. Even after
nearly two decades together, some things are the same. They still call Denton, TX
home, they still are putting out an avalanche of new music every year, and they’re still
the guys you’d cut class with to get a beer and a Hot Pocket. For a band that has had
only one personnel change in 17 years, which is a remarkable feat by any standards, it’
s clear that the team stays tight and that ain’t gonna change. As much as things are
the same, however, recent times have brought massive changes for Bowling for Soup,
and some things are very, very different and completely awesome.
At the core, Bowling for Soup is still Jaret Reddick, Erik Chandler, Gary Wiseman, Chris
Burney, and 3 generations of loyal, ravenous fans. As of Fall 2009, though, the partner
no longer at the party is Jive Records. Jive and the guys parted ways on good terms,
but sadly just four weeks after the release of Sorry for Partyin’. Away with the label went
all promo plans for the album, and no single from the record was ever released to
radio. Though they were shell shocked, the decision not to slow down was obvious.
Rather than spend a couple years trying to get ownership of Sorry for Partyin’ from Jive
so they could release it themselves, Jaret locked himself in a room for a month and
wrote the songs that have become their latest release, Fishin’ for Woos.
Available worldwide on April 26th, 2011, Fishin’ for Woos is their response to being
label-free for the first time in years and deciding to go balls out as an independent
band with a mind-blowing fan base. “The only pressure we felt was not to make a
record just to fill the space and keep things moving,” says songwriter/frontman Jaret
Reddick. “It had to be just as real as everything else we’ve done.” It worked. Fishin’ for
Woos is the classic Bowling for Soup sound and energy, led by marquis tracks “S-S-S-
Saturday”, “Girls In America”, “I’ve Never Done Anything Like This” featuring Kay
Hanley of Letters to Cleo, and “Turbulence” featuring Gabriel Mann, who is 1/4 of The
Rescues and composes the music for mega hit TV show Modern Family. Also making
its full-production debut is “Guard My Heart,” which will make legions of fans very, very
happy. Written by bassist Erik Chandler for a film called Sardines, the rough demo was
leaked to fans online in 1997 and became a monster favorite around the world.
Being able to include “Guard My Heart” on the record simply because they want to is
the nutshell of where Bowling for Soup is at right now. “The freedom is amazing,” says
Reddick. “If we want to release a new record every 6 months, we can. If we want to
make a Christmas album, or remix album, or sing in a Disney project, we can. We don’t
need to get anyone’s permission.”
He’s not kidding about the Disney thing. In 2008, the creators of the Disney cartoon TV
series Phineas and Ferb, which is hailed as one of the most-viewed cartoons in the
world, asked Jaret to expand the Emmy-nominated 30-second theme song into a full-
length radio single. “Today is Gonna Be a Great Day” is the result, and the song and
music video have become fixtures on Radio Disney and the Disney Channel. Since the
first one went so well, Disney has since invited Jaret back to write several more songs
for Phineas and Ferb, have cast him in a recurring role on the show as the voice of
“Danny,” the lead singer of the band Love Handle, and have included both Jaret as
“Danny” and Bowling for Soup as themselves on the two Phineas and Ferb Christmas
albums, and several other releases. All in all, the Disney thing turned into a pretty
sweet deal, and in addition to making them heroes to their kids, it reconnected Bowling
for Soup to fans young and old.
While keeping their fans of all ages fat and happy on BFS music and TV goodness, the
guys have kept right on doing what they’ve done from the start: the road. Having
literally played around the world several times, including Cuba, Australia, Japan,
Belgium, Italy, China (twice), thousands of shows in the US and 26 separate tours of
the UK just since 2000, these guys know the road. “You gotta stay busy to stay
relevant,” remarks Jaret. “Plus, we love what we do. It’s our job to play music for
people, and we love our job.” In 2011, “the job” will include April in the UK on an
acoustic tour headlined by Bowling for Soup and supported by Erik Chandler’s solo
project The Mulberry St. Socialites and People On Vacation (Jaret’s other band), and
then May/June shows in the US before spending July in Asia playing for the U.S.
Military. After Asia, it’s back to the US for college shows in August/September and then
a full-force full band UK tour to drop Fishin’ for Woos on the world.
Some things, like their endless touring schedule and love for their fans, are the same.
Other things have changed. It’s not like they thought, “hey, pretty soon we’re gonna be
cartoons without a record deal playing shows for the military across Asia.” That’s just
how it went down, and in solid BFS-fashion, they’re using it as fuel and killing it. Plans
and deals and ideas get different, get weird, get gone. Some things, though, like fans
and friends and kick-ass music stay exactly the same. Some things will never change.
They’ll just grow.
www.bowlingforsoup.com
(New York – NY) - Season 7 American Idol winner David Cook will be releasing his sophomore
album, This Loud Morning (19 Recordings/RCA Records), on June 28th.
Executive produced by Matt Serletic (Rob Thomas, Matchbox Twenty, Collective Soul), This
Loud Morning features tracks written and co-written by Cook along with many acclaimed
songwriters including, David Hodges, Ryan Tedder, Kevin Griffin and Marti Frederiksen.
Says Cook, "This album is the culmination of one of the loftiest endeavors I've ever
undertaken. The end result is an album that I cannot wait to share with everyone."
Earlier this year Cook recorded the farewell song for the 10th season of American Idol, which
can be heard every week this season. The song, chosen by American Idol creator and
Executive Producer Simon Fuller, is a remake of Simple Minds 1985 smash “Don’t You (Forget
About Me)”.
After winning the Idol crown in season 7, Cook went on to sell over 1 million copies of his self-
titled debut album and set out on a year long nationwide tour in support of his multiple hit
singles. Released on November 18th, 2008, David Cook (19 Recordings / RCA Records)
entered the Billboard charts at #3 and the digital album charts at #1, marking the best debut
from an American Idol winner since 2006. Collectively the songs from David Cook have sold
over 2 million tracks and ringtones combined. Cook’s coronation single, “The Time of My Life”
was certified platinum and is not only the biggest single debut but the highest selling
coronation single in the show’s history.
www.davidcookofficial.com
album, This Loud Morning (19 Recordings/RCA Records), on June 28th.
Executive produced by Matt Serletic (Rob Thomas, Matchbox Twenty, Collective Soul), This
Loud Morning features tracks written and co-written by Cook along with many acclaimed
songwriters including, David Hodges, Ryan Tedder, Kevin Griffin and Marti Frederiksen.
Says Cook, "This album is the culmination of one of the loftiest endeavors I've ever
undertaken. The end result is an album that I cannot wait to share with everyone."
Earlier this year Cook recorded the farewell song for the 10th season of American Idol, which
can be heard every week this season. The song, chosen by American Idol creator and
Executive Producer Simon Fuller, is a remake of Simple Minds 1985 smash “Don’t You (Forget
About Me)”.
After winning the Idol crown in season 7, Cook went on to sell over 1 million copies of his self-
titled debut album and set out on a year long nationwide tour in support of his multiple hit
singles. Released on November 18th, 2008, David Cook (19 Recordings / RCA Records)
entered the Billboard charts at #3 and the digital album charts at #1, marking the best debut
from an American Idol winner since 2006. Collectively the songs from David Cook have sold
over 2 million tracks and ringtones combined. Cook’s coronation single, “The Time of My Life”
was certified platinum and is not only the biggest single debut but the highest selling
coronation single in the show’s history.
www.davidcookofficial.com
| David Cook's "This Loud Morning" |
| Music Genres: Pop / Top 40 / Adult Contemporary |
One of Miami’s most captivating performers, Marti grew up listening to
various styles of music. However, it was the House scene that really made
an impact on her and inspired the desire to perform as well as create
music that moved the masses! As a native of Miami, Marti began singing
as a child. She entered various talent shows to get in the performance
arena. As a teenager, she joined local Gospel groups and local bands
where she sang back up and lead. During this time she developed a love
and appreciation for all forms of Dance and House music. It was around
then that Marti tried her hand at writing her own material and went into the
studio to start the process of recording her first single titled “Jump.” Much
to her surprise and delight, every DJ she gave the single to would play it
immediately upon hearing it in the club. When people kept on dancing and
started asking for more, she knew she was on to something! Combining
sex appeal and charm, Marti’s sultry low tones and heart stopping high
notes were prevalent in recordings, concerts and showcases with local as
well as nationally and internationally known acts. She also has recorded
for Universal Latino on several projects and is now in the process of
completing her first Dance album due out later this year. Marti’s talents as
a singer and songwriter combined with soulful warmth and an
approachable attitude wins over her audience and will have you asking for
more…
Link: http://www.martishouse.com
various styles of music. However, it was the House scene that really made
an impact on her and inspired the desire to perform as well as create
music that moved the masses! As a native of Miami, Marti began singing
as a child. She entered various talent shows to get in the performance
arena. As a teenager, she joined local Gospel groups and local bands
where she sang back up and lead. During this time she developed a love
and appreciation for all forms of Dance and House music. It was around
then that Marti tried her hand at writing her own material and went into the
studio to start the process of recording her first single titled “Jump.” Much
to her surprise and delight, every DJ she gave the single to would play it
immediately upon hearing it in the club. When people kept on dancing and
started asking for more, she knew she was on to something! Combining
sex appeal and charm, Marti’s sultry low tones and heart stopping high
notes were prevalent in recordings, concerts and showcases with local as
well as nationally and internationally known acts. She also has recorded
for Universal Latino on several projects and is now in the process of
completing her first Dance album due out later this year. Marti’s talents as
a singer and songwriter combined with soulful warmth and an
approachable attitude wins over her audience and will have you asking for
more…
Link: http://www.martishouse.com
| Hot Dance Music from Miami's Marti |
| Music Genres: Dance / House / Pop |
2AM Club know how to throw a party—and it’s not one you’re going to forget the next day. Funk, pop, rock, blue-eyed soul, hip-hop, new
wave, and electro all converge to create a genre-bending sound that’s completely unique, instantly relatable, and practically begging to be
danced to. These six 20-something guys—singer Marc Griffin, emcee Tyler Cordy, guitarist Matt Reagan, keyboard player Dave Dalton,
drummer Ian O’Neill and bassist Matt Warshauer, AKA “Sauce”—bring a diverse array of influences to the table (Jay Z to the Beatles, Duran
Duran to the Beastie Boys, Stevie Wonder to The Strokes), effortlessly synthesizing the very best of all that has come before them to create
music that is resoundingly modern.
One part Seattle, one part Bay Area and one part Northeast, the group came together in Los Angeles in 2007 and honed their skills playing
the local college scene before heading up and down the West Coast, booking, producing, and headlining their own gigs. After recording
some demos with Jerry Harrison—a former member of the Talking Heads and Modern Lovers—2AM Club played a now-legendary four-
month residency they called “Tiny Porno” at the Derby in L.A., and word quickly spread that it was the place to be: “We wanted to create an
environment that wasn’t like the typical L.A. promotional circuit,” says Sauce. “We wanted something raw, sweaty, dark, and disgusting. It
turned into a huge thing.”
2AM Club’s shows never fail to explode with energy, heightened by the hyperactive musical tango between Tyler and Marc’s vocals, and the
way that the band—named for a beloved Bay Area bar known for being a welcoming chill spot for a random assortment of locals—honor
their moniker by making their shows an all-inclusive, unpretentious good time for all who attend.
“Our idea has always been to try to break down the fourth wall,” says Tyler. “A lot of bands play for the audience while the audience just
stands there. We wanted a different dynamic. Everybody’s in the room and we’re all listening to music, we should be experiencing it
together. The Tiny Porno shows were crucial because they exploded with that kind of crazy energy.”
With a buzz like that, it was only a matter of time before the labels came knocking, and 2AM Club signed with RCA Records in September
2008. Since then, they’ve relocated to NYC, where they’ve been sequestered in the studio with seasoned producers Sam Hollander and
Dave Katz (Boys Like Girls, Katy Perry, Gym Class Heroes), recording tracks for their debut album.
With live crowd-pleasers such as “Flashing Room” (a thumping, ode to sex that’s a bit more than casual, featuring soaring 80s-esque
synths, sly rock riffs, and a sky-high chorus), “Hurricane” (a seductive slow jam that unspools into panoramic pop), and “Let Me Down Easy”
(which sounds like what might happen if Eminem body-slammed New Edition) already in the bag, expect rip-roaring rock riffs, punchy new
wave-inflected synths, ass-shaking hip-hop beats, clever wordplay (exhibit a: “she left her cares on the bedpost, next to her lipstick and her
Mentos”), and a dash of good old Motown-style soul. In other words, expect a record full of unique and entirely creative cuts that span a vast
musical landscape.
While there may be touches of everyone from Prince to Maroon 5 to Justin Timberlake to D’Angelo in their DNA, the interplay between Marc’
s smooth singing voice and Tyler’s effortless staccato flow makes 2AM Club sound completely fresh. They also lay strong emphasis on solid
songwriting (an effort that involves the whole band), giving them a lyrical and melodic sophistication that’s rarely seen in groups so young.
2AM Club’s songs may be predominantly about sex and girls, nights out and lights out, but they’re also inventive, intelligent, and shot
through with real sentiment because they’re written about things that are actually happening in the band member’s lives.
“Pop music has been made for so long, a lot of it has obviously become cliché and hackneyed,” says Tyler. “We’re hoping that if we can
make it a little bit smarter, we can take it somewhere new and cool and exciting. It comes down to a bigger idea of love and conflict and
greatness and bullshit. I think most people can identify with that, but then on another level it’s also just super dumb drunk party music—you
can take from it what you will.”
“I think we’ve all always wanted to be saying something with music,” adds Marc. “That’s why we started out in poetry slams and doing hip-
hop. We may be making music that’s more pop now, which has this overarching feeling of being catchy and melodic and cheeky, but
we’re hoping you can listen to it 20 times and still be taking something new away from it on a deeper level.”
“In other words,” says Matt, “we’re hoping the album will be something you can play at a party, but that you’ll also want to play after the party
when you get home.”
www.2amclubmusic.com
wave, and electro all converge to create a genre-bending sound that’s completely unique, instantly relatable, and practically begging to be
danced to. These six 20-something guys—singer Marc Griffin, emcee Tyler Cordy, guitarist Matt Reagan, keyboard player Dave Dalton,
drummer Ian O’Neill and bassist Matt Warshauer, AKA “Sauce”—bring a diverse array of influences to the table (Jay Z to the Beatles, Duran
Duran to the Beastie Boys, Stevie Wonder to The Strokes), effortlessly synthesizing the very best of all that has come before them to create
music that is resoundingly modern.
One part Seattle, one part Bay Area and one part Northeast, the group came together in Los Angeles in 2007 and honed their skills playing
the local college scene before heading up and down the West Coast, booking, producing, and headlining their own gigs. After recording
some demos with Jerry Harrison—a former member of the Talking Heads and Modern Lovers—2AM Club played a now-legendary four-
month residency they called “Tiny Porno” at the Derby in L.A., and word quickly spread that it was the place to be: “We wanted to create an
environment that wasn’t like the typical L.A. promotional circuit,” says Sauce. “We wanted something raw, sweaty, dark, and disgusting. It
turned into a huge thing.”
2AM Club’s shows never fail to explode with energy, heightened by the hyperactive musical tango between Tyler and Marc’s vocals, and the
way that the band—named for a beloved Bay Area bar known for being a welcoming chill spot for a random assortment of locals—honor
their moniker by making their shows an all-inclusive, unpretentious good time for all who attend.
“Our idea has always been to try to break down the fourth wall,” says Tyler. “A lot of bands play for the audience while the audience just
stands there. We wanted a different dynamic. Everybody’s in the room and we’re all listening to music, we should be experiencing it
together. The Tiny Porno shows were crucial because they exploded with that kind of crazy energy.”
With a buzz like that, it was only a matter of time before the labels came knocking, and 2AM Club signed with RCA Records in September
2008. Since then, they’ve relocated to NYC, where they’ve been sequestered in the studio with seasoned producers Sam Hollander and
Dave Katz (Boys Like Girls, Katy Perry, Gym Class Heroes), recording tracks for their debut album.
With live crowd-pleasers such as “Flashing Room” (a thumping, ode to sex that’s a bit more than casual, featuring soaring 80s-esque
synths, sly rock riffs, and a sky-high chorus), “Hurricane” (a seductive slow jam that unspools into panoramic pop), and “Let Me Down Easy”
(which sounds like what might happen if Eminem body-slammed New Edition) already in the bag, expect rip-roaring rock riffs, punchy new
wave-inflected synths, ass-shaking hip-hop beats, clever wordplay (exhibit a: “she left her cares on the bedpost, next to her lipstick and her
Mentos”), and a dash of good old Motown-style soul. In other words, expect a record full of unique and entirely creative cuts that span a vast
musical landscape.
While there may be touches of everyone from Prince to Maroon 5 to Justin Timberlake to D’Angelo in their DNA, the interplay between Marc’
s smooth singing voice and Tyler’s effortless staccato flow makes 2AM Club sound completely fresh. They also lay strong emphasis on solid
songwriting (an effort that involves the whole band), giving them a lyrical and melodic sophistication that’s rarely seen in groups so young.
2AM Club’s songs may be predominantly about sex and girls, nights out and lights out, but they’re also inventive, intelligent, and shot
through with real sentiment because they’re written about things that are actually happening in the band member’s lives.
“Pop music has been made for so long, a lot of it has obviously become cliché and hackneyed,” says Tyler. “We’re hoping that if we can
make it a little bit smarter, we can take it somewhere new and cool and exciting. It comes down to a bigger idea of love and conflict and
greatness and bullshit. I think most people can identify with that, but then on another level it’s also just super dumb drunk party music—you
can take from it what you will.”
“I think we’ve all always wanted to be saying something with music,” adds Marc. “That’s why we started out in poetry slams and doing hip-
hop. We may be making music that’s more pop now, which has this overarching feeling of being catchy and melodic and cheeky, but
we’re hoping you can listen to it 20 times and still be taking something new away from it on a deeper level.”
“In other words,” says Matt, “we’re hoping the album will be something you can play at a party, but that you’ll also want to play after the party
when you get home.”
www.2amclubmusic.com
| 2AM Club Know How To Throw A Party |
| Music Genres: Pop / Top 40 |
Angelina Bentley & the Cosmic Party... a stoney, sexy blend of dream-
pop, folk rock with a bit of alternative new age... former frontwoman
for girl rockers Draggin' Suzy, Angelina Bentley embarks on her first
solo project singing from the heart what she hears in the heavens…
"Stevie Nicks meets Annie Lennox on the way to Enya's castle...
soothes, inspires, transports…”
Celestial songstress Angelina Bentley has emerged from her chrysalis to
create Angelina Bentley & the Cosmic Party with more than just a little
bit of help from her friends... her offering is a new album called "Kings
& Butterflies"... it is a moody, sexy blend of dream-pop, folk rock
mixed with a bit of alternative new age... it explores the nature of
illusion (inspired by Zuangzi's Butterfly Dream ) and the return or
Awakening to the light of one's Authentic Self.
This project was created to take the listener from one emotional space
to another expanding on the themes of light and dark and the fusion of
the two... Available for download on Itunes http://itunes.apple.
com/us/album/kings-butterflies/id359295291 and Amazon MP3...
"Kings & Butterflies" was brought to fruition through the mirth and
magic of producer Joe Varela of Black Lab Studios, the patience and
expertise of Bill Bentley of Bill Bentley Productions, comrade and co-
writer -the incomparable Sparky Grinstead and the heavenly Erin "The
Dove" Oliver... "This album is so close to my heart and I feel it has met
my intention of creating a vehicle to transport the listener to a more
heart centered, peaceful state of being."
http://www.cosmicparty.com
pop, folk rock with a bit of alternative new age... former frontwoman
for girl rockers Draggin' Suzy, Angelina Bentley embarks on her first
solo project singing from the heart what she hears in the heavens…
"Stevie Nicks meets Annie Lennox on the way to Enya's castle...
soothes, inspires, transports…”
Celestial songstress Angelina Bentley has emerged from her chrysalis to
create Angelina Bentley & the Cosmic Party with more than just a little
bit of help from her friends... her offering is a new album called "Kings
& Butterflies"... it is a moody, sexy blend of dream-pop, folk rock
mixed with a bit of alternative new age... it explores the nature of
illusion (inspired by Zuangzi's Butterfly Dream ) and the return or
Awakening to the light of one's Authentic Self.
This project was created to take the listener from one emotional space
to another expanding on the themes of light and dark and the fusion of
the two... Available for download on Itunes http://itunes.apple.
com/us/album/kings-butterflies/id359295291 and Amazon MP3...
"Kings & Butterflies" was brought to fruition through the mirth and
magic of producer Joe Varela of Black Lab Studios, the patience and
expertise of Bill Bentley of Bill Bentley Productions, comrade and co-
writer -the incomparable Sparky Grinstead and the heavenly Erin "The
Dove" Oliver... "This album is so close to my heart and I feel it has met
my intention of creating a vehicle to transport the listener to a more
heart centered, peaceful state of being."
http://www.cosmicparty.com
| Angelina Bentley & the Cosmic Party |
| "a stoney, sexy blend of dream-pop, folk rock with a bit of alternative new age" |
| Music Genres: Dream-Pop / Folk / Rock / Alternative / New Age / Top 40 / Pop |
Singer/Songwriter Tim Blane’s new album, “You Can’t Go Back,” was almost cancelled due to weather.
In February 2010, Tim and his band sat, shivering, in a Virginia recording studio. After two days with no electricity, heat, or running water, they
wondered aloud if they should cut their losses and make the 14-hour trip back to Boston. Producer Chris Keup entered the room, informing them
that the three feet of snow on the ground meant they weren’t going anywhere. He stated simply…
“You can’t go back.”
Unfazed, the band used their time in the dark to work on arrangements. They huddled together and shared stories and that turned into song lyrics.
And now, a year later, the album is finally ready. It seems that Mother Nature wasn’t actually against Tim releasing a new album. She was just
gonna make him work hard for it. And the title, “You Can’t Go Back” serves as a reminder that this collection of acoustic pop songs almost didn’t
see the light of day.
Hailing originally from Washington, DC, Blane cut his teeth playing classical violin and jazz piano. But after teaching himself guitar and attending
Berklee College of Music, he began the transition into modern pop songwriting. He released two full-length albums- “In the Meantime” (2005) and
“Clockwork” (2007)- exhibiting a passion for incorporating elements of jazz into a roots-rock sound.
On the one hand, Blane’s career has followed the traditional singer/songwriter path. Since 2006, he’s played clubs and colleges throughout the US,
slowly building a grass roots fan base. Along the way he has shared the stage with acts like the Goo Goo Dolls, Cake, OneRepublic, KT Tunstall,
Fabolous and Sister Hazel. He’s garnered accolades like a Boston Music Award nomination, 2 finals appearances in the Starbucks Songwriting
Competition, and 14 different Ourstage.com wins. His song “Magnetic” is currently a finalist of the 2011 International Songwriting Competition,
and CAA’s 2009 “Cassandra Report” named him (along with acts like Lady Gaga) an artist to watch.
Yet on the other hand, Tim has taken some very unusual paths. Since 2009, he has been seen in millions of homes teaching guitar and piano lessons
as the teacher in Apple’s “Garageband” program. He was also hired to write custom ringtones for Pepsi. And this past summer he made worldwide
press for performing at a Presidential wedding.
Now with the May 2011, release of “You Can’t Go Back,” Tim hopes that this album full of catchy acoustic pop tunes will appeal to his fans old
and new, as he hits the road to support it.
And he bought a set of snow tires just to be safe.
timblane.com
In February 2010, Tim and his band sat, shivering, in a Virginia recording studio. After two days with no electricity, heat, or running water, they
wondered aloud if they should cut their losses and make the 14-hour trip back to Boston. Producer Chris Keup entered the room, informing them
that the three feet of snow on the ground meant they weren’t going anywhere. He stated simply…
“You can’t go back.”
Unfazed, the band used their time in the dark to work on arrangements. They huddled together and shared stories and that turned into song lyrics.
And now, a year later, the album is finally ready. It seems that Mother Nature wasn’t actually against Tim releasing a new album. She was just
gonna make him work hard for it. And the title, “You Can’t Go Back” serves as a reminder that this collection of acoustic pop songs almost didn’t
see the light of day.
Hailing originally from Washington, DC, Blane cut his teeth playing classical violin and jazz piano. But after teaching himself guitar and attending
Berklee College of Music, he began the transition into modern pop songwriting. He released two full-length albums- “In the Meantime” (2005) and
“Clockwork” (2007)- exhibiting a passion for incorporating elements of jazz into a roots-rock sound.
On the one hand, Blane’s career has followed the traditional singer/songwriter path. Since 2006, he’s played clubs and colleges throughout the US,
slowly building a grass roots fan base. Along the way he has shared the stage with acts like the Goo Goo Dolls, Cake, OneRepublic, KT Tunstall,
Fabolous and Sister Hazel. He’s garnered accolades like a Boston Music Award nomination, 2 finals appearances in the Starbucks Songwriting
Competition, and 14 different Ourstage.com wins. His song “Magnetic” is currently a finalist of the 2011 International Songwriting Competition,
and CAA’s 2009 “Cassandra Report” named him (along with acts like Lady Gaga) an artist to watch.
Yet on the other hand, Tim has taken some very unusual paths. Since 2009, he has been seen in millions of homes teaching guitar and piano lessons
as the teacher in Apple’s “Garageband” program. He was also hired to write custom ringtones for Pepsi. And this past summer he made worldwide
press for performing at a Presidential wedding.
Now with the May 2011, release of “You Can’t Go Back,” Tim hopes that this album full of catchy acoustic pop tunes will appeal to his fans old
and new, as he hits the road to support it.
And he bought a set of snow tires just to be safe.
timblane.com
| Catchy Pop from Tim Blane |
| Music Genres: Pop, Acoustic, Singer-Songwriter, Rock If You Like: John Mayer, Jason Mraz, Matt Nathanson, Gavin DeGraw, Matt Wertz |
LOS ANGELES, CA, APRIL 12, 2011 – Singer, songwriter and producer, Alicia
Keys will release a special 10th Anniversary Deluxe and Collector’s edition on J
Records / Legacy Recordings of her groundbreaking debut album songs in A
minor on June 28th, 2011.
The original release of songs in A minor sold more than 12 million albums
worldwide and garnered Keys with her first five, of 14 total, Grammy® Awards
including Best New Artist, Best Song of the Year for “Fallin,” and
Best R&B Album. With the 10th Anniversary Editions, Keys’ fans will be able to
rediscover this seminal album and explore previously unreleased and original
bonus material, such as the tracks “A Woman’s Worth” remix featuring Nas;
“Juiciest” mix tape version; “Fallin” the Ali soundtrack version; and the previously
unreleased “Typewriter,” “If I Was Your Woman” Original Funky Demo version
and "Butterflyz (The Drumline Mix)."
The Deluxe Edition two-disc set and Collector’s Edition three-disc set will feature
very special packaging and an enhanced booklet featuring new liner notes from
Keys. The Collector’s Edition will also include a documentary, specifically
created for this release with brand new interviews with Keys and other album
collaborators, reflecting on the making of songs in A minor (to see a trailer for
the documentary, visit http://bit.ly/akaminor). For the first time, a vinyl version of
the original album will also be made available. Further exciting details on the
Deluxe and Collector’s editions will be announced shortly and can be seen on
www.aliciakeys.com.
“It’s incredibly surreal for me to be celebrating the 10th anniversary of songs in
A minor,” says Keys. “Looking back on the journey, I’m truly moved by my fans
and friends who’ve been with me and have supported me throughout my career.
This album is possibly the most precious to me, as your first album only happens
once, and so songs in A minor will always hold a special place in my life that’s
filled with amazing memories. I’m so proud that the songs are still being enjoyed
around the world, and I’m crazy excited to share, through the 10th Anniversary
Edition, songs never heard before, and even more of my debut album with you.”
Keys will commemorate the 10th Anniversary by performing an intimate concert
for her fans at New York City’s historic Beacon Theatre on June 30th. The show,
titled “Piano & I: A One Night Only Event With Alicia Keys,” will feature Keys
accompanied only by her piano. The night of songs and storytelling will take
audiences through the entire songs in A minor album as well as many of Alicia’s
classic hits that followed. Tickets for the show will go on sale on May 6th via
Ticket Master.
Keys will also perform on the BET Awards on June 26th and an hour-long
special on Alicia and songs in A minor will air on the network in late June around
the album release.
For more information,
details and updates, visit
www.aliciakeys.com
www.facebook.com/aliciakeys
www.twitter.com/aliciakeys
Keys will release a special 10th Anniversary Deluxe and Collector’s edition on J
Records / Legacy Recordings of her groundbreaking debut album songs in A
minor on June 28th, 2011.
The original release of songs in A minor sold more than 12 million albums
worldwide and garnered Keys with her first five, of 14 total, Grammy® Awards
including Best New Artist, Best Song of the Year for “Fallin,” and
Best R&B Album. With the 10th Anniversary Editions, Keys’ fans will be able to
rediscover this seminal album and explore previously unreleased and original
bonus material, such as the tracks “A Woman’s Worth” remix featuring Nas;
“Juiciest” mix tape version; “Fallin” the Ali soundtrack version; and the previously
unreleased “Typewriter,” “If I Was Your Woman” Original Funky Demo version
and "Butterflyz (The Drumline Mix)."
The Deluxe Edition two-disc set and Collector’s Edition three-disc set will feature
very special packaging and an enhanced booklet featuring new liner notes from
Keys. The Collector’s Edition will also include a documentary, specifically
created for this release with brand new interviews with Keys and other album
collaborators, reflecting on the making of songs in A minor (to see a trailer for
the documentary, visit http://bit.ly/akaminor). For the first time, a vinyl version of
the original album will also be made available. Further exciting details on the
Deluxe and Collector’s editions will be announced shortly and can be seen on
www.aliciakeys.com.
“It’s incredibly surreal for me to be celebrating the 10th anniversary of songs in
A minor,” says Keys. “Looking back on the journey, I’m truly moved by my fans
and friends who’ve been with me and have supported me throughout my career.
This album is possibly the most precious to me, as your first album only happens
once, and so songs in A minor will always hold a special place in my life that’s
filled with amazing memories. I’m so proud that the songs are still being enjoyed
around the world, and I’m crazy excited to share, through the 10th Anniversary
Edition, songs never heard before, and even more of my debut album with you.”
Keys will commemorate the 10th Anniversary by performing an intimate concert
for her fans at New York City’s historic Beacon Theatre on June 30th. The show,
titled “Piano & I: A One Night Only Event With Alicia Keys,” will feature Keys
accompanied only by her piano. The night of songs and storytelling will take
audiences through the entire songs in A minor album as well as many of Alicia’s
classic hits that followed. Tickets for the show will go on sale on May 6th via
Ticket Master.
Keys will also perform on the BET Awards on June 26th and an hour-long
special on Alicia and songs in A minor will air on the network in late June around
the album release.
For more information,
details and updates, visit
www.aliciakeys.com
www.facebook.com/aliciakeys
www.twitter.com/aliciakeys
| Alicia Keys To Rerelease Debut Album |
| Music Genres: Pop / Top 40 / R&B / Soul / Adult Contemporary / Urban |
GLOBAL SUPERSTAR KE$HA GETS $LEAZIER
BACK BY POPULAR DEMAND KE$HA ANNOUNCES CONTINUATION OF HER “GET
$LEAZY” WORLDWIDE TOUR
(NEW YORK – NY) Continuing her world domination as an international power house,
global superstar Ke$ha announced that she is getting even $leazier and, by popular
demand, will add a summer leg to her “Get $leazy” worldwide tour. After selling out
the first leg of this tour in minutes, Ke$ha hits the road again this summer, with the
new dates kicking off in Harrington, DE on July 26th and wrapping on September
20th in Phoenix, AZ. LMFAO and Spank Rock will join Ke$ha on the road in most
North American markets.
Ke$ha, who is touring in support of her recent release of her remix album I Am The
Dance Commander + I Command You To Dance (RCA Records / Kemosabe
Entertainment) as well as Cannibal, the companion to her platinum selling debut
album Animal, will be stopping in more than 30 North American cities for leg 2 of the
“Get $leazy” tour.
Says Ke$ha, “My spring tour sold out so fast, which is amazing, but I want to get to
party with errryone. If you are part of my family, my cult of rowdy misfits - come join
us!!!! So I’m pulling out an ass-ton more glitter with blue lipstick to spare and I’m
ready to party with all y’all all summer long. Shit’s gonna be hot as a mofo. Get ready
to take it off, go animal and get $leazy! Pimping across America with SPANK ROCK
and LMFAO. Miss this and you be missing the biggest dance party of the year!!!!"
The “Get $leazy” tour has been met by rave reviews, Spin.com called it "good, sleazy
fun" and local reviews have exclaimed that “Ke$ha’s live show is basically the best
thing ever” and declared that “…Ke$ha is an idol because she's fun, fearless and
doesn't take shit from anyone.”
Declared Billboard’s Hot 100 Artist of 2010 and with her song “TiK ToK” being the
most played song of 2010 as well as the biggest-selling digital track in the world,
Ke$ha’s world domination continues in 2011. Her current smash single “Blow” just
crashed into the Top 10 at Top 40 radio, making it her 6th consecutive Top 10 hit.
2010 was an incredible year for Ke$ha. In addition to her aforementioned accolades,
her smash debut single “TiK ToK” was also named Billboard’s #1 Hot 100 Song for
2010. Ke$ha has had three #1 songs on the Billboard Hot 100 chart (“TiK ToK”,
“Your Love Is My Drug” and “We R Who We R”). Her debut album Animal has already
been certified platinum and sold over 2 million units worldwide. She took home the
MTV EMA for Best New Act in November and she was nominated for two American
Music Awards and 3 MTV VMA Awards. She has sold 18 million combined tracks and
ringtones in the U.S alone and 23 million worldwide to date. Her smash breakthrough
single "TiK ToK” has sold over 8.5 million combined units alone. The IFPI announced
that “TiK ToK is biggest-selling digital track in the world in 2010 with 12.8 million
copies of the song sold in digital stores. Ke$ha is an international powerhouse,
Animal has been certified Gold or Platinum or multi-Platinum in seven markets and is
the biggest selling debut album from an international female in 2010 in the UK.
www.keshasparty.com
BACK BY POPULAR DEMAND KE$HA ANNOUNCES CONTINUATION OF HER “GET
$LEAZY” WORLDWIDE TOUR
(NEW YORK – NY) Continuing her world domination as an international power house,
global superstar Ke$ha announced that she is getting even $leazier and, by popular
demand, will add a summer leg to her “Get $leazy” worldwide tour. After selling out
the first leg of this tour in minutes, Ke$ha hits the road again this summer, with the
new dates kicking off in Harrington, DE on July 26th and wrapping on September
20th in Phoenix, AZ. LMFAO and Spank Rock will join Ke$ha on the road in most
North American markets.
Ke$ha, who is touring in support of her recent release of her remix album I Am The
Dance Commander + I Command You To Dance (RCA Records / Kemosabe
Entertainment) as well as Cannibal, the companion to her platinum selling debut
album Animal, will be stopping in more than 30 North American cities for leg 2 of the
“Get $leazy” tour.
Says Ke$ha, “My spring tour sold out so fast, which is amazing, but I want to get to
party with errryone. If you are part of my family, my cult of rowdy misfits - come join
us!!!! So I’m pulling out an ass-ton more glitter with blue lipstick to spare and I’m
ready to party with all y’all all summer long. Shit’s gonna be hot as a mofo. Get ready
to take it off, go animal and get $leazy! Pimping across America with SPANK ROCK
and LMFAO. Miss this and you be missing the biggest dance party of the year!!!!"
The “Get $leazy” tour has been met by rave reviews, Spin.com called it "good, sleazy
fun" and local reviews have exclaimed that “Ke$ha’s live show is basically the best
thing ever” and declared that “…Ke$ha is an idol because she's fun, fearless and
doesn't take shit from anyone.”
Declared Billboard’s Hot 100 Artist of 2010 and with her song “TiK ToK” being the
most played song of 2010 as well as the biggest-selling digital track in the world,
Ke$ha’s world domination continues in 2011. Her current smash single “Blow” just
crashed into the Top 10 at Top 40 radio, making it her 6th consecutive Top 10 hit.
2010 was an incredible year for Ke$ha. In addition to her aforementioned accolades,
her smash debut single “TiK ToK” was also named Billboard’s #1 Hot 100 Song for
2010. Ke$ha has had three #1 songs on the Billboard Hot 100 chart (“TiK ToK”,
“Your Love Is My Drug” and “We R Who We R”). Her debut album Animal has already
been certified platinum and sold over 2 million units worldwide. She took home the
MTV EMA for Best New Act in November and she was nominated for two American
Music Awards and 3 MTV VMA Awards. She has sold 18 million combined tracks and
ringtones in the U.S alone and 23 million worldwide to date. Her smash breakthrough
single "TiK ToK” has sold over 8.5 million combined units alone. The IFPI announced
that “TiK ToK is biggest-selling digital track in the world in 2010 with 12.8 million
copies of the song sold in digital stores. Ke$ha is an international powerhouse,
Animal has been certified Gold or Platinum or multi-Platinum in seven markets and is
the biggest selling debut album from an international female in 2010 in the UK.
www.keshasparty.com
| Ke$ha's "Get $leazy" World Tour |
| Music Genres: Pop / Top 40 / Dance |
New York, NY– (April 11th, 2011) – Following the success of debut single, “Friction” in September 2010, electro-pop artist Adam Tyler continues
plans to autograph his name on the scene in permanent ink. In conjunction with Tiger Bay Records, the artist proudly announces the digital release
of his next single “I Won’t Let You Go,” one which joins a complete EP due out in July 2011. Highlighting the artist’s undeniable versatility, the
track unites his aggressive electro flair with the accessibility of an easy pop tune. Adam’s adept and electrified sensibility for melody ignites
immense prowess as is evident in his upcoming EP. His talent has warranted him several opportunities to work with other masters of their craft,
such as the notable producer DeeKay (Sugababes), choreographer Stixx (Eminem), Chris Yates (X Factor) and director Dan Shipton (Dancing On
Ice).
While a student at Boston’s prestigious Berklee College of Music, the artist quickly found the confines of a classroom were limiting the kind of
stage he was aiming to take. Opting to take a risk, Adam took a departure from his coursework and at the age of 22, it was met with reward. The
artist was quickly recruited by the creator of Hollywood Records’ band, Youngstown, for his new act. The Missouri native jumped at the
opportunity and relocated to Los Angeles, ultimately yearning to tackle the industry on his own. Up next for the artist, Adam looks forward to
taking his work on the road, with nationwide performances including Los Angeles, New York, and abroad in London this year.
htttp://www.facebook.com/adamtylerfans
plans to autograph his name on the scene in permanent ink. In conjunction with Tiger Bay Records, the artist proudly announces the digital release
of his next single “I Won’t Let You Go,” one which joins a complete EP due out in July 2011. Highlighting the artist’s undeniable versatility, the
track unites his aggressive electro flair with the accessibility of an easy pop tune. Adam’s adept and electrified sensibility for melody ignites
immense prowess as is evident in his upcoming EP. His talent has warranted him several opportunities to work with other masters of their craft,
such as the notable producer DeeKay (Sugababes), choreographer Stixx (Eminem), Chris Yates (X Factor) and director Dan Shipton (Dancing On
Ice).
While a student at Boston’s prestigious Berklee College of Music, the artist quickly found the confines of a classroom were limiting the kind of
stage he was aiming to take. Opting to take a risk, Adam took a departure from his coursework and at the age of 22, it was met with reward. The
artist was quickly recruited by the creator of Hollywood Records’ band, Youngstown, for his new act. The Missouri native jumped at the
opportunity and relocated to Los Angeles, ultimately yearning to tackle the industry on his own. Up next for the artist, Adam looks forward to
taking his work on the road, with nationwide performances including Los Angeles, New York, and abroad in London this year.
htttp://www.facebook.com/adamtylerfans
| Dance Pop from Missouri native Adam Tyler |
| ELECTRO-POP ARTIST ADAM TYLER CREATES “FRICTION” WITH HIS SOUND -ANNOUNCES NEW SINGLE AND FORTHCOMING EP! |
| Music Genres: Dance / House / Electro / Pop / Top 40 /Club |
Avril Lavigne’s fourth studio album, Goodbye Lullaby, is was released by RCA Records on March 8, 2011. Working with longtime
collaborators Deryck Whibley, Evan Taubenfeld and Butch Walker, as well as songwriter/producer Max Martin, Lavigne continues to share
her personal experiences through her writing and music with a more organic and raw sound.
Avril Lavigne has made an indelible mark on the music community, selling more than 30 million albums worldwide, earning eight Grammy
nominations and seven Canadian Juno Awards. She burst onto the music scene in 2002 with the critically acclaimed Let Go, featuring the
smash singles “Sk8r Boi” and “Complicated.” Her 2004 release, Under My Skin, debuted at #1 on the Billboard charts, as did her third
album, The Best Damn Thing, which produced the irrepressible #1 single “Girlfriend” and logged more than 130 million views on YouTube!
Lavigne also wrote the song “Alice” for Tim Burton’s critically acclaimed Disney Film Alice in Wonderland.
Outside the recording studio, Lavigne is a successful entrepreneur who continues to design and direct her lifestyle apparel brand, Abbey
Dawn, which has expanded its worldwide footprint shipping to more than 50+ countries. Along with her popular fragrance Black Star, she
recently introduced Forbidden Rose and is launching a third fragrance in 2011. Lavigne’s past charitable work also inspired her to create
The Avril Lavigne Foundation. The Foundation works in partnership with leading charitable organizations to design and deliver programs,
raise awareness, and mobilize support for children and youth living with serious illnesses or disabilities.
For more information, visit www.AvrilLavigne.com.
collaborators Deryck Whibley, Evan Taubenfeld and Butch Walker, as well as songwriter/producer Max Martin, Lavigne continues to share
her personal experiences through her writing and music with a more organic and raw sound.
Avril Lavigne has made an indelible mark on the music community, selling more than 30 million albums worldwide, earning eight Grammy
nominations and seven Canadian Juno Awards. She burst onto the music scene in 2002 with the critically acclaimed Let Go, featuring the
smash singles “Sk8r Boi” and “Complicated.” Her 2004 release, Under My Skin, debuted at #1 on the Billboard charts, as did her third
album, The Best Damn Thing, which produced the irrepressible #1 single “Girlfriend” and logged more than 130 million views on YouTube!
Lavigne also wrote the song “Alice” for Tim Burton’s critically acclaimed Disney Film Alice in Wonderland.
Outside the recording studio, Lavigne is a successful entrepreneur who continues to design and direct her lifestyle apparel brand, Abbey
Dawn, which has expanded its worldwide footprint shipping to more than 50+ countries. Along with her popular fragrance Black Star, she
recently introduced Forbidden Rose and is launching a third fragrance in 2011. Lavigne’s past charitable work also inspired her to create
The Avril Lavigne Foundation. The Foundation works in partnership with leading charitable organizations to design and deliver programs,
raise awareness, and mobilize support for children and youth living with serious illnesses or disabilities.
For more information, visit www.AvrilLavigne.com.
| Avril Lavigne's "Goodbye Lullaby" |
| Music Genres: Pop / Top 40 |
(New York- March 18, 2011) LA-based, award-winning singer/songwriter and edgy pop recording artist BC Jean has released her brand
new single “I’ll Survive You” available at all digital providers. “I’ll Survive You” is the follow up track to her Top 40 charting debut single “Just
A Guy,” which received raves from the likes of New York Post “Popwrap” writer Ryan Brockington who exclaimed “If Kelly Clarkson and P!nk
could have a baby…her music is as great as the people helping her make it.” Variety proclaimed her as a “talent worth tracking in 2011,”
Entertainment Weekly “The Next Big Hit,” Seventeen, the “hot song,” and BC Jean was featured prominently in the LA Times declaring “BC
Jean ready to greet the world.”
"I'll Survive You" is a gut-wrenching power ballad produced by hitmaker Max Martin and co-written by Max Martin (P!nk, Katy Perry),
Shellback (P!nk, Ke$ha) and Savan Kotecha (Brittney Spears, Adam Lambert).
The co-writer of Beyonce’s mega hit “If I Were A Boy,” and inspired by Gwen Stefani and Alanis Morrisette, BC Jean is a dynamic young
artist who possesses tremendous talent, drive, and passion. BC is currently in the studio working with a host of top-notch collaborators
including Ryan Tedder (Leona Lewis, Kelly Clarkson, Beyoncé), The Matrix (Britney Spears, Christina Aguilera), Max Martin (Katy Perry, P!
nk). Brian Howes (Daughtry, David Cook), Zac Maloy (David Cook, Jason Castro), and Howard Benson (The All-American Rejects, My
Chemical Romance).
Sony Music Chief Creative Officer Clive Davis who signed her to J Records said “You eagerly wait for a multi-talented new artist to come
along like BC Jean. She’s already proven her major songwriting ability, and, what’s more, she’s got a truly powerful voice with edge and
natural soulfulness.”
In addition to working in the studio on her debut album for J Records and releasing her first single "Just A Guy," singer/songwriter BC Jean
also stars in Alloy's hot new series TALENT about two girls trying to make it in LA, from the executive producers of Pretty Little Liars. In
TALENT which begins airing April 5th (www.thetalentshow.com), BC Jean plays the role of Harper, a singer songwriter who marches to the
beat of her own drum. Her funky confidence is exactly what the music industry is missing, or so she thinks. Armed with some killer tunes she’
s written herself, Harper is ready to crack LA with her unmatchable Talent, but will she let a small taste of fame get to her head and ruin her
shot before it even started? In addition to her role in Talent, BC Jean served as a judge on Talent: The Casting Call, which aired on AlloyTV
in January 2011. From thousands of girls who auditioned online, only 6 were chosen to make the trip to Hollywood and receive a chance to
become a musical superstar.
www.bcjean.com
new single “I’ll Survive You” available at all digital providers. “I’ll Survive You” is the follow up track to her Top 40 charting debut single “Just
A Guy,” which received raves from the likes of New York Post “Popwrap” writer Ryan Brockington who exclaimed “If Kelly Clarkson and P!nk
could have a baby…her music is as great as the people helping her make it.” Variety proclaimed her as a “talent worth tracking in 2011,”
Entertainment Weekly “The Next Big Hit,” Seventeen, the “hot song,” and BC Jean was featured prominently in the LA Times declaring “BC
Jean ready to greet the world.”
"I'll Survive You" is a gut-wrenching power ballad produced by hitmaker Max Martin and co-written by Max Martin (P!nk, Katy Perry),
Shellback (P!nk, Ke$ha) and Savan Kotecha (Brittney Spears, Adam Lambert).
The co-writer of Beyonce’s mega hit “If I Were A Boy,” and inspired by Gwen Stefani and Alanis Morrisette, BC Jean is a dynamic young
artist who possesses tremendous talent, drive, and passion. BC is currently in the studio working with a host of top-notch collaborators
including Ryan Tedder (Leona Lewis, Kelly Clarkson, Beyoncé), The Matrix (Britney Spears, Christina Aguilera), Max Martin (Katy Perry, P!
nk). Brian Howes (Daughtry, David Cook), Zac Maloy (David Cook, Jason Castro), and Howard Benson (The All-American Rejects, My
Chemical Romance).
Sony Music Chief Creative Officer Clive Davis who signed her to J Records said “You eagerly wait for a multi-talented new artist to come
along like BC Jean. She’s already proven her major songwriting ability, and, what’s more, she’s got a truly powerful voice with edge and
natural soulfulness.”
In addition to working in the studio on her debut album for J Records and releasing her first single "Just A Guy," singer/songwriter BC Jean
also stars in Alloy's hot new series TALENT about two girls trying to make it in LA, from the executive producers of Pretty Little Liars. In
TALENT which begins airing April 5th (www.thetalentshow.com), BC Jean plays the role of Harper, a singer songwriter who marches to the
beat of her own drum. Her funky confidence is exactly what the music industry is missing, or so she thinks. Armed with some killer tunes she’
s written herself, Harper is ready to crack LA with her unmatchable Talent, but will she let a small taste of fame get to her head and ruin her
shot before it even started? In addition to her role in Talent, BC Jean served as a judge on Talent: The Casting Call, which aired on AlloyTV
in January 2011. From thousands of girls who auditioned online, only 6 were chosen to make the trip to Hollywood and receive a chance to
become a musical superstar.
www.bcjean.com
| BC Jean's "I Will Survive" Digital Single |
| Music Genres: Pop / Top 40 / Dance |
(May 2, 2011 – New York, NY) - SARAH MCLACHLAN has announced additional
performances to her scheduled summer shows – with stops in Denver, CO,
Saratoga, CA, and Redmond, WA with special performances at the Hollywood
Bowl with Hollywood Bowl Orchestra, Red Rocks with the Colorado Symphony
and Music Fest with the Vancouver Symphony. She’s also added more “Sarah
and Friends” dates throughout the United States and Canada. “Sarah and
Friends” offers fans an intimate evening with her as she not only performs
classic hits and new favorites from her recently released album LAWS OF
ILLUSION (Arista Records), but also answers questions from the audience. Also,
Sarah offers her band members the opportunity to perform material of their own
during the set, while Sarah supports them as a background vocalist.
Said the Dallas Morning News of the opening night show of “Sarah and Friends”
at the Verizon Theatre, “The revered Canadian singer-songwriter was
personable, engaging and in great voice during two-and-a-half hours of stage
time,” while the Ft. Worth Star Telegram called band members Butterfly Boucher
and Melissa McClelland “a pair of promising talents – burgeoning
troubadours…” Prior to the “Sarah And Friends” tour, Boucher, McClelland and
Luke Doucet spent the summer on the road with McLachlan during the 2010
Lilith Tour.
Multi-platinum, Grammy-Award winning singer/songwriter Sarah McLachlan
released her first studio album of new material in 7 years last summer LAWS OF
ILLUSION on Arista Records to overwhelming critical acclaim. USA Today raves:
“Some of her most buoyant and beautifully crafted songs ever. Candid and
thoughtful, LAWS OF ILLUSION, finds her tackling heartache head-on and
leaves no doubt that she wants to find love again – and will.” And The New York
Times glows: “The songs are as direct as Ms. McLachlan’s have ever been, and
as finely tuned…The album is as lush and measured…It’s a collection of ballads,
hymns, and waltzes, sung in long arcs of melody with a voice that enfolds its
strength in breathy intimacy. Acoustic instruments gleam, with unearthly
keyboards and electric guitars billowing up around them.”
Sat, April 30th Kelowna, BC @ Prospera Place
Sun, May 1st Abbotsford, BC @ Abbotsford Entertainment and Sports Centre
Thur, June 16th Telluride, CO @ Telluride Bluegrass Festival
Fri, June 17th Albuquerque, NM @ Route 66 Casino Legends Theatre
Sun, June 19th Kitchener, ON @ Centre in the Square
Mon, June 20th London, ON @ John Labatt Centre
Sun, July 10th Denver, CO @ Red Rocks Amphitheatre w Colorado Symphony
Fri, July 15th Los Angeles, CA @ Hollywood Bowl w Hollywood Bowl Orchestra
Sat, July 16th Los Angeles, CA @ Hollywood Bowl w Hollywood Bowl Orchestra
Sun, July 17th Saratoga, CA @ Mountain Winery
Tue, July 19th Redmond, WA @ Chateau Ste. Michelle Winery
Fri, August 5th Vancouver, BC @ MusicFest Vancouver, Orpheum Theatre w
Vancouver Symphony
Sat, September 24th Ottawa, ON @ National Arts Centre/Centre Nation Des Arts
www.sarahmclachlan.com
performances to her scheduled summer shows – with stops in Denver, CO,
Saratoga, CA, and Redmond, WA with special performances at the Hollywood
Bowl with Hollywood Bowl Orchestra, Red Rocks with the Colorado Symphony
and Music Fest with the Vancouver Symphony. She’s also added more “Sarah
and Friends” dates throughout the United States and Canada. “Sarah and
Friends” offers fans an intimate evening with her as she not only performs
classic hits and new favorites from her recently released album LAWS OF
ILLUSION (Arista Records), but also answers questions from the audience. Also,
Sarah offers her band members the opportunity to perform material of their own
during the set, while Sarah supports them as a background vocalist.
Said the Dallas Morning News of the opening night show of “Sarah and Friends”
at the Verizon Theatre, “The revered Canadian singer-songwriter was
personable, engaging and in great voice during two-and-a-half hours of stage
time,” while the Ft. Worth Star Telegram called band members Butterfly Boucher
and Melissa McClelland “a pair of promising talents – burgeoning
troubadours…” Prior to the “Sarah And Friends” tour, Boucher, McClelland and
Luke Doucet spent the summer on the road with McLachlan during the 2010
Lilith Tour.
Multi-platinum, Grammy-Award winning singer/songwriter Sarah McLachlan
released her first studio album of new material in 7 years last summer LAWS OF
ILLUSION on Arista Records to overwhelming critical acclaim. USA Today raves:
“Some of her most buoyant and beautifully crafted songs ever. Candid and
thoughtful, LAWS OF ILLUSION, finds her tackling heartache head-on and
leaves no doubt that she wants to find love again – and will.” And The New York
Times glows: “The songs are as direct as Ms. McLachlan’s have ever been, and
as finely tuned…The album is as lush and measured…It’s a collection of ballads,
hymns, and waltzes, sung in long arcs of melody with a voice that enfolds its
strength in breathy intimacy. Acoustic instruments gleam, with unearthly
keyboards and electric guitars billowing up around them.”
Sat, April 30th Kelowna, BC @ Prospera Place
Sun, May 1st Abbotsford, BC @ Abbotsford Entertainment and Sports Centre
Thur, June 16th Telluride, CO @ Telluride Bluegrass Festival
Fri, June 17th Albuquerque, NM @ Route 66 Casino Legends Theatre
Sun, June 19th Kitchener, ON @ Centre in the Square
Mon, June 20th London, ON @ John Labatt Centre
Sun, July 10th Denver, CO @ Red Rocks Amphitheatre w Colorado Symphony
Fri, July 15th Los Angeles, CA @ Hollywood Bowl w Hollywood Bowl Orchestra
Sat, July 16th Los Angeles, CA @ Hollywood Bowl w Hollywood Bowl Orchestra
Sun, July 17th Saratoga, CA @ Mountain Winery
Tue, July 19th Redmond, WA @ Chateau Ste. Michelle Winery
Fri, August 5th Vancouver, BC @ MusicFest Vancouver, Orpheum Theatre w
Vancouver Symphony
Sat, September 24th Ottawa, ON @ National Arts Centre/Centre Nation Des Arts
www.sarahmclachlan.com
| Sarah McLachlan's Summer Tour Dates |
| Music Genres: Pop / Top 40 / Alternative / Folk / Adult Contemporary |
| Sheri Miller's "Winning Hand" |
| If you like: Sheryl Crow, Fiona Apple, KT Tunstall, Sara Bareilles, Joni Mitchell, Ingrid Michaelson Music Genres: Pop / Singer Songwriter / Alternative / Rock |
Sheri Miller is a NYC-based musician who writes melodic, poetic and catchy songs on guitar and piano with "exquisite
sensitivity…talent…and originality" (MUSIC CONNECTION MAGAZINE) with her soulful, inspiring, and distinctly unique voice. Upon
releasing her critically-acclaimed debut EP, “Mantra” in 2008, which features underground hit "Right Here, Right Now", Sheri was named
one of Music Connection's "Hot 100 Unsigned Artists", and asked to join a 4-part vocal harmony group, The Delilahs, which signed with
Sony. Since leaving the band, Sheri has co-written with icon songwriters like J.D. Souther (Eagles), Shawn Mullins and Jill Sobule. Sheri’s
stunning new record, “Winning Hand”, produced by legendary Kevin Killen (U2, Peter Gabriel), features incredible musicians Will Lee
(Fab Faux, CBS Orchestra), Charley Drayton (Fiona Apple, Divinylis, Johnny Cash), and Gerry Leonard (David Bowie, Suzanne Vega)
and will be released in 2011.
Once upon a time, in New York, a young musician and artist named Sheri Miller, armed with her acoustic guitar, her electric sunburst
1969 Guild guitar, her Yamaha keyboard, and a pen and paper, began to write songs. Dozens of songs. She had a great love and a
deep, soulful connection to music, as her mother was an opera singer and classical piano player, and her uncle a recording engineer.
Sheri had released her critically-acclaimed debut record in 2008, “Mantra,” which featured an underground hit, “Right Here, Right Now.”
Upon releasing “Mantra,” Sheri was named one of Music Connection’s “Hot 100 Unsigned Artists,” and asked to join a 4-part vocal
harmony group in Nashville, The Delilahs, which soon signed to Sony Music. Sheri began co-writing with icon J.D. Souther (The Eagles),
Jill Sobule, Shawn Mullins, Marcus Hummon (Dixie Chicks), Al Anderson (NRBQ) and many other incredible songwriters. But the group
fell apart, and Sheri came back to New York with new inspiration, passionately writing hundreds of pages of loose-leaf-strewn lyrics,
dozens upon dozens of songs; channeling her anguish and heartbreak from a major break-up, dealing with tumultuous family issues,
and finding new routes to make a living as a working musician. Sheri poured her struggles, inner demons and inner angels, and heart-
drenched stories into creating a new, magnificent album; an album with integrity, soul, and artistry she’d be proud of.
But who would produce this authentic artist’s songs? Sheri reached out and contacted the amazing and legendary producer Kevin Killen
(U2, Peter Gabriel). She played him a few songs from the inspired hurricane of titles she was writing, and shortly thereafter, with great
joy, Sheri and Kevin began recording the new album “Winning Hand.”
Enlisting the all-star band of incredible, legendary musicians Will Lee (Fab Faux, CBS Orchestra), Charley Drayton (Fiona Apple,
Divinylis, Johnny Cash) and Gerry Leonard (David Bowie, Suzanne Vega), the artistic, poetic, and super-catchy songs of “Winning
Hand” took shape. “Spoons,” the super-hooky, uptempo, beloved song dedicated to the art of “spooning” in bed. “Winning Hand,” the
inspiring, “go for it, risk it all” anthem, with the uplifting, positive message “Bet we lay down a winning hand.” “Satellite,” a Led Zeppelin
meets Joni Mitchell seductive love song, beckoning a lover in outer space; written in a rare, strange guitar tuning invented by Sheri.
“Everybody Feels This Way Sometimes,” a highly melodic, deeply confessional, raw song, lifting with an anthemic chorus. “Hungry For
The Truth,” a sassy, attitude-filled, poetic, rebellious declaration of owning one’s individuality.
Soon enough, the songs were recorded and “Winning Hand” was finished. Sheri had labored hard, faced struggles, but emerged proud
of this CD, and couldn’t wait for the world to hear it. She excitedly released the stunning songs of “Winning Hand” out into the world, and
watched these songbirds fly away. Higher and higher they went. Sheri smiled. She couldn’t wait to see what happens next.
SHERI'S CONFESSIONS:
Hi. Sheri here. First secret admission...I discovered the Beatles late. Well, at least a little bit later than the people who pretty much claim
they were chilling in the womb listening to the White Album on tiny Sony headphones. Jon Brion changed my life one Friday night, about
10 years ago at Club Largo in Los Angeles, when he played some wildly gorgeous, intricate, dark, songs with Elliott Smith. I was too
young and naive to even realize what I was witnessing. Fiona Apple is a true original and so self-possessed artistically. Love her.
Anyone named Elvis. Stevie Wonder's music makes me want to get up, clap my hands, and sing in a gospel choir. He is the human form
of joy. Johnny Cash is the closest thing we have to a modern-day American hero and reminds me in some ways of my cowboy
grandfather, Barney, who wears sunglasses and boleros at age 94. Lucinda Williams' songs are so amazingly simple and direct(Essence
record and "Sweet Old World") they make me want to take up a drug habit. Just kidding, mom. Bob Dylan is some sort of prophet in
black sunglasses, who makes me want to read the Bible. Etta James is my biggest singing influence, God bless her. Rodgers & Hart
(Bewitched, My Funny Valentine), Ella Fitzgerald, Joni Mitchell, Rickie Lee Jones, Ron Sexsmith, The Stones, Donny Hathaway, Otis
Redding, Nina Simone, Sarah Vaughn, Bach, Tchaikovsky, Beethoven, Muddy Waters, Dinah Washington. I do love classical and jazz--
I've been meaning to pour a midnight glass of red Shiraz and get deeper into Miles Davis. But, of course, Charles Bukowski's poetry, so
raw and real and gross and delicate. What a beautiful monster man he was. Maya Angelou, who makes me want to crawl into golden-lit
sunflower fields at dusk to write poetry as the sun fades into stardust. "The God of Small Things" tempts me to steal every line for a
song. My tall and beautiful angels who protect me in their swirling white light. Dreaming and waking up in that groggy half-awake state,
where the air is open and you can grab the little tiny particle things, the invisible beauty of creativity, passing by. Hopefully you'll touch
inspiration. Even for just a moment.
www.sherimiller.com
sensitivity…talent…and originality" (MUSIC CONNECTION MAGAZINE) with her soulful, inspiring, and distinctly unique voice. Upon
releasing her critically-acclaimed debut EP, “Mantra” in 2008, which features underground hit "Right Here, Right Now", Sheri was named
one of Music Connection's "Hot 100 Unsigned Artists", and asked to join a 4-part vocal harmony group, The Delilahs, which signed with
Sony. Since leaving the band, Sheri has co-written with icon songwriters like J.D. Souther (Eagles), Shawn Mullins and Jill Sobule. Sheri’s
stunning new record, “Winning Hand”, produced by legendary Kevin Killen (U2, Peter Gabriel), features incredible musicians Will Lee
(Fab Faux, CBS Orchestra), Charley Drayton (Fiona Apple, Divinylis, Johnny Cash), and Gerry Leonard (David Bowie, Suzanne Vega)
and will be released in 2011.
Once upon a time, in New York, a young musician and artist named Sheri Miller, armed with her acoustic guitar, her electric sunburst
1969 Guild guitar, her Yamaha keyboard, and a pen and paper, began to write songs. Dozens of songs. She had a great love and a
deep, soulful connection to music, as her mother was an opera singer and classical piano player, and her uncle a recording engineer.
Sheri had released her critically-acclaimed debut record in 2008, “Mantra,” which featured an underground hit, “Right Here, Right Now.”
Upon releasing “Mantra,” Sheri was named one of Music Connection’s “Hot 100 Unsigned Artists,” and asked to join a 4-part vocal
harmony group in Nashville, The Delilahs, which soon signed to Sony Music. Sheri began co-writing with icon J.D. Souther (The Eagles),
Jill Sobule, Shawn Mullins, Marcus Hummon (Dixie Chicks), Al Anderson (NRBQ) and many other incredible songwriters. But the group
fell apart, and Sheri came back to New York with new inspiration, passionately writing hundreds of pages of loose-leaf-strewn lyrics,
dozens upon dozens of songs; channeling her anguish and heartbreak from a major break-up, dealing with tumultuous family issues,
and finding new routes to make a living as a working musician. Sheri poured her struggles, inner demons and inner angels, and heart-
drenched stories into creating a new, magnificent album; an album with integrity, soul, and artistry she’d be proud of.
But who would produce this authentic artist’s songs? Sheri reached out and contacted the amazing and legendary producer Kevin Killen
(U2, Peter Gabriel). She played him a few songs from the inspired hurricane of titles she was writing, and shortly thereafter, with great
joy, Sheri and Kevin began recording the new album “Winning Hand.”
Enlisting the all-star band of incredible, legendary musicians Will Lee (Fab Faux, CBS Orchestra), Charley Drayton (Fiona Apple,
Divinylis, Johnny Cash) and Gerry Leonard (David Bowie, Suzanne Vega), the artistic, poetic, and super-catchy songs of “Winning
Hand” took shape. “Spoons,” the super-hooky, uptempo, beloved song dedicated to the art of “spooning” in bed. “Winning Hand,” the
inspiring, “go for it, risk it all” anthem, with the uplifting, positive message “Bet we lay down a winning hand.” “Satellite,” a Led Zeppelin
meets Joni Mitchell seductive love song, beckoning a lover in outer space; written in a rare, strange guitar tuning invented by Sheri.
“Everybody Feels This Way Sometimes,” a highly melodic, deeply confessional, raw song, lifting with an anthemic chorus. “Hungry For
The Truth,” a sassy, attitude-filled, poetic, rebellious declaration of owning one’s individuality.
Soon enough, the songs were recorded and “Winning Hand” was finished. Sheri had labored hard, faced struggles, but emerged proud
of this CD, and couldn’t wait for the world to hear it. She excitedly released the stunning songs of “Winning Hand” out into the world, and
watched these songbirds fly away. Higher and higher they went. Sheri smiled. She couldn’t wait to see what happens next.
SHERI'S CONFESSIONS:
Hi. Sheri here. First secret admission...I discovered the Beatles late. Well, at least a little bit later than the people who pretty much claim
they were chilling in the womb listening to the White Album on tiny Sony headphones. Jon Brion changed my life one Friday night, about
10 years ago at Club Largo in Los Angeles, when he played some wildly gorgeous, intricate, dark, songs with Elliott Smith. I was too
young and naive to even realize what I was witnessing. Fiona Apple is a true original and so self-possessed artistically. Love her.
Anyone named Elvis. Stevie Wonder's music makes me want to get up, clap my hands, and sing in a gospel choir. He is the human form
of joy. Johnny Cash is the closest thing we have to a modern-day American hero and reminds me in some ways of my cowboy
grandfather, Barney, who wears sunglasses and boleros at age 94. Lucinda Williams' songs are so amazingly simple and direct(Essence
record and "Sweet Old World") they make me want to take up a drug habit. Just kidding, mom. Bob Dylan is some sort of prophet in
black sunglasses, who makes me want to read the Bible. Etta James is my biggest singing influence, God bless her. Rodgers & Hart
(Bewitched, My Funny Valentine), Ella Fitzgerald, Joni Mitchell, Rickie Lee Jones, Ron Sexsmith, The Stones, Donny Hathaway, Otis
Redding, Nina Simone, Sarah Vaughn, Bach, Tchaikovsky, Beethoven, Muddy Waters, Dinah Washington. I do love classical and jazz--
I've been meaning to pour a midnight glass of red Shiraz and get deeper into Miles Davis. But, of course, Charles Bukowski's poetry, so
raw and real and gross and delicate. What a beautiful monster man he was. Maya Angelou, who makes me want to crawl into golden-lit
sunflower fields at dusk to write poetry as the sun fades into stardust. "The God of Small Things" tempts me to steal every line for a
song. My tall and beautiful angels who protect me in their swirling white light. Dreaming and waking up in that groggy half-awake state,
where the air is open and you can grab the little tiny particle things, the invisible beauty of creativity, passing by. Hopefully you'll touch
inspiration. Even for just a moment.
www.sherimiller.com
When Cady Groves was four years old, she woke up on Christmas morning to
discover a blue drum set draped with candy canes sitting by the tree. “My step-
dad got it for me,” she says. “He was a drummer in a band and had this really
cool mullet and used to cut off all the sleeves on his shirts, which not only
started my fascination with bands, mullets, and people who don’t wear sleeves,
but he also taught me how to play. From that minute on, I wanted to be a badass
musician. I remember being five years old and asking my mom for leather pants.”
She never did get the leathers, but the love of music instilled in her from a
young age set Groves on a trajectory that has landed the 21-year-old singer
and songwriter a deal with RCA Records, which will release her major-label
debut album later this year. After moving to Los Angeles, the Oklahoma native
has been feverishly writing songs, which she has recorded over the past year
with a variety of producers, including Kristian Lundin, Busbee, Sean Douglas,
Jim Irvine and Julian Emery, and newcomers Ryan and Nolan. The album is
shaping up to be a stellar collection of irresistible pop tunes that showcase this
spirited 21-year-old’s knack for writing instantly hummable melodies and brutally
honest lyrics, as well as her appealingly idiosyncratic voice. The songs — which
largely chronicle Groves’ struggle to pick herself up and dust herself off after a
break-up with a deceitful ex — brim with her wry wit and spiky personality.
“No other girl could sing these songs, because they’re my life experiences,”
Groves says. “That’s what I wanted. The album reeks of heartache; it’s about a
girl just trying to figure out life.”
Groves grew up in a family of seven kids in Marlow, Oklahoma — a tiny town just
over seven square miles near the Southern border of the state. In addition to
giving her a drum kit, Groves’ step-dad introduced her to Styx and Lynyrd
Skynyrd, while her mom favored Phil Collins and Amy Grant. Then one day in
1995, Groves’ mom took four-year-old Cady to Wal-Mart to pick up the new
album by Alanis Morissette. “I remember she put Jagged Little Pill on in our
fifteen-passenger van and I thought, ‘Yeah, this is it.’ It felt like something I could
actually do. So I would belt out Alanis songs in the van. That was when I started
singing.”
Groves got her first CD player at seven, an event she says marked the end of
her social life. “I just sat in my room all the time because I didn’t want anyone to
hear me belting out these huge Christina Aguilera and Mariah Carey songs, so I
would go in my closet and sing at the top of my lungs and try to match every
vocal run and note they were hitting. I’d put a pillow over my face if I thought I
was getting too loud.” As a teenager she worked as a waitress and delivered
pizzas (an experience she credits with overcoming shyness), graduated from
high school at 16, and entered culinary school, which is when she began dating
someone who would change the course of her life.
“My boyfriend at the time was a musician and was amazing at writing lyrics,”
Groves says. “He made me realize that I could actually do it. He also got me to
sing with him and was the first person to tell me my voice was good.” The couple
began recording songs together in their apartment, but the relationship ended
badly, and Groves kicked him out. “I said, ‘Thank you for making music a reality
and letting me see I could actually do this. I’m going to do music without you,’”
Groves recalls. “He’s still working at Starbucks six years later.”
Groves began to post songs she had written and humorous videos on her
MySpace page and spent 16 hours a day replying personally to every single
person who commented on them, earning her thousands of loyal fans who told
her how much they felt she spoke for them. “I was getting messages from people
telling me they started crying when they heard ‘Refrain,’ which was about my ex
and the first song I ever posted,” she says. “It just an F.U. song to the guy that
ruined me.” She channeled her heartbreak into two self-released EP’s: A Month
of Sundays, which came out in October 2009, followed by The Life of a Pirate in
March 2010. Soon Groves was earning comparisons to Kelly Clarkson, Miranda
Lambert, and Never Shout Never for her raw, confessional acoustic tunes. “It’s
funny because I never set out to be an acoustic artist,” Groves says. “I love
acoustic-based music, but I only did that because I couldn’t afford a full band. I’
ve always wanted to make a huge pop album.”
Now she’s getting her chance thanks to RCA Records, which Groves signed with
in May 2010. Immediately after, she set off on the Bamboozle Road Show,
touring with All Time Low, Good Charlotte, and a host of others, building a
strong fan base who engage with her via Groves’ lively Twitter feed. When
Groves played several new tunes on the road in April 2011, fans immediately
began posting videos of her performances on YouTube, pleading with her to
release new songs such as “Murder,” “Revenge,” and “So-Called Love.”
“I’ve spent 12 hours a day writing and recording for months and months, so it’s
really amazing to test the songs out in front of an audience,” Groves says of her
live show. “My message to fans is that you’re never alone. I’m here to speak for
all the kids who are stuck right now. You can hear in my songs how confused I
am sometimes, so if it takes me being completely transparent to make other
people realize that they’re not the only ones who feel alone, I’m totally down for
that.”
discover a blue drum set draped with candy canes sitting by the tree. “My step-
dad got it for me,” she says. “He was a drummer in a band and had this really
cool mullet and used to cut off all the sleeves on his shirts, which not only
started my fascination with bands, mullets, and people who don’t wear sleeves,
but he also taught me how to play. From that minute on, I wanted to be a badass
musician. I remember being five years old and asking my mom for leather pants.”
She never did get the leathers, but the love of music instilled in her from a
young age set Groves on a trajectory that has landed the 21-year-old singer
and songwriter a deal with RCA Records, which will release her major-label
debut album later this year. After moving to Los Angeles, the Oklahoma native
has been feverishly writing songs, which she has recorded over the past year
with a variety of producers, including Kristian Lundin, Busbee, Sean Douglas,
Jim Irvine and Julian Emery, and newcomers Ryan and Nolan. The album is
shaping up to be a stellar collection of irresistible pop tunes that showcase this
spirited 21-year-old’s knack for writing instantly hummable melodies and brutally
honest lyrics, as well as her appealingly idiosyncratic voice. The songs — which
largely chronicle Groves’ struggle to pick herself up and dust herself off after a
break-up with a deceitful ex — brim with her wry wit and spiky personality.
“No other girl could sing these songs, because they’re my life experiences,”
Groves says. “That’s what I wanted. The album reeks of heartache; it’s about a
girl just trying to figure out life.”
Groves grew up in a family of seven kids in Marlow, Oklahoma — a tiny town just
over seven square miles near the Southern border of the state. In addition to
giving her a drum kit, Groves’ step-dad introduced her to Styx and Lynyrd
Skynyrd, while her mom favored Phil Collins and Amy Grant. Then one day in
1995, Groves’ mom took four-year-old Cady to Wal-Mart to pick up the new
album by Alanis Morissette. “I remember she put Jagged Little Pill on in our
fifteen-passenger van and I thought, ‘Yeah, this is it.’ It felt like something I could
actually do. So I would belt out Alanis songs in the van. That was when I started
singing.”
Groves got her first CD player at seven, an event she says marked the end of
her social life. “I just sat in my room all the time because I didn’t want anyone to
hear me belting out these huge Christina Aguilera and Mariah Carey songs, so I
would go in my closet and sing at the top of my lungs and try to match every
vocal run and note they were hitting. I’d put a pillow over my face if I thought I
was getting too loud.” As a teenager she worked as a waitress and delivered
pizzas (an experience she credits with overcoming shyness), graduated from
high school at 16, and entered culinary school, which is when she began dating
someone who would change the course of her life.
“My boyfriend at the time was a musician and was amazing at writing lyrics,”
Groves says. “He made me realize that I could actually do it. He also got me to
sing with him and was the first person to tell me my voice was good.” The couple
began recording songs together in their apartment, but the relationship ended
badly, and Groves kicked him out. “I said, ‘Thank you for making music a reality
and letting me see I could actually do this. I’m going to do music without you,’”
Groves recalls. “He’s still working at Starbucks six years later.”
Groves began to post songs she had written and humorous videos on her
MySpace page and spent 16 hours a day replying personally to every single
person who commented on them, earning her thousands of loyal fans who told
her how much they felt she spoke for them. “I was getting messages from people
telling me they started crying when they heard ‘Refrain,’ which was about my ex
and the first song I ever posted,” she says. “It just an F.U. song to the guy that
ruined me.” She channeled her heartbreak into two self-released EP’s: A Month
of Sundays, which came out in October 2009, followed by The Life of a Pirate in
March 2010. Soon Groves was earning comparisons to Kelly Clarkson, Miranda
Lambert, and Never Shout Never for her raw, confessional acoustic tunes. “It’s
funny because I never set out to be an acoustic artist,” Groves says. “I love
acoustic-based music, but I only did that because I couldn’t afford a full band. I’
ve always wanted to make a huge pop album.”
Now she’s getting her chance thanks to RCA Records, which Groves signed with
in May 2010. Immediately after, she set off on the Bamboozle Road Show,
touring with All Time Low, Good Charlotte, and a host of others, building a
strong fan base who engage with her via Groves’ lively Twitter feed. When
Groves played several new tunes on the road in April 2011, fans immediately
began posting videos of her performances on YouTube, pleading with her to
release new songs such as “Murder,” “Revenge,” and “So-Called Love.”
“I’ve spent 12 hours a day writing and recording for months and months, so it’s
really amazing to test the songs out in front of an audience,” Groves says of her
live show. “My message to fans is that you’re never alone. I’m here to speak for
all the kids who are stuck right now. You can hear in my songs how confused I
am sometimes, so if it takes me being completely transparent to make other
people realize that they’re not the only ones who feel alone, I’m totally down for
that.”
| Introducing....Cady Groves |
| Music Genres: Pop / Top 40 |
Hope Cafe Records is proud to announce that Angela Evans is one of 4 international artists selected to perform at the 1st Annual Global Woman
Summit in Washington, D.C., from October 8-11, 2011.
This prestigious event will be held at the Hyatt Regency on Capitol Hill and be opened by US First Lady, Michelle Obama.
The Global Woman Summit is an educational, three-day program of exciting events, uniting and honoring leading women from around the world,
by highlighting common bonds and discussing the cultural differences that identify us, both of which strengthen our voice in business, politics,
local government and the professions - in national and international circles.
For more information on the Summit please visit: www.globalwomansummit.org
www.officialangelaevans.com
Summit in Washington, D.C., from October 8-11, 2011.
This prestigious event will be held at the Hyatt Regency on Capitol Hill and be opened by US First Lady, Michelle Obama.
The Global Woman Summit is an educational, three-day program of exciting events, uniting and honoring leading women from around the world,
by highlighting common bonds and discussing the cultural differences that identify us, both of which strengthen our voice in business, politics,
local government and the professions - in national and international circles.
For more information on the Summit please visit: www.globalwomansummit.org
www.officialangelaevans.com
| Canadian Singer Angela Evans |
| If you like: Taylor Swift, Celine Dion, Carrie Underwood, Shania Twain, Sarah McLachlan, Josh Groban Music Genres: Crossover, AC, Americana |
August 83 plays an inspired mix of original songs with enticing melodies, vocals and instrumentation. Inspired by artists like
Sting, Toto, Pink Floyd, Sheryl Crow, Elton John, Heart & Queen, their sound is a mix of Pop, Rock & Funk. August 83
spotlights the outstanding talents of 6 dynamic Houston musicians. Lead singer Linda Lambert’s extraordinary vocal prowess
lends heartfelt vocals to their melodic songs. Songwriter & Guitarist, Mike Lambert’s songs are unforgettable and his guitar
work is tasteful and lush. Lambert’s vocals are complimented by keyboardist Jeff Ball’s sophisticated piano lines. Drummer,
Dale Bankston and bassist Marco Yepez drive the band as a solid, hard hitting rhythm section and Dan Carpenter’s soulful
sax is a signature part of their sound.
In December of 2010 August 83 released their debut Album; Music From Bedrooms. Described as Pop for Grownups, their
songs are familiar and fresh, but never obvious. The album has sparkling production and was recorded at Red Tree
Recording Studios, Magnolia, Tx, engineered by Jeffery Armstreet and mixed and mastered by Mark Linger, Nashville. In
addition to outstanding reviews from fans and music industry professionals, the disc has received accolades in The Houston
Chronicle and online radio reviews.
For more information, visit www.august83.com
Sting, Toto, Pink Floyd, Sheryl Crow, Elton John, Heart & Queen, their sound is a mix of Pop, Rock & Funk. August 83
spotlights the outstanding talents of 6 dynamic Houston musicians. Lead singer Linda Lambert’s extraordinary vocal prowess
lends heartfelt vocals to their melodic songs. Songwriter & Guitarist, Mike Lambert’s songs are unforgettable and his guitar
work is tasteful and lush. Lambert’s vocals are complimented by keyboardist Jeff Ball’s sophisticated piano lines. Drummer,
Dale Bankston and bassist Marco Yepez drive the band as a solid, hard hitting rhythm section and Dan Carpenter’s soulful
sax is a signature part of their sound.
In December of 2010 August 83 released their debut Album; Music From Bedrooms. Described as Pop for Grownups, their
songs are familiar and fresh, but never obvious. The album has sparkling production and was recorded at Red Tree
Recording Studios, Magnolia, Tx, engineered by Jeffery Armstreet and mixed and mastered by Mark Linger, Nashville. In
addition to outstanding reviews from fans and music industry professionals, the disc has received accolades in The Houston
Chronicle and online radio reviews.
For more information, visit www.august83.com
| Houston's August 83 |
| Music Genres: Pop |
| Gus Bryce's "Inside Thoughts" |
| Music Genres: Pop Rock / Acoustic / Singer-Songwriter |
When you listen to Gus Bryce, what comes across is the sound of an artist self-assured, authentic, and at ease with being completely and
utterly himself. On his debut upcoming release, Inside Thoughts, the 22-year-old Florida based musician fuses the intimacy of the great
singer/songwriters with indelible pop/rock hooks and propulsive rhythms. The result is a mesmerizing collection of songs that are
immediately enchanting, while becoming more deeply rewarding with each listen.
Produced by Pete Masitti (Shakira, Hootie and the Blowfish), Inside Thoughts is filled with delights, most notably Bryce's voice, an instrument
striking in its warmth, expressiveness, and ability to convey a multitude of emotions within a single song. From the first notes of “Last Month”
Gus’s vocals envelop the listener, creating an intimate, captivating realm.
For more information, visit www.gusbryce.com
utterly himself. On his debut upcoming release, Inside Thoughts, the 22-year-old Florida based musician fuses the intimacy of the great
singer/songwriters with indelible pop/rock hooks and propulsive rhythms. The result is a mesmerizing collection of songs that are
immediately enchanting, while becoming more deeply rewarding with each listen.
Produced by Pete Masitti (Shakira, Hootie and the Blowfish), Inside Thoughts is filled with delights, most notably Bryce's voice, an instrument
striking in its warmth, expressiveness, and ability to convey a multitude of emotions within a single song. From the first notes of “Last Month”
Gus’s vocals envelop the listener, creating an intimate, captivating realm.
For more information, visit www.gusbryce.com
| Jason David's "Work In Progress" |
| Music Genres: Pop / Rock / Electronica |
Jason David (born Jason David Maddox; April 24, 1974) is an American recording
artist and entrepreneur. Born in Berkeley, California, he studied music and art. He
currently holds a California real estate license and conducts business under
MADDOX | HOMES.
Music was a part of his life at a very young age. He started playing the trumpet in
elementary school, which led him to the Wind & Jazz Ensembles at Pinole Valley High
School in Pinole, California. He learned the French horn and played in many of the
schools musicals. In his junior and senior years, he led the Pinole Valley Marching
Band as the high school Drum Major.
In 1990, Jason David began writing music with close friend Matt Gaspari. Together
with a notebook and a piano, they would collaborate until all hours of the night. Jason
would write lyrics and sing the melodies while Matt arranged the music on the piano.
One day with the help of a band director from a local college they found home to a
recording studio, which would produce four songs.
One of the four songs, called "As One" was published and distributed by an
independent record company under a Major Label. The song also appeared on
many local Bay Area radio stations. This would place Jason David among Grammy
worthy musicians in the National Academy of Recording Arts and Sciences (NARAS)
where he became a voting member and still is to this day.
For more information, visit www.JasonDavid.com
artist and entrepreneur. Born in Berkeley, California, he studied music and art. He
currently holds a California real estate license and conducts business under
MADDOX | HOMES.
Music was a part of his life at a very young age. He started playing the trumpet in
elementary school, which led him to the Wind & Jazz Ensembles at Pinole Valley High
School in Pinole, California. He learned the French horn and played in many of the
schools musicals. In his junior and senior years, he led the Pinole Valley Marching
Band as the high school Drum Major.
In 1990, Jason David began writing music with close friend Matt Gaspari. Together
with a notebook and a piano, they would collaborate until all hours of the night. Jason
would write lyrics and sing the melodies while Matt arranged the music on the piano.
One day with the help of a band director from a local college they found home to a
recording studio, which would produce four songs.
One of the four songs, called "As One" was published and distributed by an
independent record company under a Major Label. The song also appeared on
many local Bay Area radio stations. This would place Jason David among Grammy
worthy musicians in the National Academy of Recording Arts and Sciences (NARAS)
where he became a voting member and still is to this day.
For more information, visit www.JasonDavid.com
| Krissi Moses |
| Music Genres: Pop, Rock, Ska, Dance If You Like: Gwen Stefani, No Doubt, Alanis Morissette, Katy Perry |
Los Angeles native Krissi Moses (now sharing compilation space at Virgin Megastores with Counting Crows, and adjusting to her sudden
local fame in the LA rock scene) wrote her first song at 16 at the encouragement of “Slappy” (bassist of Bargain Music – a band credited
with influencing the likes of LA legends Sublime and others). Saturday Night Magazine thinks “Slappy” is a pretty smart guy. The high-
circulation college party rag recently selected Krissi from a gaggle of high-power, upcoming talent (including several new RCA, Geffen
and Interscope installments) for their 5th annual Saturday Night Loud album (a series featuring many freshman acts gone global over the
years, including breakout phenomena Feist and The Submarines). Did we mention Krissi is also incredibly good-looking? Check out her
hot pics all over the web.
Originally courted by Columbia as a solo act, Krissi flouted the advice of her friends and family, electing instead to assemble a band from
scratch and work out her signature sound gigging live. It worked. Continuing to write, record, gig and explore new genres and sounds,
Krissi’s material is a fresh blend of rock, pop, reggae, punk and funk, best characterized by her compilation track, “You’re Forgettable”
(based wryly on her true-life first heartbreak – he’s kickin’ himself now).
Krissi just came off the road (her last show in Reno to a crowd of 2000 screaming psychos) and is completing her full length CD entitled
FREAK!!!
For more information, visit www.krissimoses.com
local fame in the LA rock scene) wrote her first song at 16 at the encouragement of “Slappy” (bassist of Bargain Music – a band credited
with influencing the likes of LA legends Sublime and others). Saturday Night Magazine thinks “Slappy” is a pretty smart guy. The high-
circulation college party rag recently selected Krissi from a gaggle of high-power, upcoming talent (including several new RCA, Geffen
and Interscope installments) for their 5th annual Saturday Night Loud album (a series featuring many freshman acts gone global over the
years, including breakout phenomena Feist and The Submarines). Did we mention Krissi is also incredibly good-looking? Check out her
hot pics all over the web.
Originally courted by Columbia as a solo act, Krissi flouted the advice of her friends and family, electing instead to assemble a band from
scratch and work out her signature sound gigging live. It worked. Continuing to write, record, gig and explore new genres and sounds,
Krissi’s material is a fresh blend of rock, pop, reggae, punk and funk, best characterized by her compilation track, “You’re Forgettable”
(based wryly on her true-life first heartbreak – he’s kickin’ himself now).
Krissi just came off the road (her last show in Reno to a crowd of 2000 screaming psychos) and is completing her full length CD entitled
FREAK!!!
For more information, visit www.krissimoses.com
| Nova Scotia's Lana Grant |
| Music Genres: Adult Contemporary, Pop, Singer-Songwriter If You Like: Stevie Nicks, Sheryl Crow, Chantal Kreviazuk, Jewel, Pink |
So... What's Your Story Contest - http://lanagrant.com/contest/
Featuring great Bi-Weekly Prize Give-aways and a Grand Prize that will see Lana bringing the
winning fan-submitted story to life in a song to be recorded then released on the website,
along with a bounty of prizes!
Lana Grant is an enthusiastic and engaging contemporary pop artist from Nova Scotia who’s
new CD Non-Fiction has rolled out a bounty of amazing songs with strong lyric and musical
substance. Look for more exciting details on Lana’s music, performances, her weekly lifestyle
article’s and contests at www.lanagrant.com!
Lana Grant, the Newfoundland born, Nova Scotia raised, singer/songwriter is ready to launch
her fourth CD entitled Non-Fiction. This much-anticipated contemporary pop offering is a
project Lana is very proud of. Non-Fiction is a collection of songs based on real situations,
drawn from Lana’s own life journey as well as inspiring and touching stories from fans and
friends she has turned into beautiful music. One fan wrote to Lana about her battle with breast
cancer, and from that painful, yet powerful journey the song Time was born. Another song,
called Dash, was written as a tribute to a Halifax Police Special Constable, who passed away in
a tragic car accident in 2008. Look for the official Non-Fiction release and support tour in
spring/summer 2011.
Lana has been crafting her professional music career as a singer/songwriter since 1995.
During that time Lana released three CD’s, Lana Grant - self titled (1996), Tired of Talkin’
(1999) and Hovering Above (2004). Tired of Talkin’, saw the national release of two singles,
Pieces and Tired of Talkin’. Pieces turned out to be a highly successful chart topper that
brought Lana a large amount of publicity.
Lana’s music career has seen numerous musical accomplishments. A few highlights include;
ECMA showcases (1997 & 2000), nomination for Female Artist of the Year (Music Industry of
NS - 2000), live performances (i.e. opening for Blue Rodeo, festivals, venues), a showcase at
Canadian Music Week (Toronto - 2000), plus media recognition and performances (TV, Radio
and Print). In 2003, Lana was the featured artist in an hour long Eastlink TV special
highlighting her music, performance and conversations about her career. Check out the
Eastlink video highlights of Lana’s live performance on the home page!
After taking a break from music, Lana is now back with an even stronger desire to write,
perform, inspire, connect with others and create positive changes and awareness through her
music and writing.
For more information, visit www.lanagrant.com
Featuring great Bi-Weekly Prize Give-aways and a Grand Prize that will see Lana bringing the
winning fan-submitted story to life in a song to be recorded then released on the website,
along with a bounty of prizes!
Lana Grant is an enthusiastic and engaging contemporary pop artist from Nova Scotia who’s
new CD Non-Fiction has rolled out a bounty of amazing songs with strong lyric and musical
substance. Look for more exciting details on Lana’s music, performances, her weekly lifestyle
article’s and contests at www.lanagrant.com!
Lana Grant, the Newfoundland born, Nova Scotia raised, singer/songwriter is ready to launch
her fourth CD entitled Non-Fiction. This much-anticipated contemporary pop offering is a
project Lana is very proud of. Non-Fiction is a collection of songs based on real situations,
drawn from Lana’s own life journey as well as inspiring and touching stories from fans and
friends she has turned into beautiful music. One fan wrote to Lana about her battle with breast
cancer, and from that painful, yet powerful journey the song Time was born. Another song,
called Dash, was written as a tribute to a Halifax Police Special Constable, who passed away in
a tragic car accident in 2008. Look for the official Non-Fiction release and support tour in
spring/summer 2011.
Lana has been crafting her professional music career as a singer/songwriter since 1995.
During that time Lana released three CD’s, Lana Grant - self titled (1996), Tired of Talkin’
(1999) and Hovering Above (2004). Tired of Talkin’, saw the national release of two singles,
Pieces and Tired of Talkin’. Pieces turned out to be a highly successful chart topper that
brought Lana a large amount of publicity.
Lana’s music career has seen numerous musical accomplishments. A few highlights include;
ECMA showcases (1997 & 2000), nomination for Female Artist of the Year (Music Industry of
NS - 2000), live performances (i.e. opening for Blue Rodeo, festivals, venues), a showcase at
Canadian Music Week (Toronto - 2000), plus media recognition and performances (TV, Radio
and Print). In 2003, Lana was the featured artist in an hour long Eastlink TV special
highlighting her music, performance and conversations about her career. Check out the
Eastlink video highlights of Lana’s live performance on the home page!
After taking a break from music, Lana is now back with an even stronger desire to write,
perform, inspire, connect with others and create positive changes and awareness through her
music and writing.
For more information, visit www.lanagrant.com
| Endway |
| Music Genres: Pop Rock, Dance, Soul, Pop If You Like: Maroon 5, U2, Coldplay |
Before rocking stages nationwide and getting their music played on numerous MTV shows,
the members of Boston based band ENDWAY were nearly homeless. Band members Kevin
McHugh (Guitar, Vocals), Dennis Walsh (Bass, Vocals), Andrea Belfiore (Drums), Morgan
Dorr (Lead Vocals, Guitar) and Brian Lempert (Keys, Vocals), literally gave up everything to
pursue their love of music. As a result the guys ended up playing over 200 shows
nationwide—sharing the ENDWAY message with any and everyone that would lend an ear.
ENDWAY’s philosophy on the sacrifice was simple—they believe if you do what you love and
you'll be great at it. They did it so much that their suitcases became their closets, and the
couches and floors of fans and friends became their bedrooms. This connection to the
audience and fan base is one of the many things that separate them from your everyday
rock band.
During that journey, ENDWAY released the band’s self-titled debut album, which catapulted
them from virtually unknown to a hot commodity. As luck would have it a producer from MTV’
s The Real World happened upon the CD from one of the cast members. He liked the
ENDWAY’s sound so much so that nine of the songs off of the album were featured on five
different MTV shows including The Real World, Road Rules, and The Hills.
To keep up with the modern day trends of giving their fans continuous content and music,
the band released there next album—the appropriately titled Running Man in late 2009.
With licensing successes, several critically acclaimed performances, two critically acclaimed
albums and positive word of mouth, ENDWAY gained the attention of an up and coming
producer/label owner, Andrew Koss of Tainted Blue Studios/Productions in New York City.
Koss was so blown away with their devotion and dedication to the music that he had to be
involved! Koss in tern produced their recently released album, Colors. The album, which
features the internet hit “Running Man,” is decidedly worldlier sounding than any of
ENDWAY’s previous releases. With such a varied fan base the band succeeded in making
an album that anyone can get into no matter their background. Colors was finished in the fall
of 2010 and digitally released by Tainted Blue in the first quarter of 2011.
Despite the notoriety, ENDWAY’s backbone is still their phenomenal stage show. "We pour
our entire existence onto the stage, and want everyone to leave knowing exactly who we are
and what we're all about," says lead guitarist Kevin McHugh. No longer playing on street
corners for a few fans ENDWAY has rocked performances from historic Fenway Park and
The House of Blues to SXSW and dozens of college campuses in between. ENDWAY has
shared the stage with national acts including All Time Low, Brand New, State Radio, Boys
Like Girls, Hoobastank, Dashboard Confessional, New Found Glory, Damone, and Lost
Prophets Their ability to kick-start a music hall is now legendary. While touring in Costa Rica
in January 2008, the guys also worked hands on with the Roberta Felix Foundation, a
charity that benefits underprivileged children with special needs. “Above the money, the
memories and the fun the most basic thing we get out of touring is going out on stage and
pouring out all of our energy to the fans and them respecting that,” says lead vocalist
Morgan Dorr.
For more information, visit endway.com
the members of Boston based band ENDWAY were nearly homeless. Band members Kevin
McHugh (Guitar, Vocals), Dennis Walsh (Bass, Vocals), Andrea Belfiore (Drums), Morgan
Dorr (Lead Vocals, Guitar) and Brian Lempert (Keys, Vocals), literally gave up everything to
pursue their love of music. As a result the guys ended up playing over 200 shows
nationwide—sharing the ENDWAY message with any and everyone that would lend an ear.
ENDWAY’s philosophy on the sacrifice was simple—they believe if you do what you love and
you'll be great at it. They did it so much that their suitcases became their closets, and the
couches and floors of fans and friends became their bedrooms. This connection to the
audience and fan base is one of the many things that separate them from your everyday
rock band.
During that journey, ENDWAY released the band’s self-titled debut album, which catapulted
them from virtually unknown to a hot commodity. As luck would have it a producer from MTV’
s The Real World happened upon the CD from one of the cast members. He liked the
ENDWAY’s sound so much so that nine of the songs off of the album were featured on five
different MTV shows including The Real World, Road Rules, and The Hills.
To keep up with the modern day trends of giving their fans continuous content and music,
the band released there next album—the appropriately titled Running Man in late 2009.
With licensing successes, several critically acclaimed performances, two critically acclaimed
albums and positive word of mouth, ENDWAY gained the attention of an up and coming
producer/label owner, Andrew Koss of Tainted Blue Studios/Productions in New York City.
Koss was so blown away with their devotion and dedication to the music that he had to be
involved! Koss in tern produced their recently released album, Colors. The album, which
features the internet hit “Running Man,” is decidedly worldlier sounding than any of
ENDWAY’s previous releases. With such a varied fan base the band succeeded in making
an album that anyone can get into no matter their background. Colors was finished in the fall
of 2010 and digitally released by Tainted Blue in the first quarter of 2011.
Despite the notoriety, ENDWAY’s backbone is still their phenomenal stage show. "We pour
our entire existence onto the stage, and want everyone to leave knowing exactly who we are
and what we're all about," says lead guitarist Kevin McHugh. No longer playing on street
corners for a few fans ENDWAY has rocked performances from historic Fenway Park and
The House of Blues to SXSW and dozens of college campuses in between. ENDWAY has
shared the stage with national acts including All Time Low, Brand New, State Radio, Boys
Like Girls, Hoobastank, Dashboard Confessional, New Found Glory, Damone, and Lost
Prophets Their ability to kick-start a music hall is now legendary. While touring in Costa Rica
in January 2008, the guys also worked hands on with the Roberta Felix Foundation, a
charity that benefits underprivileged children with special needs. “Above the money, the
memories and the fun the most basic thing we get out of touring is going out on stage and
pouring out all of our energy to the fans and them respecting that,” says lead vocalist
Morgan Dorr.
For more information, visit endway.com
| TINA |
| Music Genres: Pop, Urban, Dance, Bollywood, R&B If You Like: Rihanna, Shakira, Prince |
TINA is a singer, songwriter, guitarist, tabla player, writer, dancer, and actor that has been
touring worldwide since the age of five. Recently featured on Style Network’s hit show
“Jerseylicious”, she is about to make her mainstream breakthrough with her new single “So
Good” featuring Fat Joe. The video for “So Good” received 30,000 views in it’s first week,
which is extremely rare for an Indie Artist. “So Good” is an instantaneous, catchy pop hit that
is guaranteed to make listeners feel “So Good”!
TINA - Born in Mumbai, raised in New Jersey - music has always been an integral part of pop
sensation TINA’s life. Singing and performing since 5 years old, she had an early start with a
very musical family who toured as a professional group on weekends.
While her family may have been a traveling, touring act to a degree, the importance of
academics and family values was instilled by her parents. School was always an integral part
of TINA’s youth – yet after graduation, the young scholar set aside an honors biology
degree and being accepted into an accelerated medical program to follow her passion for
music.
Since then, the rising star has been on a musical journey experimenting in a few different
genres – complete with having worked with everyone from Ringo to Fat Joe. No stranger to
the spotlight, TINA has been on camera for everything from musical touring to media
interviews, to acting in dramatic soap operas to Indian comedies to VJ-ing a show for three
years that was broadcasted in 150 million households around the world. TINA is currently
very excited about her rebranding with a sexy new image and hot edgy urban pop sound.
Like many breaking artists who are likened to their successors, TINA often gets compared to
Nicole Scherzinger of the Pussycat Dolls, as well as mega talents Prince and Shakira
because of her multi talent ability to sing, dance and play multiple instruments. She plays
several instruments with guitar and tabla (an Indian drum) being her main focus.
TINA has surrounded herself with an impeccable team of supertalents, both on the creative
and business end. For her single, “So Good”, superstar Fat Joe is a featured guest. The
song itself is a timpani driven high energy pop track with an infectious synth driven chorus,
seductive both literally and figuratively, with Fat Joe chiming in to add his praise for TINA’s
playfulness. The track is the masterpiece of the stellar musical pair of Charlie Hype and Jim
Beanz of Timbaland Productions (Katy Perry, Jamie Foxx, Justin Timberlake). Written by Jim
Beanz, the innovative “So Good” track was produced by Charlie Hype, which proves to be a
perfect match for the sensual, exotic beauty. This collaboration of talent finesses the art of
musical seduction.
Acclaimed director Paul “Coy” Allen (Faith Evans, Katy Perry, Drake) lends his expert vision
to “So Good.” Shooting for two overnight sessions (since both the bank robbery and
nightclub scenes had to be done at night) the rapport could not have been better and the
result is a stunning visual piece of eye candy. The striking appeal of the video attracted
popular Style Network reality show Jerseylicious to participate and include the making of the
"So Good" video in to one of their upcoming episodes.
The singer is shunning the old school ideology of shopping the album around, to instead
release it through her own production team – Sunset Entertainment Group. With the industry
changing so much, an artist has the resources to do so much more independently than in
the past. Of her do it yourself movement, TINA says “I’m not trying to make an anti-record
label statement with this album, but with this unstoppable team on my side this is an
opportunity to actively make things happen, instead of the waiting game of them happening
to you!”
For more information, visit www.tinaworld.com
touring worldwide since the age of five. Recently featured on Style Network’s hit show
“Jerseylicious”, she is about to make her mainstream breakthrough with her new single “So
Good” featuring Fat Joe. The video for “So Good” received 30,000 views in it’s first week,
which is extremely rare for an Indie Artist. “So Good” is an instantaneous, catchy pop hit that
is guaranteed to make listeners feel “So Good”!
TINA - Born in Mumbai, raised in New Jersey - music has always been an integral part of pop
sensation TINA’s life. Singing and performing since 5 years old, she had an early start with a
very musical family who toured as a professional group on weekends.
While her family may have been a traveling, touring act to a degree, the importance of
academics and family values was instilled by her parents. School was always an integral part
of TINA’s youth – yet after graduation, the young scholar set aside an honors biology
degree and being accepted into an accelerated medical program to follow her passion for
music.
Since then, the rising star has been on a musical journey experimenting in a few different
genres – complete with having worked with everyone from Ringo to Fat Joe. No stranger to
the spotlight, TINA has been on camera for everything from musical touring to media
interviews, to acting in dramatic soap operas to Indian comedies to VJ-ing a show for three
years that was broadcasted in 150 million households around the world. TINA is currently
very excited about her rebranding with a sexy new image and hot edgy urban pop sound.
Like many breaking artists who are likened to their successors, TINA often gets compared to
Nicole Scherzinger of the Pussycat Dolls, as well as mega talents Prince and Shakira
because of her multi talent ability to sing, dance and play multiple instruments. She plays
several instruments with guitar and tabla (an Indian drum) being her main focus.
TINA has surrounded herself with an impeccable team of supertalents, both on the creative
and business end. For her single, “So Good”, superstar Fat Joe is a featured guest. The
song itself is a timpani driven high energy pop track with an infectious synth driven chorus,
seductive both literally and figuratively, with Fat Joe chiming in to add his praise for TINA’s
playfulness. The track is the masterpiece of the stellar musical pair of Charlie Hype and Jim
Beanz of Timbaland Productions (Katy Perry, Jamie Foxx, Justin Timberlake). Written by Jim
Beanz, the innovative “So Good” track was produced by Charlie Hype, which proves to be a
perfect match for the sensual, exotic beauty. This collaboration of talent finesses the art of
musical seduction.
Acclaimed director Paul “Coy” Allen (Faith Evans, Katy Perry, Drake) lends his expert vision
to “So Good.” Shooting for two overnight sessions (since both the bank robbery and
nightclub scenes had to be done at night) the rapport could not have been better and the
result is a stunning visual piece of eye candy. The striking appeal of the video attracted
popular Style Network reality show Jerseylicious to participate and include the making of the
"So Good" video in to one of their upcoming episodes.
The singer is shunning the old school ideology of shopping the album around, to instead
release it through her own production team – Sunset Entertainment Group. With the industry
changing so much, an artist has the resources to do so much more independently than in
the past. Of her do it yourself movement, TINA says “I’m not trying to make an anti-record
label statement with this album, but with this unstoppable team on my side this is an
opportunity to actively make things happen, instead of the waiting game of them happening
to you!”
For more information, visit www.tinaworld.com
| Ally Way |
| Music Genres: Alternative, R&B, Gospel, Classical, Soft Rock If You Like: Norah Jones, Corrine Bailey Rae, India Arie Simpson, Joni Mitchell, Abbey Lincoln |
What if you ran across Joni Mitchell in 1967 or Roberta Flack in '72. How about Sheryl
Crow in '91 or Alanis in '94 or Norah Jones or Alicia Keys before they'd been discovered,
would you stop and listen?
Legendary producer David Z (Prince, Jody Watley, Fine Young Cannibals, Angilque Kidjo,
etc.) did. When he heard Ally Way he was so impressed he immediately came on-board to
produce Ally's first release.
Meet Ally Way and this is her year. Smart songs, incredible talent, and a unique musical
vision. More than just the latest trend, her songs share the same timeless quality of the
great female artists of the rock era.
Look into the eyes of youthful songstress Ally Way, and an ancient serenity gazes back.
Asked where she was born, she sweetly says, "I'm originally from heaven," and you
believe her. Throw in the angelic voice and an original writing talent, and Ally Way adds
up to a remarkable young woman, an enthralling performer whose warm soul comes
through in every note.
Born in Washington, DC to a gospel-singer mother and an instrumentalist father, Ally grew
up surrounded by music and spirituality. She started singing at an early age, combining
the family tradition with inspirations from Joni Mitchell to John Mayer, Bonnie Raitt, and
even Nirvana. At age 14 she was blessed to learn guitar from the late DC icon and Blue
Note artist Noble Jolley. Later, she studied opera and theatre, skills that help make every
Ally Way performance an event.
Ally's muse has taken her many places. She taught yoga in Central America, sang with
great Costa Rican musicians, and then rolled into San Francisco like a velvet fog. Arriving
with no job and no place of her own, she brought only her talent, her extensive songbook,
and her endless optimism. In no time, Ally was cutting tracks with local groups, showcasing
in Los Angeles, and making a name with her unique blend of soul, folk, and personal
vision.
A strict vegetarian and a student of world spirituality, Ally seeks to communicate with more
than words, healing with her voice. Back in the Washington area to be with family, she is
putting the finishing touches on her first album. She appears frequently on local stages,
sharing her sweetness, warmth, and moving stories with happy fans and new listeners
alike.
www.ally-way.com
Crow in '91 or Alanis in '94 or Norah Jones or Alicia Keys before they'd been discovered,
would you stop and listen?
Legendary producer David Z (Prince, Jody Watley, Fine Young Cannibals, Angilque Kidjo,
etc.) did. When he heard Ally Way he was so impressed he immediately came on-board to
produce Ally's first release.
Meet Ally Way and this is her year. Smart songs, incredible talent, and a unique musical
vision. More than just the latest trend, her songs share the same timeless quality of the
great female artists of the rock era.
Look into the eyes of youthful songstress Ally Way, and an ancient serenity gazes back.
Asked where she was born, she sweetly says, "I'm originally from heaven," and you
believe her. Throw in the angelic voice and an original writing talent, and Ally Way adds
up to a remarkable young woman, an enthralling performer whose warm soul comes
through in every note.
Born in Washington, DC to a gospel-singer mother and an instrumentalist father, Ally grew
up surrounded by music and spirituality. She started singing at an early age, combining
the family tradition with inspirations from Joni Mitchell to John Mayer, Bonnie Raitt, and
even Nirvana. At age 14 she was blessed to learn guitar from the late DC icon and Blue
Note artist Noble Jolley. Later, she studied opera and theatre, skills that help make every
Ally Way performance an event.
Ally's muse has taken her many places. She taught yoga in Central America, sang with
great Costa Rican musicians, and then rolled into San Francisco like a velvet fog. Arriving
with no job and no place of her own, she brought only her talent, her extensive songbook,
and her endless optimism. In no time, Ally was cutting tracks with local groups, showcasing
in Los Angeles, and making a name with her unique blend of soul, folk, and personal
vision.
A strict vegetarian and a student of world spirituality, Ally seeks to communicate with more
than words, healing with her voice. Back in the Washington area to be with family, she is
putting the finishing touches on her first album. She appears frequently on local stages,
sharing her sweetness, warmth, and moving stories with happy fans and new listeners
alike.
www.ally-way.com
| Music Genres: Rock, Pop, Alternative If You Like: Paramore, Avril Lavigne, No Doubt |
| KAILE GOH |
Kaile Goh gives pop an edge. On her forthcoming LAVA/ Universal Republic Records debut, the 15-year-old songstress infuses
attitude into each and every tune she writes and sings.
Born in Singapore, Kaile spent her first five years there before moving to Los Angeles. In L.A., she began modeling for Ford
Modeling as a kid becoming a go-to face for Disney, Target, Kodak, Mattel, Sony, and others due to her innate, natural beauty
and inimitable presence. With the money she made from modeling, she bought a Gibson Hummingbird guitar, which she still
constructs all of her songs on.
The songs started pouring out of her at ten-years-old though. Kaile could barely fret the Hummingbird, but her mom would take
her to local open mic nights where she would perform originals to stunned audiences of regulars. "Singing is something I never got
bored of," declares Kaile. "It's what I was meant to do."
In 2010, she landed a meeting with LAVA president Jason Flom. After playing three songs acoustically for Jason at The Beverly
Hills Hotel, he signed her on the spot. Before she knew it, she was in New Jersey with producer David Bendeth [Paramore,
Breaking Benjamin] recording her first album. Drawing from influences as diverse as classic rock—The Rolling Stones and The
Beatles—and Taking Back Sunday, she and Bendeth crafted a fresh and fiery sound. About working with Bendeth, she elaborates,
"I wouldn't have thought about things David suggested. It was incredible to watch him work. He preserved what I was doing but
helped me reach the next level."
attitude into each and every tune she writes and sings.
Born in Singapore, Kaile spent her first five years there before moving to Los Angeles. In L.A., she began modeling for Ford
Modeling as a kid becoming a go-to face for Disney, Target, Kodak, Mattel, Sony, and others due to her innate, natural beauty
and inimitable presence. With the money she made from modeling, she bought a Gibson Hummingbird guitar, which she still
constructs all of her songs on.
The songs started pouring out of her at ten-years-old though. Kaile could barely fret the Hummingbird, but her mom would take
her to local open mic nights where she would perform originals to stunned audiences of regulars. "Singing is something I never got
bored of," declares Kaile. "It's what I was meant to do."
In 2010, she landed a meeting with LAVA president Jason Flom. After playing three songs acoustically for Jason at The Beverly
Hills Hotel, he signed her on the spot. Before she knew it, she was in New Jersey with producer David Bendeth [Paramore,
Breaking Benjamin] recording her first album. Drawing from influences as diverse as classic rock—The Rolling Stones and The
Beatles—and Taking Back Sunday, she and Bendeth crafted a fresh and fiery sound. About working with Bendeth, she elaborates,
"I wouldn't have thought about things David suggested. It was incredible to watch him work. He preserved what I was doing but
helped me reach the next level."
| Giana Nguyen |
| Genre: Pop, Pop Rock, Adult Contemporary, SingerSongwriter Comparison: Jewel, Sara Bareilles, Colbie Calliat, Sarah McLachlan, Sheryl Crow |
With a genuine sense of excitement and gratitude imbued into every note of her work, Orange County,
CA-based singer/songwriter Giana Nguyen really means it when she thanks you for listening. Much like
fellow songstresses Sara Bareilles and Sarah McLachan, Nguyen's piano-based pop/acoustic rock
sound finds its gravity in inescapable melodies that communicate her story through authentic, personal
lyrics.
Thank you for listening. That is what you need to know about Giana Nguyen. The odds are good that
she will literally thank you for listening if given the chance, but more importantly, this sense of gratitude
and genuine excitement to be making music is imbued throughout her work. Much akin to fellow
singer/songwriters like Sara Bareilles, Colbie Caillat, and Sarah McLachlan, Giana’s piano-based
pop/acoustic rock sound is the way she’s chosen to let you know who she is, where she’s been, and
what she’s learned.
Though she studied and taught classical piano and sang in choirs while growing up in Orange County,
CA, the golden state was not the beginning of her journey. Giana was born in Saigon, during the post-
Vietnam War era. During the first 5 years of her life, Giana’s parents did their best to shelter her from
the harsh realities of a nation marked by fear and fighting. But eventually, she fled with her father in a
massive wave of Vietnamese citizens who decided to create a better life beyond their homeland. Being a
child refugee in Southern California is a whole different kind of fight, and the challenges that Giana
overcame from that point on made her strong in character and spirit yet generous of heart.
How she came to be established in her true passion of a career of making music, however, was a
different path than expected. She had a very brief flirtation with the spark of songwriting within her at
age 14, when she wrote her first 2 songs. Just as quickly as the spark ignited, though, it was made to
wait. “I guess you could say I started with Plan B for familial and personal obligations, and chose a more
practical career path in the health care industry, before circling back to Plan A, which was music.” After
earning her B.S. degree in HealthCare Administration and working a good handful of years in a field far
removed from the musical passion inside her, she decided to return to “Plan A” and began
apprehending her dreams as a songwriter/performer and music business entrepreneur.
Her debut EP, For Now, is a major milestone in Giana’s career. Featuring 6 original songs that epitomize
the best of singer/songwriter acoustic pop and showcase her clear, evocative voice, For Now beautifully
and immediately pulls her fans right up close to the heart of a woman. “I’m a sucker for romance, so it’s
no surprise that most of my songs are about falling in love, being in love, and falling out of love.” Her
songwriting and vocal performances, both perfectly-pitched for today’s Top 40 market, communicate
perspective and wisdom while sonically tipping the hat to her musical paragon Sara Bareilles. “Yep, I
admit it,” she shares with a laugh. “I’m sort of a crazy Sara fan.”
Giana is more than just a sucker for love, though. Embodying a balance of passion and practicality, she
is a savvy woman who is poised to blend her creative talents with her business skills to push her forward
in this profession. In addition to her music work, she is also committed to volunteerism and charity work,
particularly with CHOC Children’s, a pediatric hospital in Orange County, CA. “I want to continually grow
as an artist and as a person, and not just because I’m only 5’2”,” Giana proclaims with a wink and a
smile. Short on height, perhaps, but certainly not on vision and commitment to her art. “I feel like I’m
having a second coming of age, with renewed spirit and excitement for what lies ahead. It’s like waking
from a dream and finally giving myself a chance to live it out.”
One often finds their destiny on the path they take to avoid it, and it’s been a long and unique journey
for Giana Nguyen as she found her way to the life and career she has now. A war. A boat. A new life in a
new land. A Plan B and a Plan A and a second start for a first passion. More than most musicians, she
knows the precious value of what she has because, for so long, she had something else. In life, she has
experienced obstacles that most never will, but hers is not a story of pity or sappy sentiment. It is one of
strength, and self-possession, and gratitude. “For the longest time, I didn’t dare to embrace my artistry.
But ultimately, the truth came out and the songs in me wanted to be heard. Thank you for listening.”
>>>For more info: giananguyen.com
CA-based singer/songwriter Giana Nguyen really means it when she thanks you for listening. Much like
fellow songstresses Sara Bareilles and Sarah McLachan, Nguyen's piano-based pop/acoustic rock
sound finds its gravity in inescapable melodies that communicate her story through authentic, personal
lyrics.
Thank you for listening. That is what you need to know about Giana Nguyen. The odds are good that
she will literally thank you for listening if given the chance, but more importantly, this sense of gratitude
and genuine excitement to be making music is imbued throughout her work. Much akin to fellow
singer/songwriters like Sara Bareilles, Colbie Caillat, and Sarah McLachlan, Giana’s piano-based
pop/acoustic rock sound is the way she’s chosen to let you know who she is, where she’s been, and
what she’s learned.
Though she studied and taught classical piano and sang in choirs while growing up in Orange County,
CA, the golden state was not the beginning of her journey. Giana was born in Saigon, during the post-
Vietnam War era. During the first 5 years of her life, Giana’s parents did their best to shelter her from
the harsh realities of a nation marked by fear and fighting. But eventually, she fled with her father in a
massive wave of Vietnamese citizens who decided to create a better life beyond their homeland. Being a
child refugee in Southern California is a whole different kind of fight, and the challenges that Giana
overcame from that point on made her strong in character and spirit yet generous of heart.
How she came to be established in her true passion of a career of making music, however, was a
different path than expected. She had a very brief flirtation with the spark of songwriting within her at
age 14, when she wrote her first 2 songs. Just as quickly as the spark ignited, though, it was made to
wait. “I guess you could say I started with Plan B for familial and personal obligations, and chose a more
practical career path in the health care industry, before circling back to Plan A, which was music.” After
earning her B.S. degree in HealthCare Administration and working a good handful of years in a field far
removed from the musical passion inside her, she decided to return to “Plan A” and began
apprehending her dreams as a songwriter/performer and music business entrepreneur.
Her debut EP, For Now, is a major milestone in Giana’s career. Featuring 6 original songs that epitomize
the best of singer/songwriter acoustic pop and showcase her clear, evocative voice, For Now beautifully
and immediately pulls her fans right up close to the heart of a woman. “I’m a sucker for romance, so it’s
no surprise that most of my songs are about falling in love, being in love, and falling out of love.” Her
songwriting and vocal performances, both perfectly-pitched for today’s Top 40 market, communicate
perspective and wisdom while sonically tipping the hat to her musical paragon Sara Bareilles. “Yep, I
admit it,” she shares with a laugh. “I’m sort of a crazy Sara fan.”
Giana is more than just a sucker for love, though. Embodying a balance of passion and practicality, she
is a savvy woman who is poised to blend her creative talents with her business skills to push her forward
in this profession. In addition to her music work, she is also committed to volunteerism and charity work,
particularly with CHOC Children’s, a pediatric hospital in Orange County, CA. “I want to continually grow
as an artist and as a person, and not just because I’m only 5’2”,” Giana proclaims with a wink and a
smile. Short on height, perhaps, but certainly not on vision and commitment to her art. “I feel like I’m
having a second coming of age, with renewed spirit and excitement for what lies ahead. It’s like waking
from a dream and finally giving myself a chance to live it out.”
One often finds their destiny on the path they take to avoid it, and it’s been a long and unique journey
for Giana Nguyen as she found her way to the life and career she has now. A war. A boat. A new life in a
new land. A Plan B and a Plan A and a second start for a first passion. More than most musicians, she
knows the precious value of what she has because, for so long, she had something else. In life, she has
experienced obstacles that most never will, but hers is not a story of pity or sappy sentiment. It is one of
strength, and self-possession, and gratitude. “For the longest time, I didn’t dare to embrace my artistry.
But ultimately, the truth came out and the songs in me wanted to be heard. Thank you for listening.”
>>>For more info: giananguyen.com
| Jennings |
| Genre: SingerSongwriter, Pop, Indie Rock, Soft Rock, Rock-Pop, Piano Rock Comparison: Sarah McLachlan, Tori Amos, Imogen Heap |
"I really like this... Hearing (Jennings), I want to go out and hear more... That did it for me "
Rick Shoemaker, former President Warner Bros. Music
The old adage “big things come in small packages” has perhaps never been more fitting for an artist
than in the case of Jennings, the one-name moniker of New York based siren Mary Jennings.
Standing just a shade over five feet tall, Jennings delivers a robust and heartfelt sound that is anything
but small-scale. Her music reflects an enormous strength and drive that is uniquely hers, combining a
deep range of rock and pop influences with an unabashed sense of vintage style that few, if any, could
ever pull off. “I believe that the difference between an artist and the average person is a fearless and
relentless willingness to expose their quarks, oddities, secrets, and passions for all of the world to see
and hear.” says Mary.
Mary’s surge in musical expression started after the sudden death of her mother in 2001. “This tragedy
rocked me to the core, but there is so much beauty in what it allowed me to do,” she says. “All of my
emotions came pouring out in the form of melody.” At the time, her father, a former musician himself,
gave her the option to go through therapy or record an album. He knew both would be equally helpful to
her, but by recording her music, she would be able to have something to hold on to and share with
others for a lifetime.
It was on that first album that Jennings’ established her creative foundation, crafting music that bonds
her to the listener in a genuinely honest and relatable way. That openness, and the raw emotion that
she has shared on subsequent records, has attracted praise from fans and press alike. "Jennings'
music is sweet, lush, powerful, full of great hooks, intelligent and meaningful to boot! I love it!" said
Heather Miller-Rodriguez of 100.1FM KRUU. Platinum award winning producer John Rowe agrees,
calling Jennings’ music “creative and original... A breath of fresh air!"
Recent years have seen Mary’s musical aspirations starting to take shape. She has worked with
Billboard-charting songwriters, toured with national acts and has had a number of her songs placed on
popular television shows. While the professional growth and the accolades that have accompanied it are
nice, it is still the simple act of connecting with a live audience that she values the most. “Live
performances give me such a rush. It is one of the best parts about being a musician. To me, it was what
really brings the music to life. To know that you only have a few moments to capture and audience and
keep them engaged long enough to fall in love with you and your music is a difficult task, but one that I
wouldn't trade for any other profession.”
Now, that growth continues with the release of Jennings’ latest album, Collapse Collide. It’s a project that
reflects an artist, and a woman, who has confidently found her voice over the course of a long, and at
times, heart-breaking journey and the beginning of what many have already predicted: a bright and
promising future for a truly one-of-a-kind talent.
>>>For more info: www.jennings-music.com
Rick Shoemaker, former President Warner Bros. Music
The old adage “big things come in small packages” has perhaps never been more fitting for an artist
than in the case of Jennings, the one-name moniker of New York based siren Mary Jennings.
Standing just a shade over five feet tall, Jennings delivers a robust and heartfelt sound that is anything
but small-scale. Her music reflects an enormous strength and drive that is uniquely hers, combining a
deep range of rock and pop influences with an unabashed sense of vintage style that few, if any, could
ever pull off. “I believe that the difference between an artist and the average person is a fearless and
relentless willingness to expose their quarks, oddities, secrets, and passions for all of the world to see
and hear.” says Mary.
Mary’s surge in musical expression started after the sudden death of her mother in 2001. “This tragedy
rocked me to the core, but there is so much beauty in what it allowed me to do,” she says. “All of my
emotions came pouring out in the form of melody.” At the time, her father, a former musician himself,
gave her the option to go through therapy or record an album. He knew both would be equally helpful to
her, but by recording her music, she would be able to have something to hold on to and share with
others for a lifetime.
It was on that first album that Jennings’ established her creative foundation, crafting music that bonds
her to the listener in a genuinely honest and relatable way. That openness, and the raw emotion that
she has shared on subsequent records, has attracted praise from fans and press alike. "Jennings'
music is sweet, lush, powerful, full of great hooks, intelligent and meaningful to boot! I love it!" said
Heather Miller-Rodriguez of 100.1FM KRUU. Platinum award winning producer John Rowe agrees,
calling Jennings’ music “creative and original... A breath of fresh air!"
Recent years have seen Mary’s musical aspirations starting to take shape. She has worked with
Billboard-charting songwriters, toured with national acts and has had a number of her songs placed on
popular television shows. While the professional growth and the accolades that have accompanied it are
nice, it is still the simple act of connecting with a live audience that she values the most. “Live
performances give me such a rush. It is one of the best parts about being a musician. To me, it was what
really brings the music to life. To know that you only have a few moments to capture and audience and
keep them engaged long enough to fall in love with you and your music is a difficult task, but one that I
wouldn't trade for any other profession.”
Now, that growth continues with the release of Jennings’ latest album, Collapse Collide. It’s a project that
reflects an artist, and a woman, who has confidently found her voice over the course of a long, and at
times, heart-breaking journey and the beginning of what many have already predicted: a bright and
promising future for a truly one-of-a-kind talent.
>>>For more info: www.jennings-music.com
| EllenOnceAgain |
| Genre: Indie-Pop, SingerSongwriter, Folk, Pop, Soul Comparison: Corrine Bailey Rae, Adele, Fiest, Beatles, Stevie Wonder |
Ellen Once Again is a singer/songwriter and musician from Texas. Her blend of soul, folk and pop vocals blend effortlessly to make a
sound that is vintage without sounding dated.
Known for her soulful heartfelt singing, positive lyrics, beautiful personality and infectious smile Ellen is inspired by Ingrid Michaelson,
Lauryn Hill, Sara Bareilles, Adele, Corinne Bailey Rae & Stevie Wonder but maintains her own "quirky" musical identity.
Though she has been a musician since the age of 12—playing in church and the occasional gigs—Ellen has finally decided to pursue a
career in music. “It describes who I am,” she says describing the meaning behind her stage name. “I feel like I’ve been doing other stuff
but I’ve always come back to music because this is really what I want to do.” True to her word, Ellen spends the majority of her time
writing, recording and teaching music to children.
Currently in the process of recording her as yet untitled debut EP, Ellen has received critical acclaim for the few songs she has leaked
online. The fun but socially aware “Plastic Land” (Save Me) and “Spreading the Love”—the latter of which she will be shooting a video
for—are just two examples of what Ellen has in store.
Ironically, Ellen’s fan base has grown exponentially thanks to tech bloggers. Her husband, full time supporter and part time producer
Andre, introduced Ellen to the iPad in an attempt to convince her that his gadget addiction was actually useful. Over the Christmas break
the couple used a few iPad apps (Pianist Pro, Nano Studio and Bebot) and an iPhone 4 to shoot and edit her first video. The experiment
quickly went viral, garnering over 20,000 views on YouTube. The video featuring Ellen singing covers of “Hey Soul Sister” / “New Soul”
was picked up by a number of blogs and lauded as an innovative use of the technology.
Ellen plans on continuing to embrace her newfound blog fame by making more videos. However, traditional music is still her first love.
Armed with songwriting ability, a serious passion for music and a dream, Ellen Once Again is a name fans will soon be repeating again
and again.
>>>For more info: ellenonceagain.com
sound that is vintage without sounding dated.
Known for her soulful heartfelt singing, positive lyrics, beautiful personality and infectious smile Ellen is inspired by Ingrid Michaelson,
Lauryn Hill, Sara Bareilles, Adele, Corinne Bailey Rae & Stevie Wonder but maintains her own "quirky" musical identity.
Though she has been a musician since the age of 12—playing in church and the occasional gigs—Ellen has finally decided to pursue a
career in music. “It describes who I am,” she says describing the meaning behind her stage name. “I feel like I’ve been doing other stuff
but I’ve always come back to music because this is really what I want to do.” True to her word, Ellen spends the majority of her time
writing, recording and teaching music to children.
Currently in the process of recording her as yet untitled debut EP, Ellen has received critical acclaim for the few songs she has leaked
online. The fun but socially aware “Plastic Land” (Save Me) and “Spreading the Love”—the latter of which she will be shooting a video
for—are just two examples of what Ellen has in store.
Ironically, Ellen’s fan base has grown exponentially thanks to tech bloggers. Her husband, full time supporter and part time producer
Andre, introduced Ellen to the iPad in an attempt to convince her that his gadget addiction was actually useful. Over the Christmas break
the couple used a few iPad apps (Pianist Pro, Nano Studio and Bebot) and an iPhone 4 to shoot and edit her first video. The experiment
quickly went viral, garnering over 20,000 views on YouTube. The video featuring Ellen singing covers of “Hey Soul Sister” / “New Soul”
was picked up by a number of blogs and lauded as an innovative use of the technology.
Ellen plans on continuing to embrace her newfound blog fame by making more videos. However, traditional music is still her first love.
Armed with songwriting ability, a serious passion for music and a dream, Ellen Once Again is a name fans will soon be repeating again
and again.
>>>For more info: ellenonceagain.com
| jJolley |
| Music Genres: Rock, AltCountry, Blues Comparison: Journey, Led Zeppelin, Rod Stewart, Daughtry |
jJolley is a talented surf survivor. Not the California, Beach Boys kind of surf but the gritty Motor City Rock & Roll kind of surf... the Bob
Seger, Kid Rock, Eminem kind of surf.
Through his stamina and dedication, Jay has kept his balance and caught some great waves. He's established himself as an exciting
singer performing at the front of such notable bands as 2XL, Flash, Notorious Johnny’s and The Heat. He has performed and/or recorded
with many top talents, including Johnny "Bee" Badanjek and Anita Cochran. He has kicked out solid rock & roll as a keyboardist with Mitch
Ryder, Mark Farner and Dick Wagner. And, with numerous bands, he has opened for such headliners as Black Crowes, Eddie Money,
Rhythm Corps, Sass Jordan and UFO. Through singles, EPs and albums, Jay's voice has become a familiar pleasure to radio listeners
throughout the Midwest. A few years ago, he was tapped by the Detroit Red Wings to perform their game song, Get Up, which is played
every time the Red Wings take to the ice for a home game.
Music and love and loyalty are central to the DNA of Jay's family tree: Mom sang, her voice compared by many to the late Judy Garland.
Grandma was a concert pianist. Dad was an organist as a boy while growing up in England. Mom and dad owned a record store for years
in Metro Detroit.
Jay's career was diverted by the calling to take care of his mother when she was diagnosed with brain cancer and subsequently by the
deterioration of his dad's health, rest their souls. Doing the right thing is what Jay is all about. This is why, with the help of his friends and
fans he is focusing his efforts on getting into your ears and eyes and touching your heart and soul. "Take care of others and they take
care of you," is at the core of his philosophy.
During most of 2010 jJolley has been writing, recording and preparing for the big waves of a national career. With a new management
team, a new deal with indie label Double-J Music and a library of new tunes, jJolley's surf is definitely up!
'Try him on.'
jjolley.com
Seger, Kid Rock, Eminem kind of surf.
Through his stamina and dedication, Jay has kept his balance and caught some great waves. He's established himself as an exciting
singer performing at the front of such notable bands as 2XL, Flash, Notorious Johnny’s and The Heat. He has performed and/or recorded
with many top talents, including Johnny "Bee" Badanjek and Anita Cochran. He has kicked out solid rock & roll as a keyboardist with Mitch
Ryder, Mark Farner and Dick Wagner. And, with numerous bands, he has opened for such headliners as Black Crowes, Eddie Money,
Rhythm Corps, Sass Jordan and UFO. Through singles, EPs and albums, Jay's voice has become a familiar pleasure to radio listeners
throughout the Midwest. A few years ago, he was tapped by the Detroit Red Wings to perform their game song, Get Up, which is played
every time the Red Wings take to the ice for a home game.
Music and love and loyalty are central to the DNA of Jay's family tree: Mom sang, her voice compared by many to the late Judy Garland.
Grandma was a concert pianist. Dad was an organist as a boy while growing up in England. Mom and dad owned a record store for years
in Metro Detroit.
Jay's career was diverted by the calling to take care of his mother when she was diagnosed with brain cancer and subsequently by the
deterioration of his dad's health, rest their souls. Doing the right thing is what Jay is all about. This is why, with the help of his friends and
fans he is focusing his efforts on getting into your ears and eyes and touching your heart and soul. "Take care of others and they take
care of you," is at the core of his philosophy.
During most of 2010 jJolley has been writing, recording and preparing for the big waves of a national career. With a new management
team, a new deal with indie label Double-J Music and a library of new tunes, jJolley's surf is definitely up!
'Try him on.'
jjolley.com
| Van Müller |
| Music Genres: Rock, Indie, Singer Songwriter Comparison: Sheryl Crow, The Rolling Stones , Fiona Apple, Grace Potter |
All Van Muller ever wanted was the music.
As a young girl growing up in the countryside of Brazil, Van Muller became enthralled with the music her
three aunts introduced her to: Rock N Roll. Muller had the posters on her wall of rock icons and endured
long bus trips to catch her heroes live, always dreaming that one day it would be her up on the stage.
Inspired early on by the showmanship of acts such as Queen, David Bowie and Madonna, Muller quickly
fell in love with the singer/songwriter aesthetic espoused by James Taylor, Neil Young, Bob Dylan and
even the Beatles. Muller developed a hunger for American culture that was insatiable, be it for movies,
television or the latest hot rock/pop act on the scene.
At the age of sixteen, Van Muller gave up her comfortable country life and moved to Sao Paulo, Brazil to
try her hand at modeling and start a band. Her first stage experience as a vocalist was performing cover
versions of 1980’s rock hits. Muller took the process seriously, engaging a professional voice teacher
and traveling to New York City every chance she got. Eventually Muller made the leap of faith and
moved herself to New York, hoping the bright lights of The Big Apple would light the way to her dreams.
Muller’s songwriting style is a mish-mash of sounds, blending the raw rock aesthetic of the Rolling
Stones with the sensual oomph of Chrissie Hynde and the casual grace of Sheryl Crow. As a vocalist,
Muller commands the mic with the succulent alto of Hynde or Stevie Nicks and the edgy flair of Meredith
Brooks. One thing is abundantly clear from the outset, Van Muller is never happier than when she is on
stage. Music isn’t just a career for Muller; it’s a way of life. It couldn’t be any other way for a girl who
started singing in bars at the tender age of seven. Muller takes her music seriously but is the furthest
thing from a diva you could find. While the business of making music is a serious one for Muller, it’s also
serious fun.
Van Muller is currently having a blast developing her debut album, Find Yourself Here under the guiding
hand of producer/bassist Ken Rich (Joseph Arthur, Ani DiFranco, David Byrne, Shabba Ranks). Muller
credits Rich with helping her become more focused as a songwriter. There’s a freshness to the album,
as Muller tells stories from her own life, crafting a blend of musical styles ranging from 1960’s to 1990’s
rock and pop. It’s as if Muller took all the influences of her childhood heroes, internalized them and has
created something new yet with distinctive ties to the past. You’ll be hooked from the opening notes with
Muller’s confessorial style, pop sensibility and her amazing voice.
Songwriting hasn’t been Ken Rich’s only influence, however. Rich brought in up-and-coming engineer
Tomek Miernowski (The Spring Standards, The Pierces, The Madison Square Gardeners), and helped
Muller put together an all-star band. Artists featured on Van Muller’s upcoming album include Ben Butler
(Jonatha Brooke, Dar Williams, Mariah Carey, Suzanne Vega) on guitar, Ethan Eubanks (Joseph Arthur,
Crash Test Dummies) on drums, Whynot Jansveld (The Weepies, Gavin DeGraw) on bass, Rich Hinman
(Roseanne Cash) on pedal steel, Andrew Sherman (Mariah Carey, Brian McKnight) on keys and Time
Ries (Rolling Stones) on saxophone. It comes as no surprise, then, that the music behind Muller sounds
like it might be played by the house band in Paradise.
In spite all of the allusions to heroes and rock stars, Van Muller is just a girl who fell so deeply in love
with music that she gave up her life and changed hemispheres just to make her dreams come true. Even
a few minutes of conversation with Muller will convince you that she’s not destined to be a cardboard
cutout pop/rock personality. Muller displays the personal grace and pure love of what she does that are
marks of the musical elite. Muller has the raw talent to make her dreams come true, and in Ken Rich she
has found a mentor with the knowledge and experience to help her turn the straws of talent into gold.
Van Muller is on a wondrous journey. Find Yourself Here is just the starting point; an apt reminder that
we all must begin with figuring out who we are. Van Muller has found herself in music; she finds herself
again every time she steps upon the stage. Van Muller is ready for the world.
www.myspace.com/vanmuller
As a young girl growing up in the countryside of Brazil, Van Muller became enthralled with the music her
three aunts introduced her to: Rock N Roll. Muller had the posters on her wall of rock icons and endured
long bus trips to catch her heroes live, always dreaming that one day it would be her up on the stage.
Inspired early on by the showmanship of acts such as Queen, David Bowie and Madonna, Muller quickly
fell in love with the singer/songwriter aesthetic espoused by James Taylor, Neil Young, Bob Dylan and
even the Beatles. Muller developed a hunger for American culture that was insatiable, be it for movies,
television or the latest hot rock/pop act on the scene.
At the age of sixteen, Van Muller gave up her comfortable country life and moved to Sao Paulo, Brazil to
try her hand at modeling and start a band. Her first stage experience as a vocalist was performing cover
versions of 1980’s rock hits. Muller took the process seriously, engaging a professional voice teacher
and traveling to New York City every chance she got. Eventually Muller made the leap of faith and
moved herself to New York, hoping the bright lights of The Big Apple would light the way to her dreams.
Muller’s songwriting style is a mish-mash of sounds, blending the raw rock aesthetic of the Rolling
Stones with the sensual oomph of Chrissie Hynde and the casual grace of Sheryl Crow. As a vocalist,
Muller commands the mic with the succulent alto of Hynde or Stevie Nicks and the edgy flair of Meredith
Brooks. One thing is abundantly clear from the outset, Van Muller is never happier than when she is on
stage. Music isn’t just a career for Muller; it’s a way of life. It couldn’t be any other way for a girl who
started singing in bars at the tender age of seven. Muller takes her music seriously but is the furthest
thing from a diva you could find. While the business of making music is a serious one for Muller, it’s also
serious fun.
Van Muller is currently having a blast developing her debut album, Find Yourself Here under the guiding
hand of producer/bassist Ken Rich (Joseph Arthur, Ani DiFranco, David Byrne, Shabba Ranks). Muller
credits Rich with helping her become more focused as a songwriter. There’s a freshness to the album,
as Muller tells stories from her own life, crafting a blend of musical styles ranging from 1960’s to 1990’s
rock and pop. It’s as if Muller took all the influences of her childhood heroes, internalized them and has
created something new yet with distinctive ties to the past. You’ll be hooked from the opening notes with
Muller’s confessorial style, pop sensibility and her amazing voice.
Songwriting hasn’t been Ken Rich’s only influence, however. Rich brought in up-and-coming engineer
Tomek Miernowski (The Spring Standards, The Pierces, The Madison Square Gardeners), and helped
Muller put together an all-star band. Artists featured on Van Muller’s upcoming album include Ben Butler
(Jonatha Brooke, Dar Williams, Mariah Carey, Suzanne Vega) on guitar, Ethan Eubanks (Joseph Arthur,
Crash Test Dummies) on drums, Whynot Jansveld (The Weepies, Gavin DeGraw) on bass, Rich Hinman
(Roseanne Cash) on pedal steel, Andrew Sherman (Mariah Carey, Brian McKnight) on keys and Time
Ries (Rolling Stones) on saxophone. It comes as no surprise, then, that the music behind Muller sounds
like it might be played by the house band in Paradise.
In spite all of the allusions to heroes and rock stars, Van Muller is just a girl who fell so deeply in love
with music that she gave up her life and changed hemispheres just to make her dreams come true. Even
a few minutes of conversation with Muller will convince you that she’s not destined to be a cardboard
cutout pop/rock personality. Muller displays the personal grace and pure love of what she does that are
marks of the musical elite. Muller has the raw talent to make her dreams come true, and in Ken Rich she
has found a mentor with the knowledge and experience to help her turn the straws of talent into gold.
Van Muller is on a wondrous journey. Find Yourself Here is just the starting point; an apt reminder that
we all must begin with figuring out who we are. Van Muller has found herself in music; she finds herself
again every time she steps upon the stage. Van Muller is ready for the world.
www.myspace.com/vanmuller
| Jennifer Richman |
| Music Genres: Singer Songwriter, Folk, Adult Contemporary, Pop Comparison: Jewel, Joni Mitchell, Sarah McLachlan, Shania Twain, Mindy Smith |
Sometimes we survive through our art, and sometimes we save others. Jennifer Richman has done both.
The Brooklyn born and bred singer/songwriter has a penchant for uplifting lyrics and songs of hope and
inspiration. Her song “Beautiful Girl” spent over 30 weeks on Top 40 and Adult Contemporary Charts in
2010, and Jennifer was nominated as Best Female Artist and Best New Artist of 2010 by New Music
Weekly Magazine.
Jennifer Richman grew up in a middle class family, and was encouraged early on in her artistic pursuits
as a ballet dancer. Jennifer caught the singing bug from her twin sister, and her grandmother fed the fire
by teaching her piano. Still, Jennifer was shy about performing. A solo in junior high broke the dam,
however, and the reticent performer became the girl who wouldn’t stop singing practically overnight.
Jennifer suddenly took great joy in singing for others, but music was much more than just performance.
Music became an emotional life raft for Jennifer; a stabilizing force that grounded and inspired her.
These days Jennifer performs with the hope of inspiring others.
Jennifer, an Occupational Therapist by day, began taking a guitar with her on internships while in
college, staying after her shift was over and playing music for her patients. It was here that Jennifer
became convinced of the healing magic of music. These days Jennifer works primarily with autistic
children, and has seen non-verbal kids begin to speak through the power of music. Its experiences like
these that drive Jennifer to create; to write songs that inspire and engage her listeners.
Jennifer is also an avid student and practitioner of Yoga, and met her Guru, Swami Yogiraj Nanak
Chand during one of his trips to New York City. Yoga has helped Jennifer connect with her true self.
Because of this internal connection, Jennifer has become adept at connecting with fans, whether
through recorded media or in her live shows. Jennifer touches hearts the way most people shake hands,
casually and without pretense. Fans from all over the world have been moved by Jennifer’s songs, and
reach out to tell her so.
Jennifer Richman’s songwriting has won her comparisons to Jewel and Joni Mitchell, while her voice
recalls Shania Twain and Mindy Smith. All of these are fair assessments, but fail to capture the essence
of Jennifer Richman. Jennifer carries with her a quiet intensity blended with a sense of wonder at the
world around her. She’s a survivor who’s found a way to thrive, and believes that everyone deserves the
same opportunity. This energy and commitment to others shines through in her music, in her life as a
therapist, and in her role as a lecturer at Columbia University, where she espouses the healing power of
music in the world of autism. It is a mark of Jennifer’s character that every professional aspect she’s
taken on seeks to make the lives of others better.
Jennifer Richman’s debut album, Flowers Of Gold, finds Jennifer weaving her personal experiences into
song like a master songwriter. The beatific sound of her voice puts listeners immediately at ease, and
Jennifer fills her songs with messages of hope, comfort and survival.
Jennifer is currently working on her sophomore effort, due in 2011; a more mature musical affair
informed by years of honing her songwriting and vocal craft. With inspiration gained from the passing of
friends and new perspectives on concepts such as thankfulness and forgiveness, Jennifer’s trademark
mix of sweet melodies and insightful lyrics evoke hope for a new tomorrow.
Jennifer Richman brings you into her stories like an old friend. It is this quality, more than any other that
distinguishes Jennifer as an artist. Her songs touch chords in her listeners because they are honest
stories told from the well of memory and the depths of emotion. Her drive to heal and inspire has
informed everything that Jennifer has ever done, and she brings that drive to the world in song. Jennifer
Richman is the change she wishes to see in the world.
www.jenniferrichman.com
The Brooklyn born and bred singer/songwriter has a penchant for uplifting lyrics and songs of hope and
inspiration. Her song “Beautiful Girl” spent over 30 weeks on Top 40 and Adult Contemporary Charts in
2010, and Jennifer was nominated as Best Female Artist and Best New Artist of 2010 by New Music
Weekly Magazine.
Jennifer Richman grew up in a middle class family, and was encouraged early on in her artistic pursuits
as a ballet dancer. Jennifer caught the singing bug from her twin sister, and her grandmother fed the fire
by teaching her piano. Still, Jennifer was shy about performing. A solo in junior high broke the dam,
however, and the reticent performer became the girl who wouldn’t stop singing practically overnight.
Jennifer suddenly took great joy in singing for others, but music was much more than just performance.
Music became an emotional life raft for Jennifer; a stabilizing force that grounded and inspired her.
These days Jennifer performs with the hope of inspiring others.
Jennifer, an Occupational Therapist by day, began taking a guitar with her on internships while in
college, staying after her shift was over and playing music for her patients. It was here that Jennifer
became convinced of the healing magic of music. These days Jennifer works primarily with autistic
children, and has seen non-verbal kids begin to speak through the power of music. Its experiences like
these that drive Jennifer to create; to write songs that inspire and engage her listeners.
Jennifer is also an avid student and practitioner of Yoga, and met her Guru, Swami Yogiraj Nanak
Chand during one of his trips to New York City. Yoga has helped Jennifer connect with her true self.
Because of this internal connection, Jennifer has become adept at connecting with fans, whether
through recorded media or in her live shows. Jennifer touches hearts the way most people shake hands,
casually and without pretense. Fans from all over the world have been moved by Jennifer’s songs, and
reach out to tell her so.
Jennifer Richman’s songwriting has won her comparisons to Jewel and Joni Mitchell, while her voice
recalls Shania Twain and Mindy Smith. All of these are fair assessments, but fail to capture the essence
of Jennifer Richman. Jennifer carries with her a quiet intensity blended with a sense of wonder at the
world around her. She’s a survivor who’s found a way to thrive, and believes that everyone deserves the
same opportunity. This energy and commitment to others shines through in her music, in her life as a
therapist, and in her role as a lecturer at Columbia University, where she espouses the healing power of
music in the world of autism. It is a mark of Jennifer’s character that every professional aspect she’s
taken on seeks to make the lives of others better.
Jennifer Richman’s debut album, Flowers Of Gold, finds Jennifer weaving her personal experiences into
song like a master songwriter. The beatific sound of her voice puts listeners immediately at ease, and
Jennifer fills her songs with messages of hope, comfort and survival.
Jennifer is currently working on her sophomore effort, due in 2011; a more mature musical affair
informed by years of honing her songwriting and vocal craft. With inspiration gained from the passing of
friends and new perspectives on concepts such as thankfulness and forgiveness, Jennifer’s trademark
mix of sweet melodies and insightful lyrics evoke hope for a new tomorrow.
Jennifer Richman brings you into her stories like an old friend. It is this quality, more than any other that
distinguishes Jennifer as an artist. Her songs touch chords in her listeners because they are honest
stories told from the well of memory and the depths of emotion. Her drive to heal and inspire has
informed everything that Jennifer has ever done, and she brings that drive to the world in song. Jennifer
Richman is the change she wishes to see in the world.
www.jenniferrichman.com
| Rachel Brown |
| Music Genres: Singer Songwriter, Pop, Folk, World Comparison: Jack Johnson, Colbie Caillat, Norah Jones, Paul Simon |
23-year-old Rachel Brown is a singer, songwriter and musician born and raised in New York City. Brown’s music fuses pop, Caribbean,
Hawaiian, country and world sounds into a captivating groove."
In solo recordings, with her guitar or ukulele, Rachel’s unique voice combines sweetness, sultriness and vulnerability, enchanting the
listener. When coupled with her band of talented African musicians, Brown’s Bermudian and Ethiopian heritage shines.
As a fairly new artist with no formal musical training, Brown found her voice the old fashioned way. “My songwriting process—which started
about five years ago— consisted of grabbing my guitar and learning to play it while I wrote these songs,” says Brown. “I just kind of play
things until they sound right.”
Brown’s natural talent was quickly recognized by her peers and established veterans alike. She was the 2010 recipient of the prestigious
ASCAP Foundation Robert Allen Award for songwriting. She also awarded a very coveted audition slot at the National Association for
Campus Activities national convention.
Having only been performing publicly since her junior year in college, the Harvard graduate’s (she was selected as one of Harvard’s “15
Most Interesting Seniors” in 2010) honest lyrics and melodic sound has secured exposure not often seen by a new artist. Brown opened
for the likes of Mary J. Blige and Robin Thicke at Bermuda’s National Stadium and John Legend and Quincy Jones at the Bermuda Music
Festival.
Brown’s music also caught the ear of one of her favorite musical influences, Wyclef Jean. Last summer the singer received a surprise
when Jean brought her up on stage to perform an impromptu duet of Bob Marley’s “Redemption Song” at an iMentor fundraiser.
With so much happening so fast, Brown is appreciating every step. “It’s been a pleasant surprise time and time again when someone tells
me they enjoy the music or they can relate to it because I’m just writing about my life and making music that I enjoy.”
Brown recently released an extended single featuring her award winning single “Bumblebee” as well as two other critically acclaimed
songs—“Diamond in the Rough” and a live performance of “Lullaby.” The single is available at Brown’s shows and through various digital
distributors. The multi-talented vocalist is also currently working on her as-yet-untitled debut CD, which is expected to be released in late
summer 2011.
rachelbrownmusic.com
Hawaiian, country and world sounds into a captivating groove."
In solo recordings, with her guitar or ukulele, Rachel’s unique voice combines sweetness, sultriness and vulnerability, enchanting the
listener. When coupled with her band of talented African musicians, Brown’s Bermudian and Ethiopian heritage shines.
As a fairly new artist with no formal musical training, Brown found her voice the old fashioned way. “My songwriting process—which started
about five years ago— consisted of grabbing my guitar and learning to play it while I wrote these songs,” says Brown. “I just kind of play
things until they sound right.”
Brown’s natural talent was quickly recognized by her peers and established veterans alike. She was the 2010 recipient of the prestigious
ASCAP Foundation Robert Allen Award for songwriting. She also awarded a very coveted audition slot at the National Association for
Campus Activities national convention.
Having only been performing publicly since her junior year in college, the Harvard graduate’s (she was selected as one of Harvard’s “15
Most Interesting Seniors” in 2010) honest lyrics and melodic sound has secured exposure not often seen by a new artist. Brown opened
for the likes of Mary J. Blige and Robin Thicke at Bermuda’s National Stadium and John Legend and Quincy Jones at the Bermuda Music
Festival.
Brown’s music also caught the ear of one of her favorite musical influences, Wyclef Jean. Last summer the singer received a surprise
when Jean brought her up on stage to perform an impromptu duet of Bob Marley’s “Redemption Song” at an iMentor fundraiser.
With so much happening so fast, Brown is appreciating every step. “It’s been a pleasant surprise time and time again when someone tells
me they enjoy the music or they can relate to it because I’m just writing about my life and making music that I enjoy.”
Brown recently released an extended single featuring her award winning single “Bumblebee” as well as two other critically acclaimed
songs—“Diamond in the Rough” and a live performance of “Lullaby.” The single is available at Brown’s shows and through various digital
distributors. The multi-talented vocalist is also currently working on her as-yet-untitled debut CD, which is expected to be released in late
summer 2011.
rachelbrownmusic.com
| Charlotte Sabina |
| Music Genres: Pop, Rock, Singer Songwriter Comparison: Sara Bareilles, Taylor Swift, Joan Jett, Fiona Apple, Stevie Nicks, Kim Carnes |
By almost any measure, Charlotte Sabina is a typical ten year-old girl. She lives in Manhattan with her
parents and younger brother and has attended the same school since kindergarten. She plays tennis,
lacrosse and flag football and she surfs competitively; she spends her free time playing in her tree
house with her friends and her brother and she likes to dig her toes into the sand at the beach during
the summer when she’s not training as a junior lifeguard. Most of all, Sabina has the joyous, short-
attention span of a ten-year old. That is, unless she’s making music. When Charlotte Sabina sits down
at the piano, a transformation comes over her. She suddenly displays an intensity and competence that
artists twice her age struggle to find, working at her creations with a dogged determination that inspires
awe in her teachers and her artistic collaborators.
Charlotte Sabina began to learn piano at seven years old and guitar when she was eight, and started
composing music almost immediately. These early works were of a classical persuasion, influenced by
her piano teacher and by trips to the New York Philharmonic. Charlotte wrote a piece for her father
entitled “Father’s Day,” and played it for her music class at school. The piece itself and Charlotte’s
emotional performance reinforced what her music teacher had already suspected, and prompted a letter
home: Charlotte had something very special that must be nurtured.
Together teachers, family and friends encouraged Charlotte, but it was the music itself that drove her.
She would play the piano in the middle of the night, to the chagrin of neighbors in her apartment
building, and sneak away during recess to play in the school music room. Charlotte wrote a special
piece for an all-school event for Grandparents’ Day, which would be Charlotte’s first formal performance.
She dedicated the piece to her brother and left the audience breathless.
In the winter of 2010 Charlotte was selected to appear at the Guggenheim museum in New York in an
interactive piece by Tino Sehgal. While not a musical exhibit, it was the first time Charlotte was exposed
to how large audiences of strangers responded to art, and to the spoken word. At the same time Sabina’
s friends, who were also intrigued by her burgeoning talent, encouraged her to begin writing pop songs
and lyrics. Little did they know what they were setting in motion.
Sabina writes the sort of pop music that makes you happy; that makes you want to sing in the shower. In
spite of her tender age, Sabina writes articulate songs full of brilliant hooks and emotion. If you were to
hear a Charlotte Sabina song on the radio you’d assume it was written by an established 20-something
artist. When you see the reality, you’ll be amazed. Unusual beauty and poise aside, Charlotte Sabina is
an all-American ten year old girl.
After seeing Sabina progress so far over her first two years as a musician, her parents surprised her for
her tenth birthday with time in a professional recording studio. Working with producer/guitarist Jeffrey
Lee Campbell (Jon Bon Jovi, Sting, Aretha Franklin, Michael Bublé), Sabina has begun to make good on
the world of potential inside of her. With four pop songs under her belt to date (“Green,” “Moonlight,” the
girl-rock anthem “Not the Girl,” and her second, tear-jerking dedication to her brother, “Partner in Crime”
) Sabina is deserving of the sort of buzz that launched artists such as Taylor Swift, Justin Bieber and
Miranda Lambert. Some may think that a ten year old writing and performing is quaint, but those who
listen will be humming and singing along with the pop incandescence of this young musician. You’ll
cheer for the unconscious joy and innocent grace of . Charlotte Sabina. You can’t help but be moved.
With comparisons to artists such as Taylor Swift, Joan Jett and Fiona Apple, it seems like the world
stands at the ready for Charlotte Sabina to take the stage. For the time being, however, music is her
passion; not a business. Sabina acknowledges that she’d someday like to make music and perform as a
career, but for now music is all about having fun; mastering the rules and then breaking them; creation.
Whether you come for the joy of youth, the magic of promise or the pure pop confections, a little time
spent with Charlotte Sabina will make you feel like a kid again. Sabina is a reminder of all that’s good
and pure in pop music, hearkening back to a time when songs on the radio were fun, rather than
expositions of angst and sorrow. You can learn more about Charlotte Sabina on her website, www.
charlottesabina.com, watch her videos on YouTube and download her songs on iTunes or Amazon (for
now Charlotte is giving any money she makes to Doctors Without Borders). And the time will come when
you’ll be able to find her in any major music store and see her on tour. Perhaps one day she’ll even
realize her dream of appearing on Saturday night live. Not even the stars themselves seem out of reach
for Charlotte Sabina.
www.charlottesabina.com
parents and younger brother and has attended the same school since kindergarten. She plays tennis,
lacrosse and flag football and she surfs competitively; she spends her free time playing in her tree
house with her friends and her brother and she likes to dig her toes into the sand at the beach during
the summer when she’s not training as a junior lifeguard. Most of all, Sabina has the joyous, short-
attention span of a ten-year old. That is, unless she’s making music. When Charlotte Sabina sits down
at the piano, a transformation comes over her. She suddenly displays an intensity and competence that
artists twice her age struggle to find, working at her creations with a dogged determination that inspires
awe in her teachers and her artistic collaborators.
Charlotte Sabina began to learn piano at seven years old and guitar when she was eight, and started
composing music almost immediately. These early works were of a classical persuasion, influenced by
her piano teacher and by trips to the New York Philharmonic. Charlotte wrote a piece for her father
entitled “Father’s Day,” and played it for her music class at school. The piece itself and Charlotte’s
emotional performance reinforced what her music teacher had already suspected, and prompted a letter
home: Charlotte had something very special that must be nurtured.
Together teachers, family and friends encouraged Charlotte, but it was the music itself that drove her.
She would play the piano in the middle of the night, to the chagrin of neighbors in her apartment
building, and sneak away during recess to play in the school music room. Charlotte wrote a special
piece for an all-school event for Grandparents’ Day, which would be Charlotte’s first formal performance.
She dedicated the piece to her brother and left the audience breathless.
In the winter of 2010 Charlotte was selected to appear at the Guggenheim museum in New York in an
interactive piece by Tino Sehgal. While not a musical exhibit, it was the first time Charlotte was exposed
to how large audiences of strangers responded to art, and to the spoken word. At the same time Sabina’
s friends, who were also intrigued by her burgeoning talent, encouraged her to begin writing pop songs
and lyrics. Little did they know what they were setting in motion.
Sabina writes the sort of pop music that makes you happy; that makes you want to sing in the shower. In
spite of her tender age, Sabina writes articulate songs full of brilliant hooks and emotion. If you were to
hear a Charlotte Sabina song on the radio you’d assume it was written by an established 20-something
artist. When you see the reality, you’ll be amazed. Unusual beauty and poise aside, Charlotte Sabina is
an all-American ten year old girl.
After seeing Sabina progress so far over her first two years as a musician, her parents surprised her for
her tenth birthday with time in a professional recording studio. Working with producer/guitarist Jeffrey
Lee Campbell (Jon Bon Jovi, Sting, Aretha Franklin, Michael Bublé), Sabina has begun to make good on
the world of potential inside of her. With four pop songs under her belt to date (“Green,” “Moonlight,” the
girl-rock anthem “Not the Girl,” and her second, tear-jerking dedication to her brother, “Partner in Crime”
) Sabina is deserving of the sort of buzz that launched artists such as Taylor Swift, Justin Bieber and
Miranda Lambert. Some may think that a ten year old writing and performing is quaint, but those who
listen will be humming and singing along with the pop incandescence of this young musician. You’ll
cheer for the unconscious joy and innocent grace of . Charlotte Sabina. You can’t help but be moved.
With comparisons to artists such as Taylor Swift, Joan Jett and Fiona Apple, it seems like the world
stands at the ready for Charlotte Sabina to take the stage. For the time being, however, music is her
passion; not a business. Sabina acknowledges that she’d someday like to make music and perform as a
career, but for now music is all about having fun; mastering the rules and then breaking them; creation.
Whether you come for the joy of youth, the magic of promise or the pure pop confections, a little time
spent with Charlotte Sabina will make you feel like a kid again. Sabina is a reminder of all that’s good
and pure in pop music, hearkening back to a time when songs on the radio were fun, rather than
expositions of angst and sorrow. You can learn more about Charlotte Sabina on her website, www.
charlottesabina.com, watch her videos on YouTube and download her songs on iTunes or Amazon (for
now Charlotte is giving any money she makes to Doctors Without Borders). And the time will come when
you’ll be able to find her in any major music store and see her on tour. Perhaps one day she’ll even
realize her dream of appearing on Saturday night live. Not even the stars themselves seem out of reach
for Charlotte Sabina.
www.charlottesabina.com
| Summerfield |
| Music Genres: Country, Pop, Alternative, Folk Comparison: Taylor Swift, Alanis Morissette, Colbie Caillat, Sugarland, Lady Antebellum |
Family acts are one of the deepest traditions of music from the American South. From the earliest days of the settlers, music has always
been an important Southern family and social activity. Strong and unshakeable, it’s just something that’s in the blood—and in the air—
when Southern folks get together to play. Think of the Carter Family, the Everly and Allman brothers, the Judds. And now prepare to add
another name to that list: Summerfield.
Comprised of cousins Summer Collins (15, vocals and guitar) and Isaac Ball (20, violin), Summerfield is an astonishing modern country-
pop duo that, in barely a year, has won legions of fervent fans stretching from the pair’s Fayetteville, North Carolina, home to as far away
as Russia and Europe. But, being close relatives, Summerfield’s roots naturally go back farther than the act’s official beginnings.
“Our families get together every year for the holidays and have a little private Christmas concert,” says Isaac, whose interest in the violin
started when he was six. “When Summer and I first played with some other family members at one of those gatherings, we never thought
that in just a few years we’d be working together—and having so much fun writing songs.”
Fifteen of those songs make up Sunlit Destination, Summerfield’s debut on the group’s own Rock the Boat Records label (the duo also
runs its own publishing wing). “Everything,” the album’s uplifting first single, was composed by Isaac as a tribute to his hard-working
father, a loving sentiment that Summer, a self-described “Army brat,” strongly shares. “Like Isaac, I’m very thankful to my dad for all he
does,” says the singer, who has been performing since age 10. “‘Everything’ has a message people everywhere can relate to, I think.”
Among the record’s other melodic, radio-ready cuts with equally far-reaching resonance are “Hurricane,” a poignant meditation on the
confusion of first love, laced with Summer’s soaring voice; and the title track, a carefree ode to breaking free from the workaday world that
pairs Isaac’s lilting strings with rock-tinged guitars.
As a live act, Summerfield had a true baptism of fire—playing to over 15,000 people at Fayetteville’s annual Dogwood Festival in April
2010. “We were pretty nervous at first,” recalls Isaac. “But it felt great and right away we knew we had something really special.” Still
floating on air from their debut, the duo spent the following summer rehearsing, performing, and writing songs—and then it was off to
Nashville to record Sunlit Destination.
Advance reviews of Sunlit Destination have seen Summerfield compared to hitmakers Taylor Swift, Lady Antebellum, and Vanessa
Carlton. “We admire those artists because, like them, we try to write songs that are fun but have a meaningful story,” explains Summer, an
honor student who brought her homework to the studio. Each single off the album is being accompanied by a specially produced video.
“What strikes me most about Summer and Isaac’s music is the substance it has,” says producer Ben Rice (Goesl’s Parade, Pilotdrift), who
oversaw the sessions at NashVin Studio. “Even though they’re both still really young, their songs have real depth and longevity. Working
with Summerfield feels like being on the cusp of something big.” And, judging by the music and the reaction of those who hear and see
Summerfield perform it, that something will only get bigger over time.
www.summerfieldnow.com
been an important Southern family and social activity. Strong and unshakeable, it’s just something that’s in the blood—and in the air—
when Southern folks get together to play. Think of the Carter Family, the Everly and Allman brothers, the Judds. And now prepare to add
another name to that list: Summerfield.
Comprised of cousins Summer Collins (15, vocals and guitar) and Isaac Ball (20, violin), Summerfield is an astonishing modern country-
pop duo that, in barely a year, has won legions of fervent fans stretching from the pair’s Fayetteville, North Carolina, home to as far away
as Russia and Europe. But, being close relatives, Summerfield’s roots naturally go back farther than the act’s official beginnings.
“Our families get together every year for the holidays and have a little private Christmas concert,” says Isaac, whose interest in the violin
started when he was six. “When Summer and I first played with some other family members at one of those gatherings, we never thought
that in just a few years we’d be working together—and having so much fun writing songs.”
Fifteen of those songs make up Sunlit Destination, Summerfield’s debut on the group’s own Rock the Boat Records label (the duo also
runs its own publishing wing). “Everything,” the album’s uplifting first single, was composed by Isaac as a tribute to his hard-working
father, a loving sentiment that Summer, a self-described “Army brat,” strongly shares. “Like Isaac, I’m very thankful to my dad for all he
does,” says the singer, who has been performing since age 10. “‘Everything’ has a message people everywhere can relate to, I think.”
Among the record’s other melodic, radio-ready cuts with equally far-reaching resonance are “Hurricane,” a poignant meditation on the
confusion of first love, laced with Summer’s soaring voice; and the title track, a carefree ode to breaking free from the workaday world that
pairs Isaac’s lilting strings with rock-tinged guitars.
As a live act, Summerfield had a true baptism of fire—playing to over 15,000 people at Fayetteville’s annual Dogwood Festival in April
2010. “We were pretty nervous at first,” recalls Isaac. “But it felt great and right away we knew we had something really special.” Still
floating on air from their debut, the duo spent the following summer rehearsing, performing, and writing songs—and then it was off to
Nashville to record Sunlit Destination.
Advance reviews of Sunlit Destination have seen Summerfield compared to hitmakers Taylor Swift, Lady Antebellum, and Vanessa
Carlton. “We admire those artists because, like them, we try to write songs that are fun but have a meaningful story,” explains Summer, an
honor student who brought her homework to the studio. Each single off the album is being accompanied by a specially produced video.
“What strikes me most about Summer and Isaac’s music is the substance it has,” says producer Ben Rice (Goesl’s Parade, Pilotdrift), who
oversaw the sessions at NashVin Studio. “Even though they’re both still really young, their songs have real depth and longevity. Working
with Summerfield feels like being on the cusp of something big.” And, judging by the music and the reaction of those who hear and see
Summerfield perform it, that something will only get bigger over time.
www.summerfieldnow.com
| Jenn Bostic |
| Music Genres: Pop, Soul, Folk, Blues Comparison: Sara Bareilles, Sarah McLachlan, Sheryl Crow, Bonnie Raitt, Missy Higgins |
“Love me, hate me/Leave or take me/Just don’t make me change” “Change”
Jenn Bostic’s career as a singer and songwriter began when she was 10 years old, in the back seat of her father’s car with her older
brother on the way to school. A horrific crash that killed her dad, a hobby musician who taught her folk songs like “Sunny Side of the
Street,” and turned her on to Emmylou Harris and Bonnie Raitt, changed the 25-year-old’s life forever.
“God must need another angel/Around the throne tonight,” she sings on “Jealous of the Angels,” a song on her second album, the follow-
up to her promising debut, Keep Lookin for Love. “Your love lives on inside of me/And I will hold on tight.”
Born in Philadelphia, but raised in Waconia, Minnesota, a small town 30 miles west of Minneapolis, Jenn grew up singing with her family
around the piano. Her father, a CEO of NordicTrack, played a variety of instruments, including accordion, while his daughter picked up a
love of folk, blues, R&B, soul, show tunes and, eventually, country. Seeing her father die in front of her made her angry with God at first,
but she later found an outlet for her sorrow in music and writing songs.
“The first time I was able to sit down at the piano and play, I shut my eyes and honestly felt a presence next to me,” she explains. “I
poured my heart into those first few songs. The only way I could connect and be with my dad was when I played music. And I still
feel that way.”
Jenn went on to perform wherever she could, taking voice, piano and acting lessons, singing in choirs and school musicals. She would sit
in with a local roots band, Traveled Ground, that consisted of teachers from her middle and high school, and once included her father on
accordion.
She went east to attend the famed Berklee School of Music, where she honed her performance skills while studying music education, a
field still vitally important to her.
“One day, I’d love to open up a ‘School of Rock’ type institution,” she says. “Just really give back by working with people who are as
passionate as I am about music.” She also discovered country music, singing for a cover band called DiggerDawg, which opened
for a variety of performers, including Alan Jackson, Josh Turner, Brad Paisley, Reba McEntire and Gretchen Wilson, as well as traveling
to Iraq and Kuwait on an Armed Forces Entertainment Tour to entertain the U.S. troops.
On graduation, she relocated to Nashville, where she fell in with the local community, taking part in writers’ rounds and performing on a
regular basis. “Change,” another song on the new album, expresses her frustration at being told she was “too pop for country and too
country for pop.” “Everybody’s so quick with advice/About who I’m supposed to be,” she sings, stating defiantly, while quoting Judy
Garland, “Never be a second-rate version of somebody else.”
“It’s a challenge,” she says. “The biggest thing I’ve learned as an artist is to stop worrying about what I think everybody else wants and to
write music that I love. When I stopped worrying about impressing people and started to focus on touching lives, that’s when things started
happening, and that’s what makes me happy.”
Take Sheryl Crow’s bluesy approach, Sarah McLachlan’s purity of voice and Sara Bareilles’ funkiness and you get an idea of Jenn Bostic.
Working with producer Barrett Yeretsian (“Jar of Hearts”) in Los Angeles and fellow Berklee grad Charlie Hutto at Nashville’s legendary
Starstruck Studios, Bostic’s sophomore album is a superb showcase for her talents as both a singer and writer.
The album’s centerpiece, “Jealous of the Angels,” came out of a songwriting session. “It started with the phrase, ‘around the throne
tonight,’” she explains. “I just began writing down pages of my feelings about my dad, read them to the others and they started picking
out pieces. We just mapped out all these emotions and placed them in the song.”
The jaunty “Let’s Get Ahead of Ourselves” came from her “trying to make the best of everything… It’s about the fact life can be short, so
why not grab every moment.”
“Missin’ a Man” is about her now-husband, whom she left back home in Minnesota after moving to Nashville. “I wrote it wishing he was
here with me,” she says. “But it’s something everyone can relate to, like a wife waiting for a soldier to come home from the battlefront.
Everybody misses somebody at some point.”
“Lips on Mine” captures that longing and sensuality. “I’ve always done my best not to jump into a relationship too fast,” she says. “I never
wanted to look to a guy to try to fill the void left by my dad. Music fills that for me.”
“Wait for Me” is all about the patience needed in a notoriously competitive business like music. “I’m not only doing this for me, but for my
family,” she says. “I want them to be proud of me. It’s like finding your wings and preparing to fly.”
Keep an eye on Jenn Bostic as she starts to take off.
“I’m a big dreamer,” she admits. “Winning a Grammy is the ultimate goal. I’ve visualized it happening; next step is making that dream a
reality.”
With a little help from someone who continues watching over her shoulder.
“When I play ‘Angels,’ and people come up to me and tell me a story about losing a loved one, how the song touched them and helped
them heal, that means more to me than anything.”
www.jennbostic.com
Jenn Bostic’s career as a singer and songwriter began when she was 10 years old, in the back seat of her father’s car with her older
brother on the way to school. A horrific crash that killed her dad, a hobby musician who taught her folk songs like “Sunny Side of the
Street,” and turned her on to Emmylou Harris and Bonnie Raitt, changed the 25-year-old’s life forever.
“God must need another angel/Around the throne tonight,” she sings on “Jealous of the Angels,” a song on her second album, the follow-
up to her promising debut, Keep Lookin for Love. “Your love lives on inside of me/And I will hold on tight.”
Born in Philadelphia, but raised in Waconia, Minnesota, a small town 30 miles west of Minneapolis, Jenn grew up singing with her family
around the piano. Her father, a CEO of NordicTrack, played a variety of instruments, including accordion, while his daughter picked up a
love of folk, blues, R&B, soul, show tunes and, eventually, country. Seeing her father die in front of her made her angry with God at first,
but she later found an outlet for her sorrow in music and writing songs.
“The first time I was able to sit down at the piano and play, I shut my eyes and honestly felt a presence next to me,” she explains. “I
poured my heart into those first few songs. The only way I could connect and be with my dad was when I played music. And I still
feel that way.”
Jenn went on to perform wherever she could, taking voice, piano and acting lessons, singing in choirs and school musicals. She would sit
in with a local roots band, Traveled Ground, that consisted of teachers from her middle and high school, and once included her father on
accordion.
She went east to attend the famed Berklee School of Music, where she honed her performance skills while studying music education, a
field still vitally important to her.
“One day, I’d love to open up a ‘School of Rock’ type institution,” she says. “Just really give back by working with people who are as
passionate as I am about music.” She also discovered country music, singing for a cover band called DiggerDawg, which opened
for a variety of performers, including Alan Jackson, Josh Turner, Brad Paisley, Reba McEntire and Gretchen Wilson, as well as traveling
to Iraq and Kuwait on an Armed Forces Entertainment Tour to entertain the U.S. troops.
On graduation, she relocated to Nashville, where she fell in with the local community, taking part in writers’ rounds and performing on a
regular basis. “Change,” another song on the new album, expresses her frustration at being told she was “too pop for country and too
country for pop.” “Everybody’s so quick with advice/About who I’m supposed to be,” she sings, stating defiantly, while quoting Judy
Garland, “Never be a second-rate version of somebody else.”
“It’s a challenge,” she says. “The biggest thing I’ve learned as an artist is to stop worrying about what I think everybody else wants and to
write music that I love. When I stopped worrying about impressing people and started to focus on touching lives, that’s when things started
happening, and that’s what makes me happy.”
Take Sheryl Crow’s bluesy approach, Sarah McLachlan’s purity of voice and Sara Bareilles’ funkiness and you get an idea of Jenn Bostic.
Working with producer Barrett Yeretsian (“Jar of Hearts”) in Los Angeles and fellow Berklee grad Charlie Hutto at Nashville’s legendary
Starstruck Studios, Bostic’s sophomore album is a superb showcase for her talents as both a singer and writer.
The album’s centerpiece, “Jealous of the Angels,” came out of a songwriting session. “It started with the phrase, ‘around the throne
tonight,’” she explains. “I just began writing down pages of my feelings about my dad, read them to the others and they started picking
out pieces. We just mapped out all these emotions and placed them in the song.”
The jaunty “Let’s Get Ahead of Ourselves” came from her “trying to make the best of everything… It’s about the fact life can be short, so
why not grab every moment.”
“Missin’ a Man” is about her now-husband, whom she left back home in Minnesota after moving to Nashville. “I wrote it wishing he was
here with me,” she says. “But it’s something everyone can relate to, like a wife waiting for a soldier to come home from the battlefront.
Everybody misses somebody at some point.”
“Lips on Mine” captures that longing and sensuality. “I’ve always done my best not to jump into a relationship too fast,” she says. “I never
wanted to look to a guy to try to fill the void left by my dad. Music fills that for me.”
“Wait for Me” is all about the patience needed in a notoriously competitive business like music. “I’m not only doing this for me, but for my
family,” she says. “I want them to be proud of me. It’s like finding your wings and preparing to fly.”
Keep an eye on Jenn Bostic as she starts to take off.
“I’m a big dreamer,” she admits. “Winning a Grammy is the ultimate goal. I’ve visualized it happening; next step is making that dream a
reality.”
With a little help from someone who continues watching over her shoulder.
“When I play ‘Angels,’ and people come up to me and tell me a story about losing a loved one, how the song touched them and helped
them heal, that means more to me than anything.”
www.jennbostic.com
| ©2011 NewMusicUSA.biz |
| Music Genres: Pop, Rock, Folk, Acoustic, Rock-Pop Comparison: John Mayer, David Gray, Five for Fighting, Jack Johnson, Eagles |
"In the Sun," debuted at #89 on the Hot 100 Singles chart in its first week!
Former English teacher Mark Radcliffe grew up in Maine & Vermont and spent years as a writer
before turning his wordsmithing to music. Having now played venues all over the country, Mark is
steadily winning over new fans with his just-released album “The Sea Before Us, produced in
Hollywood by Rob Giles of The Rescues and mastered by Grammy-winner Gavin Lurssen.
Mark’s journey hasn’t been the typical path of most singer/ songwriters. He didn’t grow up in New
York, LA or Nashville. He wasn’t born to musician parents. Or enrolled in music classes from age five
and on. He didn’t go to Berkeley, or have an uncle in the record biz, or take lessons from Shawn
Mullins.
He grew up in a small town in Maine, spent all his time devoted to sports, and didn’t even pick up a
guitar until he was 17. And he worked for years as an English teacher & professional writer before
ever writing his first song. In a world of teenage American Idol winners, Mark was a late-bloomer. But
maybe that’s what the music world could use a little more of.
What he did have was 10 years of living in various cities in every corner of the country to draw from.
Hardship & heartbreak as a teacher working with troubled teens. Exploits as a traveling writer in
Europe. Star-crossed relationships. Epic road trips. Failed jobs. And a lot of hard-won knowledge of
the self. And he was always making music on the side. Constantly developing his love for melody.
Whether from the countless Beatles & Eagles albums his father played in the house growing up, or
the endless spins of U2, Crowded House & Indigo Girls in college, to the guitar riffs of Van Halen &
Joe Satriani, he always felt a good melody was the most sacred currency in the world. And so finally in
his late twenties, after a gradually evolving love-affair with song-writing, he wrote the songs that would
become his first CD, ALL I CAN REMEMBER, recorded in two days in small basement studio in
Portland, Oregon where he was living at the time.
Soon he switched his focus from writing to songwriting, playing in various nationally-recognized
venues like Eddie’s Attic in Atlanta, Club Passim in Boston, Mississippi Studios in Portland, OR, The
Living Room & Rockwood Music Hall in New York, and LA venues such as Genghis Cohen, the Room
5 Lounge, and the Knitting Factory in Hollywood. And then while living and playing regularly in LA,
Mark met Rob Giles, a singer in The Rescues, who would become his next producer & co-writer.
Finally in early 2009, he entered the studio with Rob & producing partner Rich Jacques to shape and
record the 11 songs that would comprise his first full-studio CD, THE SEA BEFORE US. Written during
his two years in Santa Monica, THE SEA BEFORE US blends acoustic pop-rock sensibilities with 70’s
California sweetness, a Beatles-esque knack for melody, and lyrics that explore the undulations of
romantic uncertainty and the quest for knowledge of the self. Mastered by Grammy-winner Gavin
Lurssen, THE SEA BEFORE US represents a giant leap forward in the career of an artist who has just
begun to spread his wings.
markradcliffe.net
Former English teacher Mark Radcliffe grew up in Maine & Vermont and spent years as a writer
before turning his wordsmithing to music. Having now played venues all over the country, Mark is
steadily winning over new fans with his just-released album “The Sea Before Us, produced in
Hollywood by Rob Giles of The Rescues and mastered by Grammy-winner Gavin Lurssen.
Mark’s journey hasn’t been the typical path of most singer/ songwriters. He didn’t grow up in New
York, LA or Nashville. He wasn’t born to musician parents. Or enrolled in music classes from age five
and on. He didn’t go to Berkeley, or have an uncle in the record biz, or take lessons from Shawn
Mullins.
He grew up in a small town in Maine, spent all his time devoted to sports, and didn’t even pick up a
guitar until he was 17. And he worked for years as an English teacher & professional writer before
ever writing his first song. In a world of teenage American Idol winners, Mark was a late-bloomer. But
maybe that’s what the music world could use a little more of.
What he did have was 10 years of living in various cities in every corner of the country to draw from.
Hardship & heartbreak as a teacher working with troubled teens. Exploits as a traveling writer in
Europe. Star-crossed relationships. Epic road trips. Failed jobs. And a lot of hard-won knowledge of
the self. And he was always making music on the side. Constantly developing his love for melody.
Whether from the countless Beatles & Eagles albums his father played in the house growing up, or
the endless spins of U2, Crowded House & Indigo Girls in college, to the guitar riffs of Van Halen &
Joe Satriani, he always felt a good melody was the most sacred currency in the world. And so finally in
his late twenties, after a gradually evolving love-affair with song-writing, he wrote the songs that would
become his first CD, ALL I CAN REMEMBER, recorded in two days in small basement studio in
Portland, Oregon where he was living at the time.
Soon he switched his focus from writing to songwriting, playing in various nationally-recognized
venues like Eddie’s Attic in Atlanta, Club Passim in Boston, Mississippi Studios in Portland, OR, The
Living Room & Rockwood Music Hall in New York, and LA venues such as Genghis Cohen, the Room
5 Lounge, and the Knitting Factory in Hollywood. And then while living and playing regularly in LA,
Mark met Rob Giles, a singer in The Rescues, who would become his next producer & co-writer.
Finally in early 2009, he entered the studio with Rob & producing partner Rich Jacques to shape and
record the 11 songs that would comprise his first full-studio CD, THE SEA BEFORE US. Written during
his two years in Santa Monica, THE SEA BEFORE US blends acoustic pop-rock sensibilities with 70’s
California sweetness, a Beatles-esque knack for melody, and lyrics that explore the undulations of
romantic uncertainty and the quest for knowledge of the self. Mastered by Grammy-winner Gavin
Lurssen, THE SEA BEFORE US represents a giant leap forward in the career of an artist who has just
begun to spread his wings.
markradcliffe.net
| Mark Radcliffe |
